Like the first part, his trademark punch lines applaud. Prashant Neil has written and amassed punchy verses in the first and second parts, such as “Rocky was raised by milk, he was raised by punchy dialogue”. Ashok has brought it in Tamil dubbing without losing energy.
“Yeah, what’s CEO?”
“Pass all pass.”
“Then I am also the CEO. To India!”
“Powerful people make places powerful”
Punch verses are hot in all languages. The love scenes have done justice to the grandeur of the film in the fight scenes. Winner of the National Award for the first part, will be left alone for this part!
To face Sanjay Dutt, the ‘Viking’ icon, the scene where he takes a hammer out of the black sand is all ‘screen fiery’. Some of the songs from the first part have been further refined and used.
Ravi Basroor’s background music vibrates as if playing with fire on every musical instrument. Many scenes are shown to us in two colors, red and black. Like ‘Mad Max Fury Road’, Bhuvan Gowda’s camera captures the sand dunes and the fights in it with wide eyes. Cinematographer Bhuvan has created a visual feast by showing the grandeur of the film in color tone. The cinematographer has edited the story in small lines like vehicles lined up on the sand dunes, human piles, power struggles, guns.
The heroine of the film does not play as important a role as usual. They keep him traveling with the protagonist so as not to say he is not in the story. Otherwise that ‘love galatta’ stands out as an extension of the first part as one that has been forcibly imposed. Similarly, although in the beginning the villain forgives the man not to die and the man forgives the villain not to die is for the development of the story, it turns out to be one that mocks both characters.