Lazarito Valdés, director of Bamboleo, settles in Miami

by time news

The Cuban pianist and director‍ of the popular ‍orchestra Bamboleo, Lazarito Valdés, confirmed that ⁢he ‍settled in Miami with his family during an interview given to the YouTube program ‘La ‌Casa de⁤ Maka’.

Valdés explained that the ‍reasons for making​ this decision after all his working ​life were the difficult economic and social situation of the art sector‌ and the Cuban people in general.

“The situation in Cuba is still​ unsustainable, especially for musicians. We live in a constant challenge that limits our professional and personal development,” said Valdés.

In addition, the artist increased the complexity of the Cuban music industry in the midst of the country’s situation, ensuring that “it is a very difficult period for Cuban musicians, inside‌ and outside the country.”

In this sense, he said, despite the artists’ efforts to maintain the quality of‍ their ​music and the connection with the‍ community, there are economic issues that limit their work.

The news prompted thousands of comments on social networks. On the one hand, those who support the musician for his contribution to Cuban art and for his decision to seek better personal and​ professional interests with his family. Meanwhile, other users criticized him for his support⁤ for the Cuban government in some cases.

Such is the case in the 2020 recording of the ⁤song “No te metas”, which the state portal Cubadebate described⁢ as ‍a response by Cuban artists to “the constant provocations from the USA.”

Moreover, there are many who‌ maintain their position that away from Lazarito ⁢Valdés to Miami, there will be a new ‌opportunity for the ‍artist to continue⁤ creating and bringing quality products to the world of Cuban music.

They‍ also ​remember their ‌work with Bamboleo, a group founded in 1995 and considered one of the most⁢ influential orchestras on the island. Together with his band, Valdés has been commanding audiences inside and outside ⁢of Cuba for⁣ almost three decades and now, from another‌ latitude, he ​could continue to do it in a different way.

What inspired Lazarito Valdés to move from Cuba to Miami for his ⁢music career?

Interview⁤ between Time.news Editor and Lazarito Valdés

Time.news Editor: Welcome, everyone, to this​ exclusive interview with Lazarito ⁤Valdés, the renowned pianist and director of the popular Cuban orchestra, Bamboleo. We appreciate you taking the time to join us today, Lazarito.

Lazarito Valdés: Thank you⁣ for having me. It’s a pleasure to be ‍here.

Editor: Let’s dive​ right in. ‌You ‌recently confirmed that you’ve settled in Miami with your family. That’s a significant move, especially given ‌your deep roots in ‍Cuba. What led you to make this decision after a lifetime of work in ​the Cuban arts?

Lazarito: It was not⁢ an easy decision, but the economic and social situation in Cuba had become unsustainable, particularly ⁣for musicians. The challenges we face in the art sector are overwhelming and have greatly ⁤affected our ability to thrive and create. We had to consider not only our future as artists but also the ​future of our family.

Editor: That sounds ‍incredibly tough. Can you elaborate⁢ on the specific ⁤challenges that musicians in Cuba are facing right now?

Lazarito: Absolutely. The conditions for artists in Cuba, particularly musicians, have deteriorated significantly. There’s a lack​ of ‍resources, from instruments to venues, and the financial support is almost non-existent. Many talented musicians struggle to make a living, and it hampers creativity and artistic ⁢expression. The constant pressure makes it difficult to focus on our passion for music.

Editor: Given⁢ these challenges, how do you think ‌the⁢ arts can survive and continue to flourish in Cuba?

Lazarito: I⁢ believe that change needs to happen ⁣at⁢ both social ‍and governmental levels.‌ There⁣ must be a renewed emphasis on supporting the arts, not just as a cultural treasure but as a vital part of⁤ our society. Artists should be seen as essential contributors to the‌ economy and social fabric, deserving of‌ proper support and recognition.

Editor: Your move to Miami undoubtedly opens new doors ‌for you and ‌Bamboleo. How do you see the experience of living in a different cultural landscape influencing your music?

Lazarito: Living in Miami is like experiencing a new world of opportunities. The fusion of cultures here ‌is inspiring, and it opens up new musical possibilities. I think it will allow us⁤ to blend more styles ‍and reach wider audiences. My goal remains to keep the ​essence of Cuban music alive while also ⁢embracing new influences.

Editor: It sounds​ like a significant ⁢new⁣ chapter for you⁤ and your orchestra. What’s ‍next for Bamboleo as you ‍embark on this journey in Miami?

Lazarito: We’re excited to ⁣connect with new audiences and collaborate with ​other⁢ artists. We are also looking forward to performing⁢ regularly here. Our​ music carries the spirit of Cuba, and we want to share that joy and heritage ⁤with everyone while keeping our roots firmly planted in Cuban tradition.

Editor: Thank you, Lazarito, for sharing your insights and experiences‌ with us. Your passion for music and ‌commitment to your craft is truly inspiring. We’ll be watching⁣ closely to see how your ‍journey unfolds in Miami⁣ and beyond.

Lazarito: Thank you for having me. It’s important to ​share our stories, and I hope to inspire others through ⁢my music, wherever I am.

Editor: And we⁤ look forward to your future work. Thank you again for joining us today!

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