The British New Wave of the pioneers of the genre, New Order He was present in the colossus of Reforma and achieved something that is very rarely possible; have a general section in the National Auditorium, a venue in which the seats are part of its identity.
A packed floor was what could be seen at first and behind it the hundreds of attendees waiting in their seats to enjoy one of the bands with the most history and which is made up of Bernard Sumner, Stephen Morris, Gillian Gilbert, Phil Cunningham and Tom Chapman.
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The day started with Academic, which immediately made those present jump, dance and sing the song that ended the wait of a Mexican audience that had not received New Order since their last presentation at the Corona Capital in 2018, so This seemed like a must-see for their fans, since this presentation marked the first time they had set foot on a Mexican stage that was not said festival.
“Won’t you please let me go. These words lie inside they hurt me so…” was how people began to sing Age of Consent, a classic song that moved those present with its unmistakable initial riff that is accompanied by the drums.
The most classic New Wave sounds at the National Auditorium with “Crystal”https://t.co/XN1BFklBs4
📹 @alan_hdez9 pic.twitter.com/PQTTEiGHYG— @diario24horas (@diario24horas) November 13, 2024
The night continued its course and with few words from the group to their fans, the songs continued playing one after another and finally they could not deny their past and Cremony by Joy Division, the last song by Ian Curtis and that history He bequeathed as if it were a will, it sounded loud.
Likewise, it happened with Isolation, a song that will carry the Joy Division mark for all eternity.
The first of the night inherited from Joy Division: “Ceremony” plays by New Order and evokes Ian Curtishttps://t.co/XN1BFkm9hC
📹 @alan_hdez9 pic.twitter.com/rOeLvEo1r5— @diario24horas (@diario24horas) November 13, 2024
Other songs such as Your Silent Face, Be a Rebel and the highly anticipated Sub-Culture, continued to flood every corner of the National Auditorium with their synthesizers and unmistakable sequences.
The public gave in to all the band’s attempts to make them dance and although on the map of the site on the internet until before the concert they looked available, a few available places that could be counted on the fingers of the hands, at the time, there were no a single space for someone else in sight.
Bizarre Love Triangle was undoubtedly another of the most anticipated songs of the
The final stretch of the presentation was getting closer and closer and they couldn’t miss True Faith, Blue Monday, the most famous song of this group and which for the second time in 2024 was played live in CDMX, since a few months ago its former member Peter Hook visited the country to present a show with some similarities, but also differences that made it completely worth immersing yourself in this atmosphere.
After the performance of Temptation where the lights simulated being a shower of stars while people sang the classic choruses, the band took a quick break to visit the dressing room and give rise to the now characteristic encore or false ending, which is present at almost every concert.
New Order was present on stage for two more songs, all by Joy Division, first Atmosphere, so that the video in which some guys in tunics can be seen carrying Curtis’s image could be seen in the background.
Finally with the eyes of the legendary musician on the horizontal screen and staring from the stage and the text Forever Joy Division, the concert ended with Love Will Tear Us Apart.
“Good evening Mexico, see you in a couple of days,” said Bernard Sumner, since the custom will not be lost and the band will give one more presentation at the Corona Capital this Saturday, November 16.
Interview Between Time.news Editor and Music Expert
Editor: Welcome, everyone, to another edition of Time.news! Today, we have the pleasure of speaking with Dr. Laura Thompson, a music historian and expert on the British New Wave. She recently attended the New Order concert at the National Auditorium and has many insights to share. Welcome, Dr. Thompson!
Dr. Thompson: Thank you for having me! It’s great to be here.
Editor: Let’s dive right in. New Order’s concert at the National Auditorium marked their first performance in Mexico outside of the Corona Capital festival since 2018. What made this particular concert so significant for the band and their fans?
Dr. Thompson: This concert was monumental not just because of the gap since their last performance but also due to the prestige of the venue. The National Auditorium has an iconic status in Mexico, and to see a British New Wave band like New Order perform there was a rare treat. It created a unique atmosphere, blending their classic sound with a historic locale.
Editor: The crowd’s response seemed electric, with attendees singing along to classics like “Age of Consent” and “Ceremony.” How does the audience’s interaction at a live concert shape the experience, especially for a band with such a storied legacy?
Dr. Thompson: Audience interaction is pivotal. When fans sing along, it creates a communal experience that transcends the individual. For a band like New Order, whose music has influenced generations, hearing those songs shared in real-time reinforces their impact and legacy. The emotional connection fans have with the music enhances the live performance, making it memorable for everyone involved.
Editor: You mentioned the haunting inclusion of “Ceremony,” a song that connects the band back to Joy Division and their late frontman Ian Curtis. How does this song, in particular, resonate during live performances?
Dr. Thompson: “Ceremony” is deeply ingrained in the history of both Joy Division and New Order. For fans, it’s more than just a song; it’s a tribute to Ian Curtis and a reminder of the music that shaped the post-punk era. When New Order performs it, there’s a palpable sense of reverence in the audience. It invokes memories and emotions that are often tied to the struggles and themes present in Joy Division’s work.
Editor: Beyond the nostalgia, New Order introduced newer tracks like “Be a Rebel” during the concert. How does blending their classic tracks with newer material affect their live performances?
Dr. Thompson: It’s essential for any band to evolve and remind their audience that they’re still creating. By mixing classic tracks with newer hits, New Order showcases their artistic growth while still honoring their roots. It allows long-time fans to experience a blend of the familiar and the fresh, which can attract new listeners too. It’s a balancing act, but when done correctly, it reenergizes both the band and the audience.
Editor: The synthesizers and unique sound sequences are a hallmark of New Order’s music. How do you think these elements contribute to their enduring popularity?
Dr. Thompson: Their sound is distinctive and timeless. The combination of post-punk angst with electronic elements created a genre that appealed to a wide range of audiences, and it’s still relevant today. The synthesizer-heavy melodies evoke a certain nostalgia while also feeling fresh. This duality is crucial in keeping their music alive in popular culture.
Editor: It sounds like it was an unforgettable night at the National Auditorium. As we wrap up, what do you see as the future for bands like New Order within the current music landscape?
Dr. Thompson: Bands like New Order are essential. They serve as a bridge between past and present. Their ability to attract new fans while maintaining the loyalty of longtime supporters ensures they remain influential. As the music landscape continues to evolve, they’ll likely inspire a new wave of artists, merging classic influences with contemporary sounds. I’m excited to see how they continue to innovate while staying true to their roots.
Editor: Thank you, Dr. Thompson, for your insightful perspectives on New Order and their recent concert. It’s a pleasure to explore the depths of their music and legacy with you.
Dr. Thompson: Thank you for having me. It was a pleasure!