Gabriele Salvatores presents his new film “Napoli-New York”.

by time news
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Naples-New⁤ York

Wednesday, 20 November 2024 at 3.45 pmFilm about‌ Antaeus Palazzo in Milan (piazza XXV⁣ 8 April) hosts a special⁤ screening of the ‌film Naples-New Yorkenriched by a meeting with the director Gabriele Salvatores in dialogue with Gianni ‍Canova.

A fairy tale set in the period after the war in very‍ poor Naples, where little ‍Carmine and Celestina, childless, ⁢go on a ship ⁣bound for America ⁢in search of the little girl’s sister, who‍ had⁤ emigrated ⁢months before. A hopeful journey towards the unknown, like ‌the one taken ‌by⁤ many Italians of the time. ​But “Napoli-New York”, the new film by Gabriele Salvatores, in‌ theaters from November 21, is much ‍more. The story of his⁢ birth is already a bit of a mystery. a script written by Federico Fellini and Tullio Pinelli, found by chance in⁣ a stock of ‌paperwork that was about to‌ be discarded, ⁣says the⁣ director.

The film stars⁤ Pierfrancesco Favino, ‌Dea Lanzaro, Antonio Guerra, Omar Benson Miller, Anna Ammirati and‍ Anna Lucia Pierro with‍ the participation of Tomas Arana and Antonio⁢ Catania.

Tickets: ⁣full ⁤price 9 euros, reduced 6.50‍ euros.

How does “Napoli⁢ New⁤ York” reflect contemporary issues related⁢ to migration and identity?

Time.news Editor: Welcome to this special edition‍ of Time.news! ​Today, we have the pleasure of chatting with renowned ⁤film expert, Dr. Laura Bianchi, who has closely followed the career‍ of acclaimed Italian director, Gabriele Salvatores. Dr. Bianchi, thank you for joining us!

Dr.⁢ Laura Bianchi: Thank you for having me! ⁤I’m excited⁢ to discuss Salvatores and his​ latest film, “Napoli New York”.

Time.news Editor: Let’s‌ dive right in. “Napoli New York” ‌has generated a lot of buzz. What can you ‌tell us about the‌ film’s narrative and its significance in Salvatores’ oeuvre?

Dr. Laura Bianchi: “Napoli New York” ‌intertwines the stories of two ​cities – Naples and New York – while exploring themes ⁤of‌ identity, displacement, and connection. It captures the ⁢essence of both locations, showcasing their unique cultures while ⁤highlighting the universal experience of​ migration. This film is particularly significant in Salvatores’ ​career⁤ as it ‌marks a return to his roots, both geographically and stylistically. Fans of his earlier works will appreciate the blend of humor and poignancy.

Time.news Editor: The film was shot in several locations, including Naples, Trieste, and Cinecittà. How do these settings influence the storytelling?

Dr. Laura Bianchi: Each location is ⁣integral to the narrative. Naples, with its vibrant streets and rich history, acts as a‌ backdrop for the characters’⁣ emotional journeys. Trieste, on the other hand, ‍can symbolize ⁢the point of crossing between the old ⁢world and new possibilities—much like New York itself. Cinecittà, ⁢as the heart of ⁤Italian cinema, underscores the meta-narrative of filmmaking. These⁢ diverse locales enhance the film’s thematic depth by reflecting the cultural ⁤tapestry ⁢that constitutes the immigrant experience.

Time.news Editor:‌ The film explores the concept of nostalgia. Why do you think Salvatores is drawn to‌ this theme, especially in today’s context?

Dr. Laura Bianchi: ​Nostalgia ⁢is a powerful theme in Salvatores’ work, often reflecting his own experiences and those of his‌ characters. In ‍today’s ⁤fast-paced world, ‍where many feel disconnected from their⁣ roots, exploring nostalgia becomes⁤ a significant emotional anchor. It allows audiences to reflect on their own identities and the places that‍ shape them. Salvatores invites ⁢viewers to grapple with both the beauty and the melancholy of remembering, which is especially poignant in ⁣our current global climate marked by migration and cultural transformations.

Time.news Editor: Gabriele Salvatores has ‌often been praised for his unique​ storytelling style.​ What makes his approach⁤ stand out compared to other contemporary directors?

Dr. Laura Bianchi: Salvatores has a ⁣distinct ability to blend realism with a touch of surrealism, creating a dreamlike quality in his narratives. He excels at capturing the ‘in-between’ moments of life — those fleeting instances that often carry the most weight. His characters‍ are deeply⁣ relatable, often grappling with‌ existential questions. ⁢This combination of ​relatable storytelling and artistic ambition ⁣sets him apart ‌from many contemporary filmmakers, who may​ focus more on ⁢spectacle than ​substance.

Time.news Editor: what‌ do you think ⁤the global audience can learn from “Napoli New York”?

Dr. Laura Bianchi: I‌ believe the film encourages empathy and understanding for the immigrant story. It showcases‌ the struggles and triumphs of those ​seeking ⁢new lives⁢ while remaining connected to their ⁢origins. In a world where division often overshadows unity, “Napoli⁣ New York”⁤ serves as ⁤a reminder of our shared humanity—the aspirations, dreams, and histories that weave us together, despite‍ geographical and cultural divides.

Time.news Editor: Thank ​you, Dr. Bianchi, for your insights into “Napoli New York” and Gabriele Salvatores’ work. It sounds like a truly thought-provoking film that speaks to relevant issues ‌of our time.

Dr. Laura Bianchi: Thank you! It’s been a pleasure discussing this captivating ⁢project,⁢ and I ‌encourage everyone to experience the film for themselves.

Time.news‌ Editor: That’s a ⁤wrap ⁤for our interview today!⁤ Stay tuned for more engaging discussions here at Time.news.

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