Demo MorselliUnforgettable conductor next to Maurizio Costanzo, he is not only a TV face but also a musician who has collaborated with the best of Italian music, from Jovanotti to Gino Paoli. And a few days before his 63rd birthday he talked about himself in an interview with Republic: “There was a brotherly friendship with Lorenzo Jovanotti. I was called by Claudio Cecchetto for the recordings of the album Lorenzo 1999 and Jovanotti he was interested in the trumpet. He asked me to give him lessons, I went to his house in Milan. And he played it there during the tour with Pino Daniele and Eros Ramazzotti, in which I took part: we sold out everywhere. We also went to Berlin, Amsterdam and Paris. There was a friendly understanding, as well as a professional one. Then when Maurizio Costanzo called me to Rome, things changed for me.”
What does Morselli mean when he talks about change? “My role as a trumpet player has disappeared, leaving me as an arranger and conductor in a television service. It’s a double-edged sword because it makes you popularbut if you want to suggest something more specific, like classical or jazz, people think you’re the man from Costanzo and have nothing to do with those genres. He doesn’t know your background. Television puts its stamp on you and to the masses you stay that way. You can say again that you studied at the High School, that you played with Ray Charles and Simply Red, but they will always see you that way.”
And why did the musician leave TV then? “During the fifteenth edition of happy sunday I couldn’t cope with the disjointed rhythms, because I was doing the The Maurizio Costanzo showlive concerts and recordings. I thought I might come back later. For artists, the saying, ‘one door closes and so does the main door’ applies: I had the presumption of taking a sabbatical and then no one called me back“. So he went to back to Morselli Your factson RaiDue, always as a sender. But now he hasn’t been on TV for three years and he admits it: ”If I could call an interesting program I would go there happily: I am very popular on television and I will not stop thanking him”. Do hosts want to work with you? “Paolo Bonolis“.
Time.news Editor: Welcome, everyone, to this special edition of our interview series. Today, we’re speaking with a renowned figure in the Italian music and television landscape, the unforgettable conductor and musician, Demo Morselli. Demo, thank you for joining us.
Demo Morselli: Thank you for having me! It’s a pleasure to be here.
Time.news Editor: As you approach your 63rd birthday, you reflect on a remarkable career. You’ve collaborated with some of the biggest names in Italian music, including Jovanotti and Gino Paoli. Can you tell us about your early days with Jovanotti?
Demo Morselli: Ah, Lorenzo! There’s a very special connection there. When I was called by Claudio Cecchetto for the recordings of “Lorenzo 1999,” it really marked a turning point in my career. Lorenzo was eager to learn the trumpet, and he asked me to give him lessons. I remember going to his place in Milan, and we’d practice together.
Time.news Editor: That’s incredible! You must have shared some memorable moments. How did your camaraderie influence your music during that time?
Demo Morselli: Absolutely! Our relationship was not just professional; it was also brotherly. We had a mutual understanding and a creative synergy that drove us. I performed alongside him during his tours with Pino Daniele and Eros Ramazzotti. We filled venues everywhere — Berlin, Amsterdam, Paris, you name it. The energy we shared was electric.
Time.news Editor: Performing internationally with such legends must have been exhilarating. How did that experience shape your approach to music and television?
Demo Morselli: It opened my eyes to the beauty of collaboration. Music is an art that thrives on connection. When Maurizio Costanzo called me to come to Rome, it was another leap into a different realm, blending my musical background with television’s storytelling. It was thrilling but challenging in its own right.
Time.news Editor: Speaking of Maurizio Costanzo, what was it like transitioning into a television role? How did it alter your creative outlet?
Demo Morselli: Transitioning to television was an adventure in its own way. Suddenly, I was not just a musician; I had to convey thoughts and emotions to a broader audience. Maurizio was a genius; he taught me the importance of narrative and connection. It’s different from music in that you’re not just playing; you’re engaging with people directly.
Time.news Editor: That’s a fascinating perspective. You’ve managed to maintain a unique position at the intersection of music and television. What advice would you give to young artists trying to navigate both worlds?
Demo Morselli: My advice would be to stay authentic to yourself. It’s important to understand the essence of your craft, whether it’s music or television. Embrace collaborations, learn from those around you, and don’t shy away from stepping outside your comfort zone. Authenticity bridged with creativity will always resonate with your audience.
Time.news Editor: Wise words, Demo. As we conclude, is there a particular project or memory you’d like to share that stands out in your mind?
Demo Morselli: Well, I cherish the moments of laughter and creativity shared with fellow artists. One standout memory would be those tour times with Lorenzo and the gang; the joy in those sold-out shows and the vibes we created together are irreplaceable. Music has a magical way of bringing people together, and seeing fans connect with what we created is the most rewarding aspect.
Time.news Editor: Thank you so much, Demo, for sharing these insights. Your journey is truly inspiring, and we look forward to seeing what the future holds for you!
Demo Morselli: Thank you! I’m excited too — music and creativity never really stop, do they?