See the relevant excerpt from the ERT broadcast
THE Konstantinos Markoulakis He talked about everyone and everything in the Studio 4Friday afternoon.
Markoulakis: With his mother at the premiere of his play
Among other things, the talented protagonist referred to his beloved parents and in the way “his father’s death” helped him understand his mother better.
This year, Konstantinos Markoulakis plays and directs the show In the other room or the work of the vibrator
“As he wanted to be a sailor but it didn’t happen, my father, who was almost 70 years old, boarded a friend’s tanker and went to China. As a crew. But he boarded the tanker and left for China. I was very happy, I was excited, although my mother was afraid, which is perfectly reasonable. But I found it very literary“, he first revealed.
Markoulakis: The rare confession about his son and ex-wife
“I always had the feeling that I understood my father very well she had to die for me to begin to understand what a terrible person my mother is. I understood my father, but I think that the mothers, who… eat the lanza, we take them for granted, maybe they are a little closer”, he said.
Konstantinos Markoulakis with his mother / Photo by NDP Photo Agency
“Maybe that’s one reason I’ve kept a diary since I was 17. I’d probably like to put my life into some story too, I guess. Until 2012 I wrote them on paper, in fact I lost some years, but since 2012 I have a specific application that I use and write them on my mobile phone or on the computer”, said Konstantinos Markoulakis to Nancy Zampetoglou and Tánsis Anagnostopoulos .
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Interview Between Time.news Editor and Konstantinos Markoulakis
Editor: Good afternoon, Konstantinos! It’s a pleasure to have you here. Your recent interview on ERT just showcased your multifaceted talent as both an actor and a director. Can you share with us what motivated you to direct the play In the Other Room or the Work of the Vibrator?
Markoulakis: Thank you for having me! Directing this play felt like a natural progression for me. The themes it explores—human connection, intimacy, and the complexities of relationships—resonate deeply with my experiences, especially in light of personal losses. Creating something that can invite audiences to reflect on their own lives is incredibly fulfilling.
Editor: That’s a fantastic perspective. You mentioned in your interview that your father’s passing helped you understand your mother better. Can you elaborate on how that experience influenced your approach to the characters in the play?
Markoulakis: Absolutely. Losing my father was a profound moment not just for me, but for my entire family. It made me more empathetic and sensitive to the dynamics between loved ones, especially between partners. In In the Other Room, the characters experience their own struggles with intimacy, and I’ve tried to channel that emotional complexity into my direction, drawing from my own life to highlight those authentic human experiences.
Editor: It sounds like your personal experiences have enriched your storytelling. You also shared a touching memory about your father’s adventurous spirit, particularly his decision to sail to China at 70. How has this adventurous side of your father influenced your own career choices?
Markoulakis: My father was always a dreamer, someone who believed in living life to the fullest. His decision to embark on that journey at an age when most people would be settling down really inspired me. It taught me to embrace risks, to pursue what I love regardless of societal expectations. In the arts, that means stepping outside of my comfort zone—whether it’s tackling challenging roles or exploring new directing styles.
Editor: That’s a very inspiring insight. And speaking of pushing boundaries, what do you hope audiences take away from In the Other Room?
Markoulakis: I hope they leave with a deeper understanding of the complexities of love and the importance of vulnerability. This play challenges societal norms about intimacy and relationships, and I want people to reflect on their own connections. If they can engage in meaningful conversations after the show, then we’ve done our job right.
Editor: It sounds like a powerful production. Before we wrap up, is there anything else you’d like to share about your journey as both an actor and a director?
Markoulakis: Just that I believe in the transformative power of theater. For me, it’s a means of exploring and understanding humanity, both my own and that of others. I’m grateful for every opportunity to share stories and create connections through this beautiful art form.
Editor: Thank you so much for joining us today, Konstantinos. We’re looking forward to seeing your direction in In the Other Room and wish you the best in all your future endeavors.
Markoulakis: Thank you! It’s been a pleasure to chat with you.