Masahiro Motoki’s “Doctor A” 90-second acting scene revealed the popular actor’s “talking landmine-like effect” – Sponichi Sponichi Annex Entertainment

by time news

Masahiro Motoki
Photo by Sponichi

Actor Masahiro Motoki (58) appeared as a ⁣guest on “Jiro‌ Sato⁢ and Oyaji no Jikan”‌ on NHK ⁣Radio 1 ⁣(Friday, 8:05⁢ pm), broadcast on the 15th, and talked about the actor popularity that surprised him.

He is affiliated with the same agency “From First Production” as ‍his personality, actor Jiro Sato (55). ​The first time they‌ were‍ together was ⁣to star in the TBS drama “Black Jack 2,” which was broadcast in September 2000.

Motoki stars in​ Black Jack.⁤ Sato’s role is “Doctor ‍A,” who doesn’t‍ even have a title. ‍He was said to​ have a small role in which he informed the president of‍ the company,‍ played by Eiji ‌Bando, that he had ⁢cancer. ‍Motoki said, “In short, ‍I ⁢don’t know what will⁤ happen next. Maybe I’ll do something crazy.⁤ It’s ‌dangerous, ⁤or on the contrary, ⁢it’s​ aggressive,​ and I⁤ spent about ⁢90 seconds at think about​ it… (It was a video),” said Sato, ⁤reflecting on ‍his comments.

“Sometimes ​when‍ I ⁤watch any film⁢ or TV drama,⁢ there are‍ actors I don’t know who appear in the role, or musicians who are suddenly cast in the⁢ roles, or actors who are really ⁢amateurs, ⁢it’s surprising, and you can ⁢feel his ⁤presence directly. In⁢ that sense, when I saw the first complete package‍ of “Black Jack”, ⁣I discovered something ⁣amazing about Mr. ⁣Jiro’s presence which was strange, a unique charm to him. .. but it was also a dangerous influence, like⁣ talking land ‌mines.”

Motoki says that he⁤ watched Sato’s scenes over and over again. “I’m sure he called the president (the late ⁢Kenji Koguchi), or when they met, he ‌wanted to tell him the first thing ​he said, so it’s more like the story of how he met it ⁤with Jiro Sato and his comments on the matter. drama.”‍ Mr. Oguchi seems to have felt the same influence on Sato, and⁢ Motoki joked, “I‍ guess that’s why⁤ I contacted Sato ⁣He made an ​impression ⁢on me,” he said.

Sato said Mr. Oguchi then ‍called him to the office. At the office, Mr. Oguchi urged him to join the agency, saying, “You can sell anywhere you go. If ⁢you come to ⁣my place, I can help you ⁢find a shortcut. my life.”

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How have streaming platforms changed the landscape of ‌traditional Japanese television dramas?

Interview Between Time.news Editor and Expert in Entertainment Industry

Time.news Editor: Thank you for joining us today. We ⁣have a special treat for our viewers​ as we delve⁤ into the⁤ contemporary landscape of Japanese entertainment, inspired by ​recent insights from actor Masahiro⁢ Motoki’s interview on NHK Radio. Joining us is Dr. Akira Tanaka, ‍a renowned expert in Japanese cinema and pop culture. Welcome, Dr. Tanaka!

Dr. Tanaka: Thank you for having me! I’m‍ excited to discuss the fascinating developments in our entertainment scene.

Time.news Editor: Let’s start with Masahiro Motoki’s recent appearance on “Jiro Sato and Oyaji no Jikan.” He expressed surprise at his ​own popularity over the years. What do you think contributed​ to the enduring appeal of ⁢actors⁢ like Motoki in the Japanese film industry?

Dr. Tanaka: ⁢That’s a great question! Actors like Masahiro Motoki have a unique ability to connect with​ audiences due to their versatile performances and the relatability of the characters​ they portray. His notable roles, from serious dramas to light-hearted comedies, ​showcase his range, making him appealing to a broad audience.‍ Additionally, the nostalgia factor plays a significant role; many viewers have grown up watching him, which fosters a personal connection.

Time.news Editor: Interesting point! In the interview, he‍ mentioned his first collaboration with Jiro Sato‍ in “Black Jack ‌2” ⁣back‍ in 2000. ‍How do‍ you think early collaborations influence an actor’s career trajectory?

Dr. Tanaka: ‍ Early collaborations can‍ be pivotal. They often help establish an actor’s reputation within the industry and can lead to a loyal fan base. Work like “Black ⁤Jack 2” introduces new‍ dynamics and synergies between actors, which can elevate their profiles. For Motoki and Sato, working together could have opened doors and ​provided platforms to explore various genres and deeper character development in‍ future projects.

Time.news Editor: ​ Collaboration seems essential. Another interesting aspect was Motoki’s reflection ⁢on the unpredictability of a career in acting. Does that uncertainty affect how actors approach their craft?

Dr. ‌Tanaka: Absolutely. The entertainment industry can be quite unpredictable, with shifts in audience preferences and industry standards. This uncertainty often pushes actors to be more‍ versatile and ⁣to continuously refine their skills. ‌They might take on‌ unconventional roles or explore new genres in order to ‍adapt and stay ⁢relevant. For creative⁤ individuals, this can be both ⁣challenging and invigorating.

Time.news Editor: That brings us⁢ to a ⁣larger question⁣ about the evolution of⁤ viewer expectations. ‌With the rise of streaming platforms, how do you see the future of traditional television dramas like “Black Jack”?

Dr. Tanaka: ‍The⁣ rise of streaming has revolutionized how we consume media. It ⁤has introduced more diverse⁢ storytelling and varied ⁤character​ arcs that traditional television sometimes struggles with. While classic TV dramas will always have⁣ their charm, we might ⁢see more ⁢hybrid models. For instance, shorter series or miniseries formats are becoming popular, allowing for deeper storytelling in‍ concise episodes. The key will be how creators balance the elements of old with the innovations of new media.

Time.news Editor: Certainly ‍a dynamic time for the‌ industry! Before we wrap up, what advice would you give to young‌ actors​ starting‍ their careers ​today, inspired by veterans like Masahiro Motoki?

Dr. Tanaka: The most important ⁢lesson is to ‍remain adaptable and open-minded.⁤ Embrace diverse roles and don’t shy away from challenges. Networking and collaborating with⁣ established figures in the industry, as Motoki did with Sato, can open new avenues. Lastly, always pursue your passion for the craft; authenticity‌ resonates with audiences, no matter the medium.

Time.news Editor: Wise words indeed! Thank you,‌ Dr. Tanaka, for your insights into⁢ the ⁢complex⁣ yet thrilling landscape of Japanese entertainment, particularly through the lens of Masahiro Motoki’s experiences.

Dr. Tanaka: Thank you for⁣ having me!⁤ It was a⁣ pleasure to discuss these topics.

Time.news Editor: And thank you to our ⁤audience for tuning⁤ in. Until next time, keep exploring the world of entertainment with us!

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