Chris Pratt Faces AI Justice in New Thriller ‘Mercy’
A chilling exploration of artificial intelligence’s role in the justice system arrives this January with the release of “Mercy,” starring Chris Pratt. The film, directed by Timur Bekmambetov, presents a near-future Los Angeles where AI is the sole arbiter of guilt and innocence.
The film’s premise taps into growing anxieties surrounding the increasing reliance on AI in critical decision-making processes. As one analyst noted, the movie reflects a current “doublethink” – acknowledging the potential dangers of AI while simultaneously lacking the will to address them proactively.
A RoboJustice Future
“Mercy” envisions a 2029 Los Angeles policed by an AI system ironically named “Mercy” – a name that belies its cold, calculating approach to justice. The system operates with a 90-minute trial format, where defendants attempt to prove their innocence before Judge Maddox, an AI-hologram portrayed by Rebecca Ferguson. Maddox, described as icily factual, is also prone to glitches reminiscent of the 1980s digital character Max Headroom.
The narrative centers on Detective Chris Raven, played by Pratt, a decorated LAPD officer who secured the first conviction under the new system. However, Raven’s world is turned upside down when he awakens, hungover, in a courtroom restraint chair to be accused of his wife’s murder – a crime he has no recollection of committing.
Unraveling the Truth in a Digital World
To clear his name, Raven must navigate the city’s extensive digital infrastructure, sifting through bodycam footage, surveillance recordings, phone records, and communications with colleagues and family. The film promises a compelling investigation as Raven undertakes what is described as the most challenging police work of his career.
The script, penned by Irish writer Marco van Belle, is lauded for its “ingenious and watchable” qualities, featuring “cheeky twists” and a fast-paced plot. However, the film’s climax reportedly veers into “pure absurdity” with an escalation to full-on action mayhem.
A Lenient Look at Artificial Intelligence?
While the film aims to critique the power of AI, it appears to offer a somewhat forgiving perspective. A key line from the movie, “Human or AI – we all make mistakes,” suggests a level of equivalence between human fallibility and potential AI errors. This nuance has sparked debate, with some questioning whether the film adequately addresses the unique risks posed by unchecked AI authority.
Adding a touch of nostalgia for fans, Jay Jackson reprises his role as Perd Hapley from the television series “Parks and Recreation” in a cameo appearance.
“Mercy” is scheduled for release on January 22 in Australia and January 23 in the United Kingdom and the United States. A sequel featuring the dynamic between Raven and Judge Maddox is a distinct possibility, according to industry observers.
