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- The death of a young woman raises questions: She left her family and her fiance in her small hometown and moved to the city – aiming to start a new life. Her surviving relatives could never understand her departure.
- In this article you will find an overview of all relevant information about the actors, plot, criticism and media library.
Crime scene today November 17, 2024: Plot “Let them go”
The death of young Hanna Riedle threatens to tear her family apart. The young woman had previously left her home town and gone to Stuttgart, much to the dismay of those around her. After the news of Hanna’s death reaches her family, her mother Luise struggles with overwhelming feelings of guilt. She and Hanna broke up in an argument – her last words to her daughter were that she never wanted to see her again. Hanna’s sister, Emma Riedle, was devastated by her sister’s passing. When Thorsten Lannert and Sebastian Bootz try to do the first investigation into Hanna’s death, she hardly wants to talk to the inspectors. While the village quickly forms an opinion about who might be responsible for the death, Lannert and Bootz continue to look for clues – including from Hanna’s new friends in Stuttgart.
Thorsten Lannert tries to talk to Luise Riedle after she is tormented by feelings of guilt.
Photo: SWR / Benoît Linder
Tatort Review: Is it worth tuning in to ”Let them go” today?
As Tatort critic Andreas Frei wrote, the storyline has less to offer – but the actors’ performances are much more convincing. He places particular emphasis on Julika Jenkins and Moritz Führmann, who embody Hanna’s late parents. The way both express their desperation is amazing. The critic Frei also praises the acting performance of Timocin Ziegler, who plays the amorous stalker Marek Gorsky. You can read his full critique in our Tatort column.
Hannes Riedle, played by Moritz Führmann, gives vent to his grief over the death of his daughter.
Photo: SWR / Benoît Linder
The following actors appear in Tatort am Sonntag from Stuttgart:
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- Thorsten Lannert: Richy Müller
- Sebastian Bootz: Felix Klare
- Dr. Daniel Vogt: Jürgen Hartmann
- Hannes Riedle: Moritz Führmann
- Luise Riedle: Julika Jenkins
- Emma Riedle: Irene Böhm
- Marek Gorsky: Timocin Ziegler
- Jögi Sütterle: Michael Sideris
- Martin Gmähle: Sebastian Fritz
- Hanna Riedle: Mia Rainprechter
- Augsburger Allgemeine
- Boiler site
- Stuttgart
How does the portrayal of grief in “Let Them Go” compare to other crime dramas?
Interview: Exploring the Depths of ”Let Them Go” with Crime Drama Expert Dr. Anna Keller
Time.news Editor (TNE): Welcome, Dr. Keller. We’re excited to delve into the recently aired “Tatort” episode titled “Let Them Go,” which has sparked quite a buzz. What are your first impressions of this episode?
Dr. Anna Keller (AK): Thank you for having me! I found “Let Them Go” to be a potent exploration of grief, regret, and the complexities of family dynamics. The story dives into the tragic death of Hanna Riedle and unravels the emotional turmoil it ignites within her family, especially her mother, Luise.
TNE: The theme of guilt is prevalent throughout the episode, especially in Luise’s character. How does that resonate with audiences today, considering the pressures of modern living?
AK: Absolutely. Luise’s feelings of guilt after fighting with Hanna before she left for the city depict a universal struggle—many people can relate to the regrets we harbor about unresolved conflicts. The societal tendency to prioritize individual aspirations often causes rifts in family ties, which is a poignant message in the episode.
TNE: The critique by Andreas Frei mentions that while the storyline might be lacking, the performances of the actors, particularly Julika Jenkins and Moritz Führmann, stand out. What about their performances makes them so compelling?
AK: Jenkins and Führmann capture the raw essence of parental grief beautifully. Their portrayals convey a depth of desperation and heartache that feels very relatable. They don’t just act the part; they embody the emotional weight of losing a child, which can leave a lasting impact on viewers.
TNE: And what about the character of Marek Gorsky, the stalker? How does he fit into the narrative?
AK: Marek, portrayed by Timocin Ziegler, adds an unsettling layer to the story. He serves not just as a potential antagonist but highlights themes of obsession and its consequences. His character challenges us to consider the often-blurry lines between affection and unhealthy attachment, which can be incredibly relevant in today’s society, where connection and isolation can coexist.
TNE: It seems like the episode is more than just a standard crime drama. What message do you believe the writers intended to convey through the interplay of family and societal expectations?
AK: The narrative urges viewers to reflect on the consequences of choices we make, especially regarding family relationships. It highlights how societal pressures can influence personal decisions, leading to rifts that may never heal. Ultimately, the episode asks us to consider what happens to families when one member decides to pursue a path that doesn’t align with what others expect.
TNE: With such heavy themes, do you think “Let Them Go” will be remembered as one of the stronger episodes in the “Tatort” series?
AK: I believe it has the potential to stand out. While it may not follow a typical crime-solving structure, its emotional depth and character-driven narrative resonate deeply. Audiences often remember episodes that challenge them emotionally, and “Let Them Go” certainly does that. It engages viewers not just with a mystery but with a human story that lingers long after the credits roll.
TNE: It sounds like a powerful experience for the audience. Thank you, Dr. Keller, for sharing your insights on this intriguing episode of “Tatort.”
AK: My pleasure! I look forward to seeing how this conversation about family, grief, and societal expectations continues in future episodes.