TOWER RECORDS ONLINE “J-POP Single Weekly TOP30” (as of October 31, 2024) has been announced, with INI’s “THE VIEW” taking first place and Chotonkyuu’s “AwA AwA” place.
INI’s “THE VIEW” was number one this week. This is the 7th work by INI, which broke down walls and was done alone, and it is a work that embodies the will and the strong message of “We will make a revolution in the ordinary things we take for granted.” dark, which is like a bat looking at the world upside down, the idea that the world changes when you change your perspective, and that we can change with our strange perspective.
In the same ranking, “Gotta Be” by the group Ae! came second, and Sakurazaka46’s “I want tomorrow to come” came in third.
In the top 30 weekly bookings, the super hit “AwA AwA” took first place. The main song “AwA AwA” is a song that embodies the emotions of Chotonkyukyu and sends cheers to everyone who accepts the challenge. “AwA AwA” has words like “bubbles”, “OUR”, and “HOUR”, and the meaning of “now is the time for all”, “ to burst”, and “time.” This is the birth of a unique positive song for Super Express, in which everyone overcomes the impossible game called life together.
Zero‘s “1st Single“Enter” was ranked 2nd, and timelesz’s “Cause” was 3rd.
About Weekly TOP30 This is a chart based on one week’s sales data on Tower Records Online, where the number of albums sold and the number of buyers are converted into points, and ranked based on the total number of points for the number of albums sold and the number of buyers.
This is a unique Tower Records Online chart, born from the desire to inform customers about the titles that received more customer support and sold more copies.
We convert the number of units sold and the number of buyers into points using indicators of equivalent value, and then count them up.
*Products with different specifications/types, such as first editions and limited editions, are completed according to the product title.
J-POP Weekly Singles TOP30 Check here for 4th place and above
Recommended information
Time.news Interview: The Evolution of J-Pop with Music Expert Aiko Tanaka
Time.news Editor (TNE): Welcome, Aiko! Thank you for joining us today to discuss the latest trends in J-Pop. It seems the music scene is thriving, especially with INI’s latest hit, “THE VIEW,” topping the charts. What are your thoughts on this song and its message?
Aiko Tanaka (AT): Thank you for having me! “THE VIEW” is indeed a powerful track. INI’s seventh release reflects a significant narrative about perspective and self-empowerment. The idea that changing how we see the world can lead to a transformation in our lives is incredibly resonant, especially in today’s climate. It’s a call to action - urging listeners to challenge the status quo.
TNE: That’s a compelling interpretation! This week’s J-Pop rankings also saw remarkable entries from groups like Ae! and Sakurazaka46. How do you think these artists compare in their lyrical themes and audience reception?
AT: Each of these artists brings a unique flavor to J-Pop, which is part of what makes the genre so dynamic. Ae!’s “Gotta Be” captures a sense of determination and aspiration, while Sakurazaka46’s “I want tomorrow to come” conveys hope and longing. Audiences are drawn to these themes as they reflect broad human experiences. The way these groups execute their concepts also contributes to their reception; strong visuals and performances elevate their messages.
TNE: It’s interesting how performance enhances the lyrical content. Moving on to the booking side, Chotonkyuu’s “AwA AwA” is topping the weekly bookings. What do you think makes this song resonate so well with listeners?
AT: “AwA AwA” is a celebration of togetherness and resilience, crafted in a way that feels universally relatable. The lyrics invoke imagery of bubbles and time, which speak to seizing the moment and overcoming challenges collectively. Given the pressures of life, a song that promotes optimism and unity can become a comforting anthem for many.
TNE: Absolutely! I love how the song fosters a sense of community. Now, the J-Pop chart is based on sales and buyer engagement through Tower Records. How significant do you think these weekly metrics are for artists in shaping their careers?
AT: Weekly metrics play a crucial role in the J-Pop scene. They not only highlight which songs are resonating with fans at any given moment, but they also influence future production and marketing decisions for artists. It creates a feedback loop where success can bolster an artist’s visibility and lead to more opportunities, while also motivating them to explore new creative directions.
TNE: That’s a great insight. Lastly, how do you see the future of J-Pop evolving as more diverse sounds and global influences enter the scene?
AT: J-Pop has always been about innovation and adaptation. With globalization, we’re seeing artists experimenting with various musical styles and collaborating with artists from around the world. This blending of cultures will only enrich J-Pop. I envision a future where we celebrate not just Japanese culture, but also a fusion of global influences, making J-Pop even more accessible and beloved worldwide.
TNE: Thank you, Aiko! Your insights into the current trends and the future of J-Pop are invaluable. It seems we have much to look forward to in this vibrant music scene.
AT: Thank you for having me! I’m excited to see how J-Pop continues to evolve and inspire.