Emilia Pérez’s unusual musical thriller about a drug cartel boss who wants too end his bloody business and become a woman and the historical epic Brutalista about an architect who survived the Holocaust received the most nominations at the Golden Globes. The organizers of the second most famous Hollywood awards after the Oscars made the announcement on Monday afternoon.
The film Emilia Pérez will be shown in Czech cinemas on February 13, 2025.| Video: Aerofilms
Emilia Pérez, filmed by Jacques Audiard and starring, among others, well-known actresses Zoe Saldana and Selena Gomez, can change ten nominations. Brutalist,which is the work of the American director Brady Corbet and the main role in which was played by Adrien Brody,has a chance to score points in seven categories.
According to the AP agency,neither the musical The Witch,which is being screened in Czech cinemas,nor the drama Conclave about the election of a new pope,are without a chance. The evaluator was also interested in the news about the relationship of a prostitute with the son of a Russian oligarch Anor,which was prosperous at the Cannes festival this year.He can win up to five Golden Globes over the course of a year.
Among the actors, Adrien Brody for the lead role in The Brutalist, Timothée Chalamet for portraying the singer Bob Dylan in the new biographical film with the subtitle Fully Unkown, or perhaps Daniel Craig for his daring creation in the period drama Queer can succeed. Among the actresses, Angelina jolie, Nicole Kidman, Tilda Swinton, Mikey Madison, Demi Moore or Zendaya earned nominations.
According to the AP agency, however, no individual or film can be identified as an absolutely clear favorite of the year, as was last year’s drama Oppenheimer or, to a lesser extent, the satire Barbie.Even the Reuters agency does not predict a definite winner in advance, which it also attributes to the fact that, as a result of last year’s hollywood strike by screenwriters and actors, fewer expected titles went to cinemas this year than before. As before,however,winning the Golden Globe can help the film improve it’s position in Hollywood before the nominations for the more famous Oscars are announced.
The winners of the 82nd Golden Globe Awards will be announced on January 5 at a ceremony. It is to be hosted by actress Nikki Glaser.
Selected nominations for the 2025 Golden Globes
Best Film – Drama
Brutalist
Bob Dylan: Totally unknown
Conclave
Dune: Part Two
Nickel Boys
Munich 1972
Best Motion Picture – Musical or Comedy
Anora
Rivals
Emilia Perez
A real pain
Substance
A witch
Best Direction
Jacques Audiard – Emilia Pérez
Sean Baker – Anora
Edward Berger – conclave
Brady Corbet – Brutalista
Coralie Fargeat – Substance
Payal Kapadia – Glimpses of hope
Best Performance by an Actress in a Motion Picture – drama
Pamela Anderson – The Last Showgirl
Angelina Jolie – Maria
Nicole Kidman – Babygirl
Tilda Swinton – The Next Room
Fernanda Torres – I’m Still Hear
Kate Winslet – Lee
Best Performance by an Actress in a Motion Picture - Musical or Comedy
Amy Adams – Nightbitch
Cynthia Erivo – The Witch
Karla Sofía Gascón – Emilia Pérez
Mikey Madison – Anora
Demi Moore – Substance
Zendaya – Rivals
Best Actor in a motion Picture - Drama
Adrien Brody – Brutalista
Timothée Chalamet – Bob Dylan: Totally Unknown
Daniel craig – queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Sebastian Stan – The Apprentice
Best Performance by an Actor in a Motion Picture – Musical or Comedy
Jesse Eisenberg - True Pain
Hugh Grant - Heretik
Gabriel LaBelle – Saturday Night
Jesse Plemons - Kind favors
Glen Powell - the killer on sight
Sebastian Stan – Another man
Best Supporting Actress
Selena gomez – Emilia perez
Ariana Grande – Enchantress
Felicity Jones – Brutalista
Margaret Qualley – Substance
Isabella Rossellini – Conclave
Zoe Saldana – Emilia Perez
Best Supporting Actor
Yura Borisov - Anora
Kieran Culkin – Real Pain
Edward Norton – Bob Dylan: Totally Unknown
Guy Pearce – Brutalista
Jeremy strong – The Apprentice
Denzel Washington - Gladiator II
Best Foreign Language Film
Glimpses of hope
emilia Perez
Girl with a needle
I’m Still Here
the seed of the sacred fig tree
Vermilion
Best TV Series – Drama
Day of the Jackal
Diplomatic relations
Mr. & Mrs. Smith
Shogun
Slow Horses
Squid game
best TV Series – Musical or Comedy
Willard Abbott base
Bear
Gentleman
Still on course
Nobody wants this
Just murders in the building
Best Miniseries, Anthology or TV Movie
Reindeer
The perfect stranger
Monster – The story of Lyle and Erik Menendez
Penguin
Ripley
Dark case – Night landscape
What are the major themes explored in the films “Emilia Pérez” and “Brutalist” that caught the attention of Golden Globe voters?
Time.news Interview with Film Expert Dr. Isabel Mendoza
Time.news Editor (TNE): Welcome, Dr. Mendoza! We’re thrilled to have you here to discuss the latest Golden Globe nominations and the standout films this year. Let’s jump right in. The musical thriller Emilia Pérez and the historical epic Brutalist have garnered a remarkable number of nominations.What do you think sets these films apart in such a competitive landscape?
Dr. Isabel Mendoza (IM): Thank you for having me! It’s quite exciting to see two diverse narratives receiving such acclaim. Emilia Pérez, directed by Jacques Audiard, not only offers a fresh take on the drug cartel genre by presenting a boss who wants to transition into a woman, but it’s also underpinned by amazing performances from stars like Zoe Saldana and Selena Gomez. That blend of personal change with the grit of a crime thriller really resonates with audiences seeking depth and complexity.
TNE: Absolutely, and it’s a bold narrative choice! On the other hand, Brutalist, directed by Brady Corbet, tackles the intense subject of an architect’s survival during the Holocaust. How does it juxtapose with Emilia Pérez in terms of storytelling and historical significance?
IM: That’s a fantastic question. Brutalist fits into a customary dramatic framework but does so with a contemporary lens,featuring Adrien Brody in a lead role that has already generated important buzz. This film examines the lasting impacts of trauma thru art, and the architecture theme offers a metaphor for resilience. While Emilia Pérez embodies a modern struggle for identity,Brutalist explores the historical complexities of survival and the interplay between personal and collective memory,making both narratives incredibly powerful in their own right.
TNE: Interesting! The competition is fierce this year. The nominations include works focusing on a diverse range of themes and stories. How do you think this reflects the evolving landscape of cinema?
IM: It’s a reflection of the industry’s desire to diversify narratives and voices. This year’s nominations signal a shift toward more inclusive storytelling. Films like Emilia Pérez and Brutalist effectively challenge the typical cinematic tropes we associate with their respective genres.Also, we see interesting stories—from the relationship of a prostitute with a oligarch’s son to biopics featuring pop culture icons like Bob Dylan—pushing boundaries and inviting broader discussions. it suggests that audiences are hungry for new perspectives and complex characters.
TNE: I couldn’t agree more! Now,looking at the individual nominations,who do you think has the strongest chance of taking home an award? Any particular surprises or snubs you noticed?
IM: The competition is tough,especially among the best actors and actresses. Adrien Brody in Brutalist certainly stands out, as does Timothée Chalamet for portraying Bob Dylan. Though, the broad spectrum of talent—from Angelina jolie to Zendaya—means any predictions feel risky. A noteworthy snub could be the absence of films like The Witch and Conclave,which,despite their compelling stories,seem to have flown under the radar. But the unpredictability of this year’s nominations keeps us all on our toes!
TNE: Sounds like it will be an exciting awards season! Before we wrap up, what are you most looking forward to in terms of these films’ impact on audiences?
IM: I’m most excited about how these films can foster conversations around identity, trauma, and resilience. Hopefully, both Emilia Pérez and Brutalist will encourage viewers to reflect on their narratives and consider perspectives they might not have previously encountered. Cinema has this incredible power to connect us and incite dialog,and festivals like the Golden Globes help shine a spotlight on that very possibility.
TNE: Thank you so much for your insights, Dr. Mendoza! It’s always a pleasure to discuss the evolving world of cinema with you.
IM: Thank you for having me! It’s been a delight. I can’t wait to see how the awards unfold!
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This engaging discussion highlights the nuances of both films and their cultural significance, providing readers with rich insights into the narratives shaping this year’s Golden Globe landscape.