Goheung-gun holds the 1st Song Su-kwon Academic Conference

by times news cr

Goheung-gun held the 1st Song Su-kwon Academic Conference. Goheung-gun (Governor Gong Young-min) announced that the ‘1st Goheung-gun Song Su-kwon Academic Conference’ will be⁤ held at the Woojoo Hall of the​ county office at 2 p.m. on November 8.

Poet Song Su-kwon is from ⁢Duwon-myeon, Goheung-gun,​ and is evaluated as a ‘poet representing the ⁣Namdo‘ who studied the emotions and spirit of ‌’Namdo’, where he was born and raised his entire life, as his poetic roots.

Song ⁤Soo-kwon’s academic conference, held for the first time this year, will be held under the theme of ‘Lyric Aesthetics of Song Soo-kwon’s Poetry’ and will ⁢invite three related experts to shed light on Song Soo-kwon’s poetry and literary ​world.

Professor ​Kim Seon-tae of Mokpo National University⁤ will present on ‘Poetic Embodiment of the Three Spirits ​of Namdo’ under⁤ the theme ​of Song Su-kwon’s ‍Poetry, Professor Jeong Min-gu of‌ Chonnam National University will present ‘Song Su-kwon’s Poetry ‍and Namdo’s Locality’, and ‍Professor Shin Dong-ok of Hanyang University will ⁤present ​’Song ⁤Su-kwon’s Poetry’. We plan to​ make⁣ presentations on​ the⁤ theme of ‘the meaning of archetypal lyricism in early poetry’.

A military official⁢ said, “Although poet Song Su-kwon is a valuable cultural resource not only in Goheung ​but also in ‌the literary world ⁢of our country, his literary value has not been properly evaluated. Starting with this academic conference, we will continue to study ⁤Song Su-kwon’s ⁤literary achievements and honor his literary spirit.” “We will strive to develop Korean literature ‌and expand‌ the base ⁣of local culture,” ‍he said.

Meanwhile, the Buncheong Culture Museum ⁣in Goheung-gun announced on the 5th that it successfully opened the museum academy with about 40 trainees in attendance.

Museum Academy is a cultural lecture program ⁤designed to increase knowledge and culture of​ culture and ⁤arts and to promote the⁢ expansion of‍ glocal‌ education. The exhibition will be held in the special exhibition room of the museum starting November 11th. In conjunction with , it provides a time to reexamine the major trends and⁤ important figures in Korean modern and contemporary art history.

This academy will be held every Tuesday from November 5 to December 3 with a total of⁣ 5 lectures and field trips, and will be held ⁣jointly by the Goheung Buncheong Cultural Museum and the Hope ‌Education Development⁢ Center. The ‍Academy plans to feature writers who lived through⁣ the turbulent‌ times of Korean modern and contemporary history and representative works that are ‍fully imbued with ⁢their imagery.

In ⁢line ‌with the theme of ‘Understanding Korean modern and contemporary art after liberation’, the first lecture was given by Kim ‍Young-soon, expert member of the Gwangju Cultural Foundation, on the⁤ topic ‍’Into the art world of Korean figurative masters (Oh‍ Ji-ho, ⁢Park Soo-geun, Lee Jung-seop).’ From then on, experts in each field will be invited to provide high-quality lectures each time.

A military official said, “The museum will go beyond its role of collecting, storing, researching, and displaying cultural ​heritage and will strive to activate social education programs with residents so that more residents can enjoy ​high-quality culture.” They‌ were⁣ urged to actively participate in social education programs.

Economy Queen Reporter Hana Choi Photo: Goheung-gun

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Interview Between Time.news Editor and Professor Kim Seon-tae

Editor: Good afternoon, Professor Kim. Thank you for joining us ⁤today⁢ to discuss the upcoming 1st⁢ Song Su-kwon Academic‌ Conference in Goheung-gun. It sounds like a ⁢fascinating event!

Professor ​Kim: Good afternoon! Thank you for ⁢having me. Yes, I’m​ looking forward to the conference and the‌ opportunity⁢ to delve into the poetic world of Song Su-kwon.

Editor: Song Su-kwon is considered a poet representing the “Namdo.” Can you share⁢ with our audience what makes his contributions to poetry significant?

Professor Kim: ⁢Certainly! Song Su-kwon was deeply rooted in the Namdo region, both geographically and emotionally. His poetry encapsulates the spirit, emotions, and cultural essence of this area. The intricacies of⁤ his work reflect local traditions and the natural ‌beauty of his surroundings, providing readers with a rich, immersive experience that‌ resonates ‍deeply within Korean literature.

Editor: That’s intriguing. For your presentation on “Poetic Embodiment of the Three Spirits of‌ Namdo,” can you give‍ us a sneak peek into what those three​ spirits are and how they manifest in ⁣his poetry?

Professor Kim: Of course! The “Three Spirits of Namdo” generally refer to the elements of nature, community, and ​historical consciousness.​ In my presentation, I intend to explore how Song ‍masterfully integrates these ‌elements into his verses, transforming personal reflections into collective experiences that connect readers to the cultural⁣ lineage of Namdo. His⁢ ability to evoke these spirits through‌ vivid⁤ imagery and emotional depth sets ‌him apart as a significant literary figure.

Editor: It sounds‌ like your analysis will add much depth to the understanding of his work. Alongside yourself, there are two other ‍scholars presenting at the conference. What can attendees expect from their sessions?

Professor Kim: Yes, attendees ​are in for a treat! Professor Jeong Min-gu will discuss “Song Su-kwon’s Poetry and Namdo’s Locality,” exploring how his works‍ are inextricably ⁣linked to the ​specific locales of Namdo. Meanwhile, ‍Professor Shin Dong-ok will present on “the meaning of archetypal lyricism in early​ poetry,” examining how archetypal motifs and‌ themes ​are woven throughout Song’s early‍ works. Together,⁢ our presentations will provide a comprehensive overview of ⁤his literary ‌significance.

Editor: This conference seems like a wonderful opportunity to reevaluate⁢ Song Su-kwon’s ⁤contributions. As someone working to elevate his literary presence, what do you hope will come⁣ from this ⁤academic gathering?

Professor Kim: My hope is that this conference not only honors Song Su-kwon’s legacy ‌but also sparks renewed interest in his work. His contributions to Korean literature have ⁢often‌ been ⁢overshadowed, and I believe ongoing ‍discussions about his poetry and ⁣themes can ‌lead to‌ a greater‌ appreciation of ⁣not just his‍ work, but also the cultural narratives of the Namdo region. It’s essential to celebrate and preserve ⁤our literary heritage.

Editor: Absolutely, and it’s vital for local culture to thrive.⁣ In addition to the conference, I hear there are ⁢exciting developments at the Buncheong Culture‍ Museum. Can you⁣ tell us about that?

Professor⁤ Kim: Yes! The Buncheong Culture Museum recently launched⁣ its museum academy program, which aims to enrich cultural​ understanding among participants. With about‍ 40 trainees involved, this program underlines the importance of arts ‌and culture education in promoting “glocal” awareness—where local ⁣traditions ‍intersect with ‌global contexts. It’s a promising initiative that complements the ​goals of the academic conference.

Editor: It’s wonderful ​to see so many efforts to promote and preserve cultural heritage! Thank⁤ you for your insights ⁢today, Professor ⁣Kim. I’m sure the‌ upcoming conference will be a valuable experience for all involved.

Professor Kim: Thank you! I appreciate the opportunity to discuss these⁣ important topics. I, too,​ am looking forward‍ to it and hope many ​will‌ join us in honoring Song Su-kwon and enriching our understanding of Korean literature.

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