2024-07-01 13:54:59
DAmerican Matthew Barney is the Richard Wagner of recent artists. His multimedia, opulent works are created in cycles revolving round a number of leitmotifs. It is a very tough course of, which is why this summer season 4 galleries (Max Hetzler in Paris, Gladstone in New York, Sadie Coles HQ in London and Regen Initiatives in Los Angeles) be part of collectively Cartier Fondation Paris to create a brand new assortment. have 5 to play reveals on the similar time.
The primary degree is the fondation Cartier. Within the glass exhibition corridor of the museum, which Jean Nouvel designed 30 years in the past for the muse of the jeweler belonging to the posh items group Richemont, there’s a plastic carpet in orange, yellow, purple and purple colours that’s about. a soccer discipline.
Hanging from the ceiling is the Jumbotron, a big tv with 4 screens that tapers to the ground. Jumbotrons are principally used at live shows and sporting occasions and present close-up pictures to spectators who’re seated away from the motion. Nevertheless, this machine doesn’t show the identical picture on every web page, which invitations you to browse.
Matthew Barney explores trendy mythology
From the primary flooring you’ve got a preview – and you may see an oval within the carpet crossed by a horizontal line. This model, “Subject Emblem”, is already current all through the “Cremaster” created by Barney from 1994 to 2002, which incorporates 5 movies and numerous private tasks. The oval stands for natural, the tree stands for the constraints chosen by the artist himself, which he works on.
Born in San Francisco in 1967, Matthew Barney as soon as performed school soccer for Yale College. Right here he expresses himself and, as in “Cremaster,” continues to discover trendy mythology – with particular consideration to the bodily.
Manufacturing picture from “Subsequent” by Matthew Barney (2023)
Quelle: Gladstone Gallery
His newest work “Subsequent” (2023) lasts an hour and is in regards to the tragic soccer recreation between the Oakland Raiders and the New England Patriots on August 12, 1978, through which two gamers collided. Darryl Stingley suffered a spinal damage and was paralyzed in consequence.
What’s taking part in on the screens shouldn’t be a historic soccer recreation, however slightly a legend of the play of the thoughts, a collection of gestures and actions within the artist’s studio in Lengthy Island Metropolis, which resembles a hangar. Statues made from lead, aluminum and terracotta are created right here. These are supplies of softness, brittleness and skill to retailer reminiscences, Barney compares to character traits – there may be some Joseph Beuys in it too.
Dancers and actors, musicians, singers and musicians, all of them outdated, carry out within the uniforms of NFL groups – similar to Barney himself, who performs quarterback Ken Stabler. Background noise is idiosyncratic.
You possibly can hear bodily motion, acapella singing, the sound of instruments and shifting objects, pushing and shoving, panting and warbling. A masculine, bodily picture that just about appears a bit out of time.
All the things runs in a loop
“Subsequent” presents the viewer with many challenges. In Paris and in Europe hardly anybody is aware of the principles of the American soccer recreation. His personal ignorance brought about the hassle he needed to make to method the work once more, which was a very long time.
Barney doesn’t enable us to let ourselves wander within the circulation of pictures, as in his “Cremaster” movies or within the visually highly effective and disturbing “Rivers of Fundament” (2014). There isn’t any designated level from which to view the set up or startup – every part works in a loop.
Filmstill: Matthew Barney, “Misplaced Taking pictures 26”, 2024
Quelle: Gladstone Gallery
However there may be an occasion that every part is resulting in and so that you watch and watch and await the Hollywood second, but it surely by no means comes. The so-called circulation of the sport, i.e. the circulation of actions, success or failure, resulting in the purpose or failure because of safety, there is no such thing as a such circulation of the sport in “Secondary”.
Matthew Barney, who introduced his first movie “Cremaster” on the Fondation Cartier 30 years in the past, spoke about “the suppression of violence and spectacle in American soccer and, extra broadly, American tradition.” He personally is aware of the bodily and psychological dimensions of this recreation, he mentioned, and they’re the driving pressure behind his work.
However regardless of all indications, Barney is cryptic at coronary heart. His work is principally defined when it comes to himself or in relation to the arcane system equivalent to the traditional Egyptian tales in “The Rivers of the Basis”.
In an artwork world that may now not take three steps with out concern of the darkish with out a good suggestion of the aforementioned work, that is very useful. Whereas Europe sits in entrance of the tv each night and cheers on nationwide soccer groups, earlier than the “Subsequent” you possibly can assume once more about sports activities and artwork – and what they will have in widespread.
Manufacturing picture from Matthew Barney’s sequel “Subsequent” (2023)
Individuals: Jonathan O’Sullivan
Within the late Nineteen Eighties, as a pupil, Matthew Barney tied ropes round himself, hid them across the room, and used his personal power to push in opposition to their resistance, simply to make a drawing. below the ceiling or on the wall. “Misplaced Drawing” is the identify of a collection of movies that started in 1987 and the interweaving of animation and creativity continues to this present day.
Barney has positioned a brand new ceramic sculpture within the second room on the Fondation. In life measurement, it fashions the so-called energy rack that you simply see in health studios: a large steel body on which you are able to do squats, bench presses, shoulder presses or pull-ups as nicely like store dumbbells and different power coaching tools.
The fragility of the terracotta, its surreal interchange with the steel steady creates a stress of Barney’s redemption within the basement. There are deformed weight plates right here, the white partitions are smeared, right here and there a piece of clay stands on.
For the movie “Drawing Restraint 27,” actor Raphael Xavier tied himself to the bottom with carabiners after which fought in opposition to the resistance of the rope. As an alternative of exercising with dumbbells, you slam them in opposition to the wall. A lone fighter in opposition to the void and his personal muscle tissues, which may solely develop via extreme calls for – that is , lengthy image.
Matthew Barney, “Subsequent”: bis 8. September 2024, Cartier Basis, Paris; till July 25, 2024, Max Hetzler, Paris; till July 27, 2024, Sadie Coles HQ, London; till July 26, 2024, Gladstone Gallery, New York; till March 17, 2024, Regen InitiativesAngels
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