2024-06-20 22:47:06
As essential as picture, mild and staging to inform a narrative, sound is an “immersive device”, defined this proficient filmmaker, who got here to share her expertise, her conception of the seventh artwork and the affect of filmmakers from which she was impressed earlier than diving into the world of cinema.
With a fertile creativeness, nourished by varied sources, Ms. Ducournau, on this wake, defined that she was influenced specifically by David Cronenberg, the Canadian director, actor, producer and screenwriter, in addition to by the cinema of Pasolini, who occupied ” a really nice interval” in his life.
Evoking the theme addressed in her movies, the director who sees humanity by unbelievable cinema, clarified that she is curious about bodily and human transformation, whereas offering, on this sense, perception into the character of Justine in her work “Junior”, realizing that this character runs by all his movies.
“The human physique is the bottom of identification between the general public and my characters,” she continued, emphasizing that she “likes to experience the waves of feelings.”
Certainly, the French filmmaker makes movies about “our fears and our needs, but additionally about taboos”, which she paints in all colours (blue, pink, crimson, and even black). It’s the extraordinary story of the human physique and the bodily transformation that it tells movie after movie, underlined the journalist, Ava Cahen, who moderated this assembly marked by a pleasant alternate with festival-goers of various nationalities.
French director and screenwriter, born in 1983, Julia Ducournau graduated from Fémis, screenplay part. She stood out when her quick movie Junior was chosen for Critics’ Week in Cannes in 2011.
His first function movie “Grave” was introduced on the Critics’ Week in 2016 and obtained the “Fipresci” prize.
His second function movie “Titanium” is screened in competitors at Cannes in 2021 and receives the Palme d’Or.
2024-06-20 22:47:06