Tulkar Salman’s live Tamil film ‘Hey Sinamika’ after the smash hit ‘Kannum Kannum Kollayadittal’ that robbed Tamil hearts. Tulkar Salman’s film that chooses different stories … The first film directed by Brinda Master … The first film produced by Reliance’s Geo in Tamil … ‘Hey Cinnamica’, which was released with such unanimous expectations, did it live up to those expectations?
The wife who makes the weird decision to break up with House Husband who is overly caring and… talking AAAA. So, the tragedy is the online version of ‘Hey Cinnamica’.
The entry of the heroes means flying and kicking in slowmotion. The villain will fly and fall. But Tulkar Salman, who played the villain in Hey Sinamika, did not even bring a single stick. Instead, he gives the entry with the ‘mop’ stick that cleans the house. He cooks so many new dishes for his wife that he wonders if there are even foods like this in the world. Many of the husbands in our town do not know how to put hot water. Where to expect coffee from them? But, Tulkarm Salmano cooks as per the lid. If there is tension, if there is happiness … he gives coffee according to the situation. He multiplies the house, washes the dishes, cooks and rushes his wife to the office in a hurry, and cooks and tidies at night. The love for his wife, the duet, is rocking in his eyes 24 hours a day. Who doesn’t love a house husband like this? But, the guest who plays Tulkarm’s wife Melana is not going to like it.
The reason … is the same, talkative. Talk about rubbing salt in my wounds – d’oh! Aditi decides to flee from Tulkarm as Tulkarm keeps talking to the extent that the plaster sticks to his mouth. For that, the psychologist seeks the help of Kajal Agarwal, who plays the florist. Then, Aditi hits him on the head saying, ‘Why not Kajal’s help Nadinomo?’ The reason is that whatever happens if there is one hero and two heroines in the film, it happens. After that, the climax is with whom Tulkar Salman joins.
Tulkar Salman comes as a house husband and shakes the ‘powder’ for those of us who have won the war by watching the housewife scenes of her husbands rushing to the office to get up and cook. Tulkar Salman can be praised as ‘Dilkar Salman’ for choosing such a story.
The director of the film, Brinda Master, said that she likes to direct romantic films. He has, as he said, cooked ‘Hey Cinnamica’ as full of love as romance. The choreographer, who has worked on over a thousand songs, has left a lasting impression on the film as the director says ‘One in a Thousand’. Female directors can be counted on the fingers of one hand in Tamil cinema. That number will change the minds of the producers and make them even more welcome. In particular, Preeta Jayaraman, the cinematographer of the film, and Radha Sriram, the editor, can give a big compliment to Brinda Master for giving her the opportunity to dance as well.
He has broken the stereotype that female directors are not as good as male directors and has proven to be a ‘master’ in direction by visualizing ‘Hey Cinnamica’ beautifully and elegantly. Want to tell in dance shows? In particular, the choreography of the rap song ‘Achchamillai Achchamillai’ sung by Tulkar Salman is ‘rock’.
The director goes on to clarify the difference between a psychiatrist and a psychiatrist. Kajal Agarwal’s role as a mental health counselor is not only a counselor, but also a little detective work. It points out that psychological counseling alone cannot solve the problem. Kajal Agarwal’s counseling centers go on to say that if it is true that a husband or wife is in a relationship beyond marriage, no matter how many tips and treatments are given to the suspects, the solution will not be found.
Actress Aditi. Has provided extreme performance. Love, hatred of Tulkar Salman’s extreme love and jealousy while getting close with Kajal also occupy us excessively in the A to Set scenes. Melana has lived to the point where we can no longer fit in with anyone other than the guest. In particular, in the climax, he portrays the ‘paradise worn by Sudidar’ as a disaster. So far, his beauty has been beautifully captured in the finale of ‘Hey Cinnamica’.
Madan Karki is always innovative in song and verse. In his story (adaptation), the screenplay ‘Hey Cinnamica’ also incorporates the novelty of Househusband and nurtures a sense of ‘intelligence’.
The story and scenes are fresh for Tamil cinema. ‘I’m a boring software engineer’, ‘We ask questions when we are kids. Do adults ask questions? ‘… When the wife went to the city, she changed the celebration to say that my niece had gone to the city and said,’ Did the niece go to the city with my husband? ‘ , Oifna is not afraid. Many verses of Madan Karki ‘Avlo Pitikkum’ keeps saying ‘Hey Superba’ in the mind.
Yogi Babu, who appears in the same scene as Baba as ‘My name is Pradakshna’ and ‘Edu SK Production’, becomes the missing Babu. In response to Yogi Babu’s comedy scene, Tulkar Salman says, ‘There are 23 types in the way’, where he teaches a lesson to a guest’s guest, and the theater claps with laughter.
Tulkar does not talk as much in the scenes with Kajal Agarwal as he does in the scenes with the guest. Speaking of size, Tulkarm catches us and Kajal catches up. Then, what if the guest does not like it? It is true that most women like it when a man is nice to women. But beyond that, the only question that arises is how right it is to go into personal privacy, cook up all the food you don’t like and go to war, enduring everything like talking on an FM radio jockey and accepting ‘you nia… I nana’.
The hopping scenes from the beginning of the film are a great strength to take a little rest from time to time and continue till the end. The cinematography by Preetha Jayaraman and the music by Govind Vasantha add to that strength. Govind Vasantha has left the fort in the songs that rejuvenate the heart by giving background music without looking at the thrilling scenes.
Without the usual scenes of action-packed villains and villains flying in the sky, punchy verses that infiltrate the battlefield as hey, and thriller scenes that twist into a twist, the ice cream of the district ‘penetrates’ into us and sinks into our hearts. The film is none other than Tulkar Salman, the cop who expresses anger over the entire community as a policeman, a humanitarian who owns a chicken shop. All in all, those who go fast to break up this ‘cinematic’ can put a little brake on and go.
– Vinnie Sarpana