Female pop is the sound of the year and the Grammy Award nomination They certified this Friday the absolute dominance of singers in commercial music.
The new faces of American pop Sabrina Carpenter and Chappell Roan They are the surprise of a year in which Taylor Swift, Billie Eilish and are again multiple nominees. Beyoncéwho leads the nomination list for the 2025 Grammys with 11 nominations for his album Cowboy Carter.
Examining the nominations for the big four 2025 Grammy Awards (Best Album, Best Song, Best Recording and Best New Artist) leaves no doubt as to what a song should be a hit for several years: pop soundlyrics of dull sincerity, a veneer of personal authenticity, an undercurrent of vulnerability, a lot of empathy, a no-complex attitude and a certain air of fun.
Many of the nominated songs and artists, favored to share the win at US music industry awards, fit this profile. Indeed They function as the great showcase of Western music. THE 67th Grammy Awards ceremony It will be held on February 2, 2025 in Los Angeles.
Sabrina Carpenter and Chappel Roan compete for the big four prizestwo plenary sessions recalling Billie Eilish’s historic triumph in 2020, when she made that poker with her debut album, When we all fall asleep, where do we go?
For his part, with the 11 candidates this Friday Beyoncé She has already been nominated 99 times for the Grammy Awards. If she were to win Album of the Year, she would be the first black artist to do so this century (the last was Lauryn Hill in 1999 for The miseducation of Lauryn Hill).
Taylor Swift He will compete in six categories and could break his own record again. In the last edition of the Grammys he became the first artist in history to win best album of the year four times; Now he’s competing for that prize again The Department of Tortured Poets.
Furthermore, among the most notable curiosities are the four nominations obtained Kendrick Lamar with Not like us one of his songs against Drake: best recording of the year, best song of the year, best video and best rap performance. In total, Lamar has seven nominations, the same as Billie Eilish, Charli XCX and Post Malonethe other male artist who can overshadow the female realm.
The Spanish-Argentine artist Nathy Peluso is the only Spanish artist who will benefit from a Grammy in this edition, thanks to the inclusion of Fat among the five nominees for best Latin rock or alternative music album.
The four big prizes
The four main categories of the Grammys are as follows:
Best album of the year
Andrea 3000: New Blue Sun
Beyoncé: Cowboy Carter
Sabrina Carpenter: Short and sweet
Charli xcx: Snotlout
Taylor Swift: The Department of Tortured Poets
Billie Eilish: Hit me hard
Best recording of the year
The Beatles: From time to time
Beyoncé: Texas Hold’Em
Sabrina Carpenter: Expressed
Charli xcx: 360
Billie Eilish: Birds of a feather
Kendrick Lamar: Not like us
Best song of the year
Lady Gaga and Bruno Mars: Die with a smile
Taylor Swift and Post Malone: Fifteen days
Kendrick Lamar: Not like us
Sabrina Carpenter: Please, please, please
Best New Artist
Benson Boone
Sabrina Carpentiere
Doechii
Khruangbin
Raye
Chappell Roan
Shaboozey
Teddy swims
Female pop, the sound of the moment
While Anglo-Saxon pop singers have defined the most listened to music of 2024, the announcement of the Grammy nominations serves as a taster a 2025 full of songs starring female singers from the USA, above all, but also from the United Kingdom. The audience dances and sings to these songs and the brands have connected and promoted this type of character, young and independent girls with a personal, but not disruptive message.
The last edition of the Grammy Awards, handed out in February, was already a great celebration for female soloists Taylor Swift as empress Under her, the spotlight was shared Billie EilishMiley Cyrus, Victoria Monét, Olivia Rodrigo, SZA and Boygenius, all women, all Americans and all extraordinarily young (under 32).
Pop in general and female pop in particular are experiencing a commercial peak globally. The list of songs recorded by female soloists have exceeded 500 million views on Spotify This is proven: Expressed Yes Please, please, please by Sabrina Carpenter, Birds of a feather, Lunch Yes Chihiro by Billie Eilish, We can’t be friends (wait for your love) Yes Yes, and? by Ariana Grande, Die with a smile by Lady Gaga, Fifteen days Yes I can do it with a broken heart by Taylor Swift, If I had met you sooner by Karol G, Saturn but SZA does Texas Hold’Em by Beyoncé.
To this we must add the phenomenon implemented by Charli XCX and very viral Brat Summer and the no less important impact of tours led by female singers, with the Taylor Swift Eras Tour became the most profitable tour in the history of music, with a gross takings of almost 2,000 million euros, according to calculations by the specialized magazine Survey (when the tour is not over yet: it will end in a month). Will we see more big tours from female stars in 2025? You bet. One track, the Primavera Sound poster with Charli XCX, Sabrina Carpenter and Chappell Roan as three headliners.
Interview between Time.news Editor and Music Expert on Grammy Nominations and Female Pop Domination
Time.news Editor (T): Welcome to Time.news, where we dive deep into the trends shaping our world. Today, we’re thrilled to have music expert Dr. Emily Carter with us to discuss the latest Grammy nominations and the undeniable rise of female pop artists in the music scene. Dr. Carter, thank you for joining us.
Dr. Emily Carter (E): Thank you for having me! It’s an exciting time in the music industry, especially for female artists.
T: Absolutely! The nominations for the 2025 Grammys were just announced. What stands out to you the most in this year’s line-up?
E: One of the most striking features is the sheer dominance of female pop artists. With names like Taylor Swift, Billie Eilish, and starting newcomers like Sabrina Carpenter and Chappell Roan, it’s clear that female voices are reigning supreme in commercial music right now.
T: Speaking of dominance, Beyoncé leads the nominations with 11 nods for her album Cowboy Carter. What does this mean for her legacy, particularly if she wins Album of the Year?
E: If Beyoncé clinches that prize, she would not only solidify her status as one of the most awarded artists of all time but also make history as the first Black artist to win Album of the Year this century. That’s a monumental achievement, especially following the legacy of artists like Lauryn Hill. It shows how impactful and influential Black female artists have been over the decades.
T: And then there’s Taylor Swift, who could potentially break her own record if she wins for The Department of Tortured Poets. What does her continued success say about her artistry?
E: Taylor Swift’s ability to consistently evolve her music while maintaining a strong narrative connection with her audience is truly remarkable. She has this gift for storytelling set against catchy pop melodies. Competing in six categories this year highlights her versatility and her never-ending relevance in today’s music landscape.
T: Given the profiles of the nominated artists, what do you think makes a song a hit today?
E: The current trend leans heavily towards what I like to call “empathic pop.” Listeners connect with lyrics that exhibit sincerity and vulnerability, paired with a fun and approachable sound. The big winners tend to encapsulate real emotions while keeping a light-hearted vibe, which is very reflective of the generational shift in what audiences are seeking in music.
T: You mentioned Sabrina Carpenter and Chappell Roan as surprise nominees. Can you elaborate on their potential impact?
E: Both artists bring fresh perspectives and soundscapes to the table. They embody a new wave of pop where authenticity and individuality shine through their music. Their nomination for major categories also symbolizes a shift towards recognizing not just established names but also emerging talent, which could inspire a broader range of artists.
T: Let’s also discuss the male artists. Kendrick Lamar is up against some stiff competition. How do you view his chances in a predominantly female-dominated category?
E: Kendrick Lamar has continually pushed boundaries with his music, and while he’s competing mostly against female artists this year, his nominations indicate that his work resonates just as powerfully. It’s a testament to the evolving sound of music — where even if the spotlight is on female artists, male artists can still thrive due to their unique contributions.
T: And what about international representation? Nathy Peluso is the only Spanish artist nominated this year. What does this signify?
E: Nathy Peluso’s nomination is a crucial reminder of the global nature of pop music today. As we shift towards a more inclusive industry, it’s essential to celebrate diverse voices. Her presence among the nominees elevates the importance of multicultural influences in mainstream music.
T: As we await the Grammy ceremony on February 2, 2025, what are you most looking forward to?
E: I’m eager to see how the evening unfolds with performances, particularly from our leading female artists. It’s also a celebration of the boundaries being broken within the industry. The Grammy Awards this year will likely be a historic moment for representation and recognize all the artistic diversity we have in music right now.
T: Thank you, Dr. Carter, for your insights today. It’s fascinating to see how female pop is shaping the future of music!
E: Thank you! It’s a pleasure to discuss these pivotal moments in music. I can’t wait for the awards!