One hundred and forty-four pagesby Alfonso Barguñó Viana (H&O). When someone is a literary critic of my size (of my professional size, of course, which is even bigger than the one I wear in pants) the texts on the back cover of most published books can easily produce satiety, a feeling of seen before and, come on, I’m going to say it, sleepiness. Examples? A story where love and fate are intertwined— well, pass. A novel in which the main character must face his own – man, what a joke, damn. For the first time in the history of literature, a storyteller promises to write about the details of book production. —eh, still “stop it”, go strong, H&O!, selling us readers who never have this proposal from Barguñó Viana (composing a text around prosaic bibliographic elements such as paper, ink, book ISBN code) ever. done, which is original, so you stand out and have my full attention as a reader. In addition, I intend to copy and do the same here: also “for the first time in the History of Criticism”, Germán Collazos promises to tell you how he creates the recommended reviews he writes for the prestigious digital medium usually this.