2023-10-10 20:57:36
With a fun press release that, like the parent program did, plays at breaking the fourth wall, Netflix yesterday confirmed the title and premiere date of the spiritual successor to Telecinco’s extinct ‘Sálvame’. Produced again by La Fábrica de la Tele, the ‘reality docu’ that will follow the eight television icons in their attempt at professional and television recycling will be called ‘Every man for himself!’ and will premiere next November 10.
Specifically, that day the video on demand service will launch the first three episodes, in which Belén Esteban, Terelu Campos, Kiko Matamoros, Lydia Lozano, Chelo García Cortés, Víctor Sandoval, Kiko Hernández and María Patiño will be seen “putting Miami upside down in the search for a new job,” says the statement distributed by the platform. The journey through Mexico, which makes up the other three episodes of the season, will arrive at the beginning of 2024 “so that the ‘memes’ accompany us for longer.”
Without work in Spain, at the end of his long and successful 14-year career in ‘Sálvame’ and ‘Deluxe’, the press release details, it’s time to start over, take his photos from the hallways where they have been stars for so many years and looking for a life from scratch in Miami and Mexico City.
Belén, Terelu, the two Kikos, Lydia, Chelo, Víctor and María will visit the best-known Spanish-speaking television channels in the two cities, will be received by hosts who are television stars in their countries and will attend the VIP parties where you can rub shoulders with international celebrities.
The collaborators of ‘Sálvame’ spent two weeks recording a ‘reality docu’ that was officially confirmed and after a series of rumors, precisely in the last program of the daily edition of the format. It was on June 23, with program number 6,639, when the space of the heart said goodbye to its audience with a party in style, very emotional and not without epic in which the objectives of a program that began its journey were remembered. in 2009 “with the sole intention of entertaining” the public and putting on “the craziest party on TV.”
A party that ended with a heartfelt and exciting San Juan bonfire in the Mediaset parking lot in which significant objects of the format and the set’s scenography burned and which was lit by Antonio Rebollo with an arrow, replicating the feat that the athlete performed during the inauguration of the Barcelona Olympic Games in 1992.
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