2024-11-21 05:55:00
The Swiss conductor Philippe Jordan, who was musical director of the Paris National Opera for twelve years (appointed in 2009, at the age of 35, remained there until 2021), will take over the direction of the National Orchestra of France from 2027. He will succeed Romanian Cristian Macelaru, who will leave his post after a seven-year mandate.
The conductor’s son Armin Jordan (1932-2006) was promoted Gang leader at the prestigious Vienna State Opera in 2020, announcing however, from October 2022, that he will not renew his contract after 2025. At 50, the man who was also director of the Wiener Symphoniker from 2014 to 2020, is back in France, this time at the helm of a large symphony orchestra, determined, after two positions at important opera institutions, to lose the position “heaviness” linked to the work. We interviewed the maestro, via WhatsApp, a few days before his concert with the National Orchestra of France, Thursday 21 November, at the Maison de la radio et de la musique, in Paris.
What were the reasons that led you to accept the position of musical director of the Orchester national de France?
After two experiences in major opera houses – my twelve years at the Paris Opera and my five years at the Vienna Opera, the last season of which will end in the summer of 2025 – it was obvious to me that I wanted to dedicate myself to the symphonic music field.
From my first concert with the Orchester national de France, on October 3, 2022, I knew I had found a partner suited to me in his way of making music. A feeling that increased during our second meeting, on October 14, 2023. I said to myself: “Finally! » Everything then came together in a natural way.
You made your debut with the Orchester de Paris in December 2023. Were you in the running to succeed Klaus Mäkelä, who will also leave in 2027?
No, although my experience with the Orchester de Paris was a very positive experience. But the question did not arise, so much so that negotiations with the Orchester national de France had already begun.
We then move from the Paris Opera orchestra to the “National”, the oldest of the two Radio France orchestras. What can you say about their respective identities?
When I discovered the “National”, I was very surprised to see many similarities with the Opera orchestra. Each obviously has its own personality, if only because of the repertoires it offers, but both have this flexibility and clarity of sound, as well as the finesse of playing, that characterize French orchestras. This matches my sound design. I also like their curiosity, the way they always try to delve deeper into their work.
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How does Philippe Jordan plan to engage new audiences with the National Orchestra of France during his tenure?
Interview between Time.news Editor and Philippe Jordan, Incoming Musical Director of the National Orchestra of France
Time.news Editor: Good afternoon, Maestro Jordan. Thank you for joining us today. You’re set to take the helm at the National Orchestra of France in 2027, but you’ve been quite the musical traveller. After twelve years at the Paris National Opera and five at the Vienna Opera, what inspired your transition to leading a symphony orchestra?
Philippe Jordan: Good afternoon! It’s a pleasure to be here. After my experiences in opera, where the focus is often on vocal performance and dramatic interpretation, I sensed a strong desire within me to dive into symphonic music. The orchestral realm allows for a different kind of exploration and expression. I wanted to dedicate my work to this field and connect with audiences in a new way.
TNE: That’s fascinating! Can you share more about your experiences at the Paris and Vienna operas? How have they shaped your approach to conducting a symphonic orchestra?
PJ: Of course! My time at the Paris National Opera was incredibly formative. I was able to work with outstanding talent and learn from the rich tradition of French opera. Vienna, on the other hand, is a city steeped in history and musical genius. Conducting there has taught me the importance of precision and respect for the score, while also allowing room for interpretation. These experiences have provided me with a solid foundation that I can now bring to the National Orchestra of France.
TNE: It seems like both roles have greatly enriched your artistry. What unique challenges do you anticipate as you step into this new role, and how do you plan to tackle them?
PJ: Leading a symphony orchestra presents different dynamics than an opera house. The challenge lies in uniting a diverse group of instrumentalists, each bringing their own musical voice, while creating a cohesive and dynamic interpretation of the repertoire. My aim is to foster an environment of collaboration and openness—where musicians feel free to express their ideas while working towards a unified sound.
TNE: Collaboration is key! You’ve mentioned wanting to shed the “heaviness” often associated with conducting in opera. How do you envision achieving this lighter, more vibrant approach with the orchestra?
PJ: By focusing on authenticity and joy in performance. It’s essential to create an atmosphere where musicians are not only performing notes but are truly engaged in the music. I believe that this can be achieved through creative programming, innovative concert formats, and fostering a strong sense of community within the orchestra. This will allow us to present music that resonates with both the musicians and the audience.
TNE: Engaging the audience is vital in today’s concert world. Lastly, could you share what you hope to achieve during your future tenure with the National Orchestra of France?
PJ: My goal is to elevate the orchestra’s presence both nationally and internationally, while also bridging the gap between classical music and new audiences. I hope to engage with diverse communities and introduce both timeless classical works and contemporary compositions that push boundaries. It’s about making music accessible and relevant.
TNE: That sounds inspiring, Maestro Jordan. We look forward to seeing how your fresh vision unfolds with the National Orchestra of France. Thank you for your time today!
PJ: Thank you! It’s been a pleasure discussing my journey. I’m excited for what lies ahead!