The Vienna Philharmonic is set to welcome the New Year 2025 with its iconic New Year’s Concert on Wednesday at 11:15 AM, conducted by the renowned Riccardo Muti for the seventh time. This year’s event marks a historic milestone as it features the first composition by a female composer,Constanze Geiger,with her “Ferdinandus-Walzer,” highlighting a step towards gender parity in classical music. The concert will celebrate the works of Johann Strauss II, who would have turned 200 this year, including eight pieces from the “Waltz King” and the conventional encore of the “Blue Danube.” Viewers can tune in to the live broadcast on ORF 2 and JOYN, reaching nearly 100 countries, while Ö1 will also provide a live radio transmission. Additionally,the Vienna State Ballet will perform scenes choreographed by Cathy Marston,marking her debut in this prestigious event.
Q&A with Classical Music Expert: The 2025 Vienna Philharmonic New Year’s Concert
Time.news Editor: The Vienna Philharmonic’s New Year’s Concert is always a major event in the classical music calendar. This year, it holds special significance with the inclusion of Constanze Geiger’s composition. Can you tell us more about this historic milestone?
Expert: Yes, indeed! The 2025 new Year’s Concert is groundbreaking because it features the first composition by a female composer in the concert’s long history.constanze Geiger’s “Ferdinandus-Walzer” symbolizes a notable step toward gender parity in classical music, which has traditionally been male-dominated. This inclusion reflects a broader movement within the classical music community to recognize and elevate female composers who have been historically overlooked.
Time.news Editor: That’s a remarkable step forward. The concert also celebrates the works of Johann Strauss II, who would have turned 200 this year. How does this anniversary influence the concert’s repertoire?
Expert: Absolutely, it’s a brilliant opportunity to honor the legacy of Johann Strauss II, who earned the title of the “waltz King.” The concert will feature eight of his pieces, including the iconic “Blue Danube,” which has become a traditional encore at thes events. Celebrating Strauss II’s bicentennial not only pays homage to his contributions but also helps keep his music alive in the public consciousness, creating a bridge between historical thankfulness and contemporary performances.
Time.news Editor: It sounds like the programme will be both nostalgic and innovative. The concert will also include a ballet performance. What significance does Cathy Marston’s choreography add to this event?
Expert: Incorporating ballet, especially with a choreographer like Cathy Marston, adds a new visual dimension to the concert. Marston is known for her sophisticated storytelling and ability to integrate classical music with dance seamlessly. Her debut at this prestigious concert enhances the overall experience and demonstrates the diverse interpretations of Strauss’s compositions, showing that these works can inspire creativity across multiple art forms.
Time.news Editor: For those unable to attend in person, how can they experience this concert?
Expert: Viewers worldwide can tune into the live broadcast on channels such as ORF 2 and JOYN, which makes it accessible to nearly 100 countries. It’s also broadcasted live on Ö1’s radio, allowing listeners to enjoy the concert in real-time. This wide reach highlights the Vienna Philharmonic’s commitment to sharing its music globally, making the concert a global party of classical music.
Time.news Editor: As we move towards a more inclusive future in the arts, what advice would you give to emerging artists trying to break into the classical music scene?
Expert: Emerging artists should relentlessly pursue their unique voices while embracing collaboration across genres. It’s vital to stay informed about current trends and opportunities within the music community. Engaging with organizations that promote diversity, participating in festivals, and networking with established artists can provide valuable pathways. Also, consider actively sharing your work thru digital platforms to reach a wider audience, much like this new Year’s Concert aims to do.
Time.news Editor: Thank you for sharing these insights. the 2025 New Year’s concert promises to be a remarkable occasion that celebrates both tradition and innovation in classical music.
Expert: Thank you! I look forward to seeing how these changes resonate in the broader music world and how audiences respond to this year’s unique offerings.