In a powerful exploration of Germany’s colonial past, Cédric Djedje’s theatrical piece “Vielleicht” sheds light on the long-overlooked atrocities committed against the Herero adn Nama peoples between 1904 and 1908, marking the first genocide of the 20th century. Presented at the Centquatre-Paris during the “Impatience” festival, djedje, a Paris-born artist of Ivorian descent, highlights the ongoing struggle of Afro-descendants in Berlin who have campaigned for decades to rename streets honoring German colonial figures. This poignant performance not only confronts past ignorance but also calls for a reckoning with the legacy of colonialism in contemporary society, urging audiences to reflect on the implications of history in today’s world.
Q&A with Cédric Djedje: Confronting Colonial Past Through Theater
Editor, Time.news: Cédric, your theatrical piece “Vielleicht” has been described as a powerful exploration of Germany’s colonial past, specifically the atrocities against the Herero and Nama peoples.What inspired you to focus on this ancient subject, particularly in the context of contemporary performances?
Cédric Djedje: My journey began with a deep personal connection to history and identity. As a Paris-born artist of Ivorian descent, I feel compelled to address the narratives that ofen go ignored. The genocide of the Herero and Nama, which is tragically the first genocide of the 20th century, is a story that needs to be told and understood.By bringing this to the stage at the ”Impatience” festival in Paris, I hope to not only educate but also provoke thought and discussion about the ongoing ramifications of colonialism.
Editor: “vielleicht” has been noted for addressing the struggle of Afro-descendants in Berlin who campaign to rename streets honoring colonial figures. How does your performance intersect with these real-world movements?
Cédric Djedje: The street renaming campaigns are a powerful form of activism that confronts the colonial legacy embedded in our urban landscapes. By incorporating these themes into “Vielleicht,” I aim to highlight the connections between the past and present. it’s crucial to recognize that the physical space we inhabit reflects historical injustices. My performance calls for collective reflection and action towards acknowledging and rectifying these colonial legacies.
Editor: In what ways does “Vielleicht” challenge audiences to confront their own understanding of history?
Cédric Djedje: The piece uses a blend of narrative and visual storytelling to immerse the audience in the experiences of those who suffered during the genocide. It forces viewers to grapple with their own complicity in historical narratives—whether through ignorance or passive acceptance. By engaging with the emotional weight of these stories, I encourage audiences to reassess their perspectives on history and consider how these events shape current societal structures.
Editor: You mentioned in your biography the importance of reckoning with colonial legacies.What practical advice would you give to individuals and communities looking to engage in this reckoning?
Cédric Djedje: I would encourage everyone to start by educating themselves about their country’s colonial history, recognizing how it influences present-day dynamics. Engage in discussions, support local initiatives that aim to reshape narratives, and participate in performances or workshops that focus on these themes. Activism doesn’t always mean grand gestures; small, consistent efforts in your community can lead to meaningful change.
Editor: How do you see the role of theatre and the arts in fostering dialogues about arduous historical topics like colonialism?
Cédric Djedje: Theatre and the arts provide a unique platform to explore complex issues. They allow for emotional expression and an immersive experience that can foster empathy. Performance can break down barriers that customary educational approaches may not address. When audiences witness these stories on stage, it can provoke conversations and inspire change in ways that reading or lectures alone often cannot.
Editor: thank you, Cédric. Your insights into “Vielleicht” and its broader implications are enlightening. As we move forward, what do you hope audiences take away from your work?
Cédric Djedje: I hope audiences leave with a greater awareness of the ongoing impact of colonialism and a sense of urgency to confront these issues. My goal is for “Vielleicht” to serve as a catalyst for reflection and action, prompting critical discussions not only about the past but also about our collective future. The stories we tell shape the world we live in, and it’s time to rewrite them with intention and understanding.