A wave of latest leadership is set to reshape several prominent American theatre companies, signaling a period of potential growth and evolution. From New York City to Portland, Oregon, organizations are welcoming experienced arts administrators poised to guide them through a dynamic landscape. These appointments reflect a commitment to both artistic innovation and organizational stability, as theatres navigate evolving audience expectations and funding challenges.
The changes approach at a pivotal moment for the field, as regional theatres grapple with recovery from the pandemic and a renewed focus on equity, diversity, and inclusion. The incoming leaders bring diverse backgrounds and expertise, promising fresh perspectives on classic works and a dedication to fostering new voices. This shift in leadership isn’t simply about personnel changes; it’s about reimagining the role of theatre in the 21st century.
Chris Berry is stepping into the role of managing director at the Classical Theatre of Harlem (CTH), a company dedicated to producing impactful theatre rooted in the African diaspora. Anthony Runfola will helm Childsplay in Phoenix as its new artistic director, returning to the theatre where he began his career. On the West Coast, Conner Criswell is taking the reins as managing director of A Noise Within in Pasadena, California, and Heather de Michele is the new managing director of Portland Center Stage at The Armory in Oregon.
Harlem’s Next Chapter: Chris Berry at Classical Theatre of Harlem
Chris Berry’s arrival at CTH marks a significant moment for the company, which aims to become “the next great American theatre company,” according to a company statement. Berry brings over a decade of experience in nonprofit theatre, arts education, and cultural organizations. Most recently, he served as executive director of Playwrights Realm, where he focused on strategic growth and strengthening the organization’s infrastructure. Playwrights Realm is dedicated to supporting early-career playwrights.
Prior to his role at Playwrights Realm, Berry held leadership positions at the Penumbra Center for Racial Healing, the Black Theatre Network, and the Black Arts Institute at the Billie Holiday Theatre. He also has a background in education, having served as an assistant professor of theatre at both the University of North Carolina at Charlotte and Florida A&M University. Berry’s academic credentials include a BFA in acting from North Carolina A&T State University and an MFA in acting from Brown University/Trinity Rep. He has also worked as a dialect coach, contributing to productions at Signature Theatre, including The Hot Wing King, and the television series P-Valley.
A Familiar Face Returns: Anthony Runfola Leads Childsplay
Anthony Runfola is returning to Childsplay as its third artistic director, succeeding Dwayne Hartford and the company’s founder, David Saar, beginning June 1. Runfola’s career began at Childsplay, where he spent two decades as director of production, overseeing over 150 productions and contributing to the development of new plays like Tomás and the Library Lady and The Sun Serpent. He also directed national tours of popular shows like Rock the Presidents and Schoolhouse Rock Live!
Before returning to Phoenix, Runfola served as artistic director of Magik Theatre in San Antonio from 2019 to 2025. At Magik Theatre, he championed inclusive storytelling and community partnerships, commissioning and directing world premieres such as Lyric and the Keys and Eddie & Vinnie. Under his leadership, Magik Theatre was recognized as “Best Theatre” by the San Antonio Current for three consecutive years, from 2022 to 2024. Runfola will work alongside managing director Steve Martin to guide Childsplay’s artistic programming, with a continued focus on education, access, and equity.
West Coast Transitions: New Leadership at A Noise Within and Portland Center Stage
In Pasadena, California, A Noise Within has promoted its current general manager, Conner Criswell, to managing director, succeeding Douglas Love-Ramos. Criswell holds an MA in art and culture management from the University of Denver and a BA in theatre arts from the University of Oregon. His experience includes roles at Orlando Shakespeare Theater and the John G. Shedd Institute for the Arts in Eugene, Oregon, as well as work with Upstart Crow Studios. A Noise Within is known for its classical repertoire and commitment to diverse storytelling.
Meanwhile, in Portland, Oregon, Heather de Michele is assuming the role of managing director at Portland Center Stage at The Armory, effective April 6, succeeding Liam Kaas-Lentz. De Michele brings over 15 years of experience in arts administration, having previously served as executive director of Live Wire Radio for six years. She also spent over a decade as managing director of The Groundlings Theatre and School in Los Angeles, where she significantly increased the organization’s patron base and developed a diversity, equity, and inclusion program in partnership with NBC Universal.
Looking Ahead
These leadership changes represent a significant investment in the future of American theatre. As these new leaders settle into their roles, the focus will undoubtedly turn to navigating the challenges and opportunities that lie ahead, from securing funding and attracting audiences to fostering a more inclusive and equitable theatre ecosystem. The next major milestone for many of these organizations will be announcing their upcoming seasons, offering a glimpse into their artistic visions and priorities.
What are your thoughts on these new appointments? Share your comments below and let us realize what you hope to see from these theatres in the years to come.
