“Latin Americaedited. Not yet available in your region”, a hybrid anthology of essays and stories that brings together twenty authors and ten Central American editors, has been published by our publishing house, Tríada Ediciones. This project is the result of a close collaboration with the Chilean Science Fiction and Fantasy Literature Association (ALCIFF), with whom we had already worked on the publication of the first part in 2022, titled “Latinoamericaeditada.It is not available in your region.”
LATINOAMERICÆDITADA is a series of conversations that addresses the current conditions of science fiction, fantasy, horror and new weird publications in Latin america. Through the perspective of editors from various countries, this anthology seeks to show how publishers are creating spaces so that latin American authors can see their works published and disseminated on the international literary scene.
In this new installment, “Latinoamericaeditada.not yet available in your region”, ALCIFF and Tríada Ediciones invite you to discover contemporary science fiction from Central American and Caribbean countries, which often remain invisible in the publishing circuits, such as Costa Rica, Cuba, El Salvador, Guatemala, honduras, Mexico, Nicaragua, Panama, Puerto Rico, Dominican Republic and, of course, chile.
José Daniel Rivas Hidalgo. Professor and university researcher with more than five years of experience
experience in teaching topics in linguistics, academic writing and writing methods
investigation. He has a Master’s degree in Hispanic Lexicography from the Royal Academy
Spanish,Master in Central American Cultural Studies and Bachelor of Arts from the
university of El Salvador.He has been winner of the National Literature Award in the essay field.
(Juegos Florales, 2023) and is the author of several academic articles published in the United States,
Cuba, Costa Rica, Paraguay, Germany and others that are in the process of publication.
He is currently a doctoral candidate at the University of Vigo, Spain, in the Doctoral program
of Linguistic Studies and at work he works as Director of the General Archive of the
Nation.
Beatriz Henriquez.He was born in san Salvador, department of El Salvador, in Febuary 1987.
Graduate in Psychology from the University of El Salvador.Master of Laws Student
Humans and Education for Peace at the University of El Salvador. he has participated in various
poetry festivals, recitals and local cultural activities. Winner of the National Unique Award
XXXIX of the Floral Games of Zacatecoluca, in the field of poetry. Founding member of the Collective
Caracol Ilobasco, autonomous cultural management and youth development organization, whose activities
The core aspects are the management of training activities and the dissemination of local artistic expressions.
It promotes the “Casa Creativa” project, which aims to develop music workshops,
painting, theatre, literature, etc. in the town of Ilobasco.
He has a Diploma in Cultural and Creative Industries, taught by UNESCO in 2016. He is
Cultural Manager through the Diploma in Cultural Management taught in 2018 by the Casa de
Culture and Coexistence of the Center, Ministry of Culture. Part of his poetic work has been
published in the Anthology Subterránea Palabra,Poetic Anthology,selection by the poet Luis Borja
(THC Editors,2016). he has published the collection of poems DOS (Ediciones DPI, 2017). It has unpublished the largest
part of his work.
Carlos anchetta was born in Quezaltepeque, El Salvador, on September 26, 1982.He is a writer,
Salvadoran editor and screenwriter.PUBLISHED BOOKS: Los cisnes (Editorial Flor de Barro, 2013, novel
short); The opportunity of silence (Editorial Flor de Barro, 2014, novel); acoustic stories
(Editorial Flor de Barro, 2014, collection of stories); The Mask of abaddon (DPI, 2017, novel
short); The princes (Pitoko editors, 2019, short novel); The Book of Thamara (editorial
University, 2021, novel); Story of the nine fables (Editorial universitaria, 2021, collection of
stories); The Adolescent Pagan (Editorial Flor de Barro, 2021, novel); “The Deflowered Garden”
(Editorial Equizzero, 2022, story).
AWARDS: First place in the Tribute to Roque Dalton Contest for the 75th anniversary of his birth,
2010 (poetry); National Short Novel Award, 2016 (XXIX Floral Games of Cojutepeque); Better
fiction short film script, 2018 (Mónica Herrera School of Communications); Prize
Hispanic American Novel (Floral Games of Quetzaltenango,
Guatemala, 2018); Napoleón Rodríguez Ruíz National Novel Prize, 2020); National Award for
Story José María Méndez, 2020.; National Story Prize, 2021 (XVIII Floral Games of San
Savior); XI Ipso Facto Literary Contest 2021, story; Hispanic American Short Story Prize
(Floral Games of Quetzaltenango, Guatemala, 2022); National Essay Award, 2022 (XVIII
Floral Games of cojutepeque).
The book is already on pre-sale through the Buscalibre page
What themes are explored in “Latinoamericaeditada.not yet available in your region” and how do they reflect the cultures of Central America and the Caribbean?
Interview between the Time.news Editor and José Daniel Rivas Hidalgo
Editor: Welcome, José! Its a pleasure to have you with us to discuss the exciting new anthology “Latinoamericaeditada.not yet available in your region.” This project highlights contemporary science fiction from Central America and the Caribbean.Can you start by telling us what inspired this anthology and why it was essential to bring these voices to the forefront?
José Daniel Rivas Hidalgo: Thank you for having me! The primary inspiration behind this anthology stems from a desire to shine a light on the frequently enough-overlooked literary talent in central America and the Caribbean.These regions have a rich storytelling tradition,yet their voices frequently remain unheard in the broader literary world. With ALCIFF and Tríada Ediciones, we aimed to create a platform that empowers these authors, showcasing their unique perspectives and experiences while also enriching the science fiction and fantasy genres globally.
Editor: That’s engaging! The previous volume, “Latinoamericaeditada,” set a vital precedent by exploring the current conditions of speculative fiction in Latin America. How does this new installment build upon that foundation?
José Daniel: The first volume laid the groundwork by initiating conversations around the challenges and opportunities in publishing speculative fiction in Latin America. In this new installment, we’ve expanded our focus to highlight not only the narratives but also the editorial processes that allow these diverse voices to emerge. We’ve included insights from ten Central American editors, each contributing their expertise to create spaces for authors who have traditionally been marginalized. It’s about building a robust community of writers and editors who can uplift one another.
Editor: Speaking of marginalized voices,can you share some specific stories or authors from the anthology that particularly resonate with you?
José Daniel: absolutely! One story that stands out is by a talented writer from Cuba who weaves a narrative reflecting the complexities of identity and belonging in a fantastical context. Another piece from Guatemala explores environmental issues through a surreal lens, prompting readers to reconsider their relationship with nature. Each story offers a unique flavour of the region’s culture while also grappling with universal themes, making them relatable and thought-provoking for an international audience.
Editor: That sounds amazing! As a professor and researcher in linguistics and cultural studies, how do you believe literature, especially speculative fiction, can impact cultural perceptions and promote understanding across borders?
José Daniel: Literature, particularly speculative fiction, serves as a powerful lens through which we can gain insight into different societies and worldviews. It allows us to engage with contrasting realities,thereby fostering empathy and understanding. By reading narratives rooted in Latin American culture, readers from outside the region can better appreciate the complexities and nuances of our societies. It’s a way of transcending cultural barriers and sparking dialogues that are essential for global harmony.
Editor: Well said! What do you envision for the future of Central American literature, especially in speculative genres?
José Daniel: I hope for an ongoing recognition of the wealth of talent we have in Central america and the Caribbean. As more anthologies like this one emerge, I believe we’ll see greater support from publishers and a more critically important presence of Latin American literature in international markets. It’s vital for younger writers to have role models and pathways to publish their work. education and collaboration among nations will also play a critical role in this evolution.
Editor: José, what message would you like to impart to potential readers who may pick up “Latinoamericaeditada.not yet available in your region”?
José Daniel: I urge readers to approach this anthology with an open mind and heart. Allow yourself to be transported into the rich, imaginative worlds crafted by our authors. Each story invites you to question, reflect, and embrace the diversity of human experience. Our hope is that this anthology doesn’t just introduce readers to new authors but also encourages them to seek out and celebrate more voices from underrepresented regions.
Editor: Thank you, José! It’s been a pleasure discussing this important work with you. We look forward to seeing how these narratives continue to shape the literary landscape.
José Daniel: Thank you for the prospect! I’m excited for readers to dive into this anthology and discover the vibrant stories waiting for them.