2024-06-25 15:59:17
“We should not worry the reality.” Phrases which will appear unusual within the mouth of a photographer who has been used for many years to work to create photos – glamorous, sensual, evocative – of actors, fashions or celebrities, rigorously crafted drawings, which it goes between the need to shock and the need to reaffirm the opinion we have now of them. However Vincent Peters, a 55-year-old German, a fan of huge style magazines for many years, doesn’t imagine within the idea of the photograph as a “sanctuary card” of the official picture label: his choice as an alternative “is to indicate feelings that persist over time”.
So it’s no coincidence that, after stops in Milan and Bologna, the exhibition that has simply arrived in Rome on the Palazzo Bonaparte during which Peters presents a choice of 90 black and white works is named ‘Timeless Time’ the works given authority however private analysis, symbolic pictures but in addition unpublished photos (often essentially the most stimulating).
The hospitality of Mercedes Benz, which – in accordance with its historic method (Picture Assortment, based in 1977 and at present one of the vital vital European company collections is spectacular) – helps the Roman exhibition (open till August 25 ) Peters presents his concept: which arises from data, specifically that pictures compensates for “certainly one of our historical fears, specifically the unrecognized”. “Within the images we search for proof of our existence, it’s one thing that describes our relationship with the world. The photographs work on a psychological stage, they’re advanced, as a result of they need to do with house and time, ” he defined. And on this sense, “taking images of well-known individuals is difficult: in a manner well-known individuals ‘beautify’ our lives however in my images I attempt to carry out their magnificence”.
Every of the images proven in Rome is a affirmation of this ‘fatigue’ type, whether or not it’s Penelope Cruz, who’s considering behind a chilly glass from the rain, or the sensual Monica Bellucci, proven in several moments of her profession , with a phenomenal. personal shot, pregnant with Deva. The picture was hidden for 15 years by the actor’s will (as a result of it was very associated, Peters defined) however lastly appeared.
There are numerous cultural ideas that produce images that seem in Rome, from Degas dancers to American movies of the Nineteen Fifties, between dominant males and ‘respiration’ ladies: however there isn’t a scarcity of bodily analysis somebody like that on the nude or on the photographs, like that of Amanda Seyfried, damaged into fragments of a mirror (one thing that Peters usually makes use of to pursue a ‘completely different’ imaginative and prescient). They’re refined compositions, the results of a protracted preparatory work, however in which there’s usually an instinct of an immediate – an concept that goes past the visible, a recreation outdoors the field (as within the “white” photos of Emma Watson lastly free of the field) – make a distinction. As a result of there may be nothing that the reality often hides. And as photographers, Peters explains, but in addition as individuals, “we should attempt to discover life within the grain of sand.”
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