2024-07-24 03:01:54
July 24, 2024, 06:16
At the start, on July 13, the Catalan singer Magalí Sare performed together with double bassist Manel Fortià and the Norwegian duo with Bosnian-Serbian roots Meskovic & Lazar in a double concert.
From July 24 to 28, Leyla McCalla, Beth Malcolm, and Mari Kalkun will make their Austrian debuts at Sandgrube 13 in Krems, and an appearance by Oumou Sangaré from Mali is also planned. Beate Wiesinger (with her project whIm) will meet the Croatian duo Dunjaluk, followed by a performance featuring jazz musicians John Scofield and Dave Holland. To conclude, Ernst Molden will be heard, who has written a song cycle on the theme of bird calls for the festival.
Ö1 will broadcast four concerts live from Krems.
WED | 24 07 2024 | 19:30
The Austrian debuts of the Polish band Tegie Chlopy and US singer-cellist Leyla McCalla
Two very different bands will open the Glatt & Verkehrt concert series at Winzer Krems: The nine-member band Tegie Chlopy from Warsaw will lively perform traditional dance music from the region around the southern Polish city of Kielce. At times, the music takes on a bluesy tone reminiscent of the marching bands of New Orleans.
This is also one of the connections to Leyla McCalla, who has lived in New Orleans since 2009 – and she too will make her Austrian debut with her band. The 39-year-old singer-cellist, born in New York City, reflects on themes such as motherhood, femininity, and anti-capitalist activism in her songs. With her new album “Sun Without The Heat,” McCalla circles around afrofuturistic texts infused with sounds from the African American diaspora: elements of jazz and blues, Haitian Twoubadou music, and Brazilian Tropicalismo are merged into a sensual hybrid folk sound.
THU | 25 07 2024 | 19:30
The duo Dave Holland/John Scofield and Beate Wiesinger’s whIm and Dunjaluk live from Krems
Two masters who no longer need to prove anything to anyone are expected today on the Glatt & Verkehrt stage in Krems. The 77-year-old grand seigneur of the double bass, Dave Holland, and the 72-year-old master of the distorted, bluesy electric guitar, John Scofield, celebrate the high art of the duo. Virtuoso and sophisticated, yet free of routine and ready to surprise themselves.
Alongside the meeting of British-American jazz legends, there will also be a musical encounter of Vienna and Zagreb: Bassist Beate Wiesinger brings a three-member delegation from her acclaimed chamber-pop-jazz band Echoboomer, called “whIm,” together with the Croatian duo Dunjaluk. Singer Dunja Bahtijarevic and guitarist Luka Capeta represent the combination of expressive Bosnian Sevdah songs with lively rock-style electric guitar sounds. The basis of this multipolar musical dialogue is provided by Beate Wiesinger’s sketch-like “One Page Songs,” conceived within the framework of an Ö1 composition commission.
SA | 27 07 2024 | 19:30
Singer Mari Kalkun, tuba virtuoso Daniel Herskedal – and the voice of Oumou Sangaré
Contrasting sounds from Northern Europe and West Africa will be experienced today at Glatt & Verkehrt in Krems, live on Ö1: Estonian singer Mari Kalkun interprets old folk songs from her homeland with a touching voice, accompanied on the Kannel, a traditional zither. Joining her as a duo partner is Norwegian Daniel Herskedal, who comes from jazz and develops his own sound worlds from the deep tones of tuba and bass trumpet using a loop generator.
On stage will be vocal icon Oumou Sangaré from Mali. The 56-year-old addresses the situation of women in West Africa in her songs, with a strong commitment to self-determination and tolerance. With her current album “Timbuktu,” Oumou Sangaré once again connects the tradition of her home region Wassoulou with blues, folk, and rock elements. She and her eight-member band are undoubtedly a powerful highlight of this year’s Glatt & Verkehrt program.
SO | 28 07 2024 | 19:05
World premiere of Ernst Molden’s song cycle “Fliagl”
The Viennese singer/songwriter Ernst Molden has sung quite a bit already. For instance, his hometown Vienna including “Hammerschmidgossn” and “Luegerplatz” as well as – in the program “Schdrom” – the Danube. In the new program “Fliagl,” commissioned by Glatt & Verkehrt, which celebrates its premiere today, he will address our feathered counterparts – and what birds can symbolize in relation to us humans.
Molden will be accompanied by a prominent band lineup including Anna Anderluh (voice, autoharp), Aliosha Biz (violin), Thomas Gravogl (voice, guitar, harmonica), Maria Petrova (drums), Andrej Prozorov (soprano saxophone), Walther Soyka (accordion), and Hannes Wirth (guitar). A grand finale for the Glatt & Verkehrt Festival 2024, live on Ö1!
Exploring the Future of Global Music Fusion
The landscape of music is rapidly evolving, highlighting the powerful interconnections among diverse cultures and musical traditions. Events such as the Glatt & Verkehrt Festival in Krems are at the forefront, showcasing an impressive array of artists who bridge genres and geographical divides. With acts like Leyla McCalla weaving together jazz, blues, and Afro-Caribbean influences, while Dave Holland and John Scofield celebrate the collaboration of seasoned jazz musicians, the festival encapsulates the growing trend of genre-blending.
As global connectivity increases, more artists are expected to experiment with eclectic sounds, drawing inspiration from their cultural heritages while embracing modern influences. For instance, musicians like Oumou Sangaré are not only preserving traditional West African music but also fusing it with contemporary genres such as rock and folk. This willingness to innovate may lead to an enriched listening experience for audiences worldwide.
Furthermore, the rise of digital platforms has made world music more accessible than ever, allowing niche genres to find audiences beyond their local communities. The growing popularity of collaborative projects, where musicians from different backgrounds come together, signifies a shift towards inclusivity and diversity in music. Artists like Mari Kalkun, who draw on their roots while exploring new dimensions within their work, are likely to inspire a wave of future musicians to embrace this hybrid approach.
Moreover, the use of technology in music production is set to revolutionize how traditional sounds are integrated with contemporary musical frameworks. This trend not only enhances creativity but also democratizes music-making by providing more avenues for emerging artists to experiment and showcase their talent. As we witness the world respond to social movements, music reflecting themes of empowerment and activism—like those explored by McCalla and Sangaré—will likely resonate deeply with audiences.
Lastly, festivals like Glatt & Verkehrt play a crucial role in not just presenting diverse acts, but in cultivating an appreciation for cultural dialogue through music. With live broadcasts and engagements reaching wider audiences, the future seems bright for global music fusion, offering an exciting array of sounds that challenge the boundaries of what music can be.