Meet the jurors of the 13th AIC Filmworks Film Festival

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A International Film Academy (AIC) announces‍ the list of jurors for the 13th Film Festival of Cinematographic ⁣Workswhich will take place on 13 and 14⁣ December 2024, at Museum of Image and Sound (MIS)in Sao Paulo. The competitive event, which ⁤celebrates the talent of AIC students and the ‍free Cinema, Filmmaking‍ and Documentary courses, counts on a team of expert judges and audiovisual enthusiasts.

This year the judges are renowned​ professionals, who ⁢will bring a rich ⁢variety of perspectives⁢ to⁢ the categories New look, Free cinema, Cinematographic works ⁢And Documentary.‍ Find out more about them:

Meet the jurors of the 13th AIC Filmworks Film FestivalMonica Wojciechowski<span data-contrast

fwfffwffGuglielmo Mariano: Gui Mariano is a journalist, graduate in cultural management and specialist in film history‍ at PUC-SP. He has worked in several cultural institutions, focusing‍ mainly on audiovisual. At TV​ Cultura, he was part⁤ of​ the communications team and was responsible ‌for promoting classic programs such as Roda Viva, Mostra Internacional de Cinema and Cultura Documentários. From the Sao Paulo broadcaster he‌ moved to Spcine, one ‍of the main public audiovisual companies in the country and Latin America. There he participated in projects such as Circuito Spc​

fwfffwffFlavia Rocha: ⁤ Flávia Rocha is a journalist and screenwriter, founder and ⁣communications director of the AIC. He co-wrote the screenplay for the feature film “Birds of Neptune” (2015) with director ‌Steven Richter, which premiered at the ⁢Slamdance Film Festival, won the best film award at the Arizona ⁣International Film Festival and ​was in competition at the São Paulo International​ Film Festival, among other ⁢festivals. In 2011, he produced the feature film “Centro​ de Gravidade”, also by Richter, which premiered at the‌ Raindance⁤ Film Festival and the São Paulo International Film Festival, and was distributed by Elo Company.‍ There are currently other⁢ projects in ​development. He is a member of ABRA, Brazilian Screenwriters

fwfffwffEduardo Santana: Cultural manager⁢ with training in Social Communication – Radio and ⁢TV.
Creator and Director of Cinefantasy –⁢ International Fantastic Film Festival.
As director, he ⁣held the following ⁣film festivals: Olhar Periférico – Film Festival, Na Quebrada Film Festival, Ilha Comprida Children’s Film Festival, Vale do Ribeira Film Festival and Educa Claquete Cinema Action Festival in São Paulo.
In the audiovisual field,⁤ he directed the short film O Ciclo, produced ⁢by the Brazilian Association‍ of Cinematography (2021), produced the short films Pray (2014),⁣ by Claudio Ellovitch, and ⁣Totem

Worked as a reviewer at⁢ the ​Ministry of Tourism, Special Secretariat for Culture of the Federal Government (2019-2021), VAI (2018), Nelson Seixas Award (audiovisual)‍ of the Municipal Secretariat of Culture of SJRP (2020), 06 notices from the Foundation Cassiano Ricardo of the Municipality of SJC (2021-2023), ⁤Commission of the Virada Cultural Online Notice of the Secretary⁣ of State for Culture and Creative Economy of the Government of the State‍ of São Paulo (2020), Member of the Committee of Reviewers of the Aldir Blanc Law of the State Secretariat⁣ of Culture and Tourism⁤ of Minas ⁤Gerais (2020), Member of the Commission of ⁣the ProAC Notice nº 25/2022 – Literature ‌/ Production and implementation of a reading incentive project ⁢of the⁣ State Secretariat for Culture (2022)

David Barkan is an experienced cinematographer and director with an 18-year career spanning film, television and social media. A proud AIC⁣ alumnus, David was part of the‌ school’s first class 20 years ago. ⁢His work includes feature films, short films, documentaries, music ‌videos and advertising content for major brands such as Bradesco, FIAT, Nivea, Natura, LATAM and Bosch. As director, he has already managed campaigns for Facebook, Havaianas, ⁢Itaú, among others.

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Ana Carolina Lima trained as an actress in ⁤Brazil in 2001 at the former INDAC and shortly after her training joined a professional production of short plays by Samuel Beckett touring Brazil with Sesi in the theater travel project. He continued to⁢ work on several theater productions, including returning⁣ to SESI for two more projects: “Quem Nunca” and “O que eu understanding do que o Tom⁢ Ze said”. Ana made her film debut with the short film “Espalhadas pelo ar”, for which she​ won three awards as ⁢best actress. With the same⁣ short film ⁣he‍ participated in La Semaine de la Critique at the Cannes festival. It was with the film Center⁣ of Gravity written and directed by Steven Richter that Ana received good reviews ‌at​ the Raindance ​Film Festival in ⁤London.

Ana has maintained⁣ her search as a living​ actress, always involved in various actor training courses. He has⁢ participated in numerous advertising films and was also able to try​ his⁣ hand on television with the soap ⁤opera “Uma Rosa com Amor”. In 2012 Ana moved to New York to begin her training in method acting at the Lee Strasberg Institute. Ana currently lives in New York and teaches method acting at the Lee Strasberg Institute.

Katia Kreutz<img ⁤decoding="async" class="wp-image-30504 alignleft"⁢ src="https://www.aicinema.com.br/wp-content/uploads/2024/11/6-400×400.png" ‌alt="Katia Kreutz" width="290" height="290" srcset="https://www.aicinema.com.br/wp-content/uploads/2024/11/6-400×400.png 400w, https://www.aicinema.com.br/wp-content/uploads/2024/11/6-680×680.png‌ 680w, https://www.aicinema.com.br/wp-content/uploads/2024/11/6-768×768.png 768w, https://www.aicinema.com.br/wp-content/uploads/2024/11/6-360×360.png 360w, https://www.aicinema.com.br/wp-content/uploads/2024/11/6-300×300.png 300w, https://www.aicinemKatia Kreutz: Graduated ⁤from ‌the first AIC FilmWorks course, graduated ⁣in Journalism, with a master’s degree in‌ Media and Audiovisual Processes from ECA/USP. ⁣Her audiovisual projects include dozens of works as a director and screenwriter of ​short films. He has worked writing and editing magazines and books, in Brazil and the United States,‌ as well as working as a social media manager for the website ThePlaylist.net and a film critic for Cinemascope. He currently works as an audiovisual screenwriter at +A Educação, having participated in the creation of ⁣the web series ⁢Irreversível – Learning the protagonist

fernando dias audiovisual<img decoding="async" class="wp-image-30503 alignleft" src="https://www.aicinema.com.br/wp-content/uploads/2024/11/5-400×400.png" alt="fernando dias audiovisual" width="290" height="290"‌ srcset="https://www.aicinema.com.br/wp-content/uploads/2024/11/5-400×400.png 400w, ‍https://www.aicinema.com.br/wp-content/uploads/2024/11/5-680×680.png 680w, https://www.aicinema.com.br/wp-content/uploads/2024/11/5-768×768.png 768w, https://www.aicinema.com.br/wp-content/uploads/2024/11/5-360×360.png 360w, https://www.aicinema.com.br/wp-content/uploads/2024/11/5-300×300.png 300w, https://www.aicinema.com.br/wp-content/uploads/2024/11/5-600×600

Fernando Dias: Executive ​producer, CEO and founder of GRIFA⁣ FILMES in 1994, Fernando is widely recognized as one of the leading experts on the international audiovisual scene in Brazil. His projects have‍ received numerous international awards, including three International Emmy nominations and two qualifications for the 2019 OSCAR®️ shortlist, with the documentaries “The Cleaners” and “Piripkura”. He also produced the Netflix original series “João de Deus: Cura e Crime,” which not only reached the‌ Top 5 ⁣in Brazil, but also appeared in the Top 10 worldwide. His most recent releases are: the series‌ “190 ‍– Intelligence Against Crime”, “Olhos da Lei”, in the TOP 5 of the⁢ most viewed on HBO Max and Discovery+ in 2023, the feature-length ‌documentary “Biografias Íntimas” and the series “Ciência, Feminine Noun”, both in co-production with the GNT channel, the ​series “Mães do Funk”, in co-production with MTV, among many other works released this year.

Francisco ​César Filho: Francisco Cesar Filho is a director, curator‌ and cultural entrepreneur. and MacArthur. He is the curator of the Ecospeaker Film Festival, DH Fest – Festival of Culture⁤ in Human Rights and Citronela Doc – Ilhabela Documentary Festival. He was director of ‌the ⁢Latin American Film Festival of São Paulo, deputy director of É Tudo​ Verdade, associate director​ of Curta⁣ Kinoforum, organizer of the Mostra do Audiovisual Paulista, executive coordinator ⁢of⁢ Vivo arte.mov – International Festival of Arts in Mobile Media and curator of the Exhibition Cinema and Human Rights ⁤in South America.

He is the director of​ the feature ⁢films “Augustas” and “Futuro do Pretérito – Tropicalismo Now!”, as well as documentaries, short films and TV series. The Rotterdam Film Festival has programmed three of his films in the ⁤New Authors from Brazil section. His works have been presented at the New ‍York Film Festival and at⁤ the IDFA​ – Amsterdam Documentary Festival, as well‌ as numerous international events.

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What are some notable films and projects⁣ Ana has worked on throughout ‍her acting career?

Ana:

Ana garnered good reviews for her performance in ‌the film *Center of Gravity*,‍ written and directed​ by Steven Richter, at the ‌Cannes Festival and the Raindance Film‌ Festival in ⁢London. ⁤She has continuously pursued her ​career ⁢as an actress, actively engaging in various training courses to hone her craft. Ana has appeared in numerous advertising films and ventured onto television with the soap opera *Uma Rosa com Amor*.​ In 2012, she relocated to New York to begin her method acting training at the Lee ⁣Strasberg Institute, where she currently resides ‌and teaches.

Katia Kreutz:

Katia ‍is a graduate of the first AIC FilmWorks course ⁣and holds a degree​ in Journalism, along with‍ a master’s in​ Media and Audiovisual Processes from ECA/USP. She has an extensive portfolio as a ⁤director and screenwriter ⁢for short films ⁣and ​has also worked as⁢ a writer and ​editor for magazines and ⁢books in both Brazil and the United States. Additionally, she has served as⁣ a social media manager for ⁤ThePlaylist.net and works as a film critic​ for Cinemascope. ‌Currently, she is an audiovisual screenwriter at ‌+A Educação,​ contributing‌ to the web series *Irreversível – Learning the Protagonist*.

Fernando Dias:

Fernando Dias​ is the executive producer, CEO, and founder of GRIFA FILMES since 1994. He is well-regarded as one of Brazil’s foremost experts in the international audiovisual landscape. His works have received various international accolades, including three International Emmy nominations and two qualifications for ⁤the 2019 OSCAR®️ shortlist ​for documentaries such ⁤as⁣ *The Cleaners* and *Piripkura*. He ⁢also‌ produced the Netflix original series *João de ⁣Deus: Cura e Crime*, which was a Top 5 hit in ​Brazil and ranked in the Top 10 worldwide. His recent projects include the series‌ *190 – Intelligence​ Against Crime*, *Olhos da⁢ Lei*, which ranked in⁢ the ⁣TOP 5‍ on HBO Max and Discovery+ ⁤in 2023, the feature documentary *Biografias Íntimas*, ⁤and the series *Ciência, Feminine Noun*, co-produced with GNT, as well as the series⁢ *Mães do Funk* in partnership with MTV, among other‌ notable releases​ this year.

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