2023-07-21 22:43:00
Title: German Director Maria Schroeder Discusses Israel, Women in Film, and Shira Haas
Subtitle: Schroeder’s Affinity for Israel and the Jewish World Shines Through in Filmography
By Avner Shavit
German director Maria Schroeder, known for her work on Netflix’s hit series “The Rebel,” made her mark in Hollywood as one of the industry’s hottest names. This week, she arrived in Israel to serve on the jury of the international competition at the Jerusalem Film Festival. In an interview during the festival, Schroeder discussed her special connection to Israel and the Jewish world, her experience working with actress Shira Haas, and her commitment to punctuality.
Unlike some directors, Schroeder eschews any star mannerisms. Instead of conducting the interview in the artificial environment of a restaurant or office, she insisted on sitting in the garden, surrounded by makeshift chairs. “I need a break from the air conditioning,” she explained, as she lit up a cigarette.
Schroeder’s affinity for Israel and Judaism began at a young age. She first visited Israel when she was only 14, and as an actress, she frequently portrayed Jewish characters in acclaimed films such as “Rosenstrasse” and “Emma Jaguar,” which earned her an actress award at the Berlin Film Festival.
Transitioning behind the camera, Schroeder’s connection to Israel and Judaism only deepened. Her directorial debut, “Love Life,” was based on Tsaroya Shalu’s book. She went on to direct films centered around Jewish figures such as the writer Stefan Zweig. Her popular series, “The Rebel,” showcased the ultra-Orthodox community in an empathetic and nuanced manner.
When asked about her relationship with Shira Haas, who starred in “The Rebel,” Schroeder expressed her admiration for the exceptional actress and noted that they recently met in Israel. Additionally, Schroeder mentioned other young talents in the series, Amit Rahab and Jeff Wilbush, whose careers were jump-started by their roles in “The Rebel.”
Reflecting on her film “Mila Shela,” which did not fare well at the box office, Schroeder acknowledged the challenges associated with tackling sensitive topics, such as the MeToo movement. She believes that societal discomfort and insecurity may have influenced the film’s perceived failure, but remains hopeful that it may find its audience in the near future.
Schroeder also touched upon her collaboration with Natasha Breyer, the photographer for “Her Word.” She admitted that in her previous films, she did not work with a female cinematographer, instead preferring a gender balance between director and cameraman. However, for “Her Word,” Schroeder believed that working with Breyer was the right choice and praised their shared vision for a quasi-documentary approach.
The film “Her Word” marks a significant milestone, as it is the first-ever movie shot within the “New York Times” system. Although some critics pointed out the perceived ugliness of New York City in the film, Schroeder defended their approach, stating that they captured the city as it is, without waiting for specific weather conditions. She emphasized that their aim was to portray the two main characters as ordinary working women, highlighting the realities of their lives.
When asked about the artistic choices in “Her Word,” including the decision not to depict Harvey Weinstein or his crimes, Schroeder explained that every film involves manipulation. She is more concerned with the director’s awareness and responsibility in their storytelling. For Schroeder, a film’s value lies in the director’s unique point of view and perspective.
As the interview wrapped up, Schroeder, known for her punctuality, expressed her optimism and excitement for the upcoming film screening. Despite having seen thousands of movies, she never wants to miss a single second of a new film’s beginning, as she enjoys immersing herself in stories and being part of people’s lives.
The Jerusalem Film Festival, where Schroeder is serving as a jury member, will continue until Sunday. For screening dates and ticket information, please visit the festival’s official website.
Avner Shavit is the film critic of ‘Wala!’
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