NYC Spring Live Performances: Must-See Shows

by Laura Richards – Editor-in-Chief

Broadway Buzz: Intrigue, Cuban Rhythms, adn a Shakespearean Revival Hit the Stage

Table of Contents

– New york City – Broadway is set to ignite with a diverse array ⁤of productions in 2025, offering everything from wartime intrigue and ⁣Cuban rhythms to a Shakespearean ‍classic reborn. With ‍a‍ mix of new musicals and revivals,⁤ theatergoers can expect a​ season of captivating storytelling and unforgettable performances.

“Operation Mincemeat”: A Wartime Caper with a Touch of Whimsy

Leading the charge is the Olivier Award-winning musical “Operation Mincemeat,” a quirky and compelling tale of British espionage during ⁤World War II. ‍ The ‌production, direct from its accomplished London ​run, features the ⁤original West End ⁣cast. “Operation Mincemeat” recounts the audacious true story of British intelligence officers ​who planted false⁤ invasion plans on a deceased man disguised as ‍a⁣ royal Marines major, hoping to mislead the Germans. The musical’s unique blend of humor and historical intrigue promises a captivating theatrical experience.

A sneaky compassion lies at the heart of this caper of ⁤a show, a deliciously eccentric London import.

—Laura Collins-Hughes, time.news

The show runs through June 15 at‍ the Golden‌ Theater.

Cuban Rhythms⁢ Heat Up Broadway with “Buena Vista Social Club”

Following‌ on the heels of “Operation Mincemeat” is “Buena vista Social ⁣Club,” a vibrant musical celebrating the Grammy Award-winning ⁢Cuban musicians who created the iconic 1997 album.Developed and directed by Saheem‍ Ali (“Fat ⁣Ham”), the musical takes inspiration from real events and individuals, using the recording sessions as ⁢a springboard for its narrative. with choreography by Patricia delgado and Tony ​Award winner justin Peck (“Illinois”), “Buena ⁣Vista Social club” promises a ​high-energy, rhythmically charged experience.

The musical, a hit during its Off-Broadway run at the ⁣Atlantic Theater Company⁢ last season, begins performances on February 21 at the Gerald Schoenfeld Theater.

Denzel Washington Returns to Broadway in a Powerful “Othello”

adding to⁢ the excitement is the return of two-time Academy Award‌ winner Denzel Washington⁣ to the Broadway stage in a highly anticipated revival of Shakespeare’s “Othello.” Washington, who previously captivated audiences in a Broadway production‍ of “Julius caesar” in 2005, is poised to bring his commanding presence⁤ and dramatic intensity to the role of the tragic moor.

This ‍marks Washington’s return to Broadway after two decades, ​following his ​acclaimed performance in “Julius Caesar.” Details about ‍the production, including casting and a premiere date, are yet to be announced, further fueling anticipation ‍among theater enthusiasts.

Star-Studded Broadway Season Kicks Off with Shakespeare, Political​ Drama, and Mamet

– A dazzling array of talent is set to grace the Broadway stage this season, with productions ranging from Shakespearean tragedy to contemporary political drama⁢ and a revival​ of a Pulitzer Prize-winning classic. ⁤ Theater enthusiasts can anticipate powerful performances and thought-provoking narratives.

Denzel Washington ⁣Returns to Broadway as othello

Following his acclaimed ‍film‍ portrayal of Macbeth,Denzel ‌Washington returns to Broadway to embody Shakespeare’s tragic hero,Othello. Joining ‍him ‍is Jake Gyllenhaal as the manipulative Iago, with⁣ Molly Osborne as Desdemona. ​ This production, directed by Tony award-winner Kenny Leon (known for his revival of A Raisin in the Sun, also starring Washington), promises a fresh take on the timeless tale of jealousy and betrayal. The production runs from February 24 to June 8 at​ the Barrymore Theater.

“Following his acclaimed ‍film portrayal of Macbeth, Denzel Washington ⁢returns⁤ to Broadway to embody Shakespeare’s tragic hero, othello.”

Branden Jacobs-Jenkins Explores Legacy in “Purpose”

Following his Tony Award-winning play Appropriate, playwright Branden Jacobs-Jenkins returns with Purpose,‌ a new drama exploring the complexities of ​a fictional⁢ Black political dynasty in Chicago. Directed​ by Phylicia Rashad, the play‍ features a stellar ensemble cast, including alana Arenas, Glenn Davis,​ Jon Michael Hill, LaTanya‌ Richardson Jackson, Harry Lennix, and 2024 Tony Award-winner Kara Young. Purpose runs from February 25 to July 6 at the Helen Hayes Theater.

“Glengarry Glen Ross” Revival Brings Mamet’s Cutthroat World Back to Broadway

david Mamet’s Pulitzer Prize-winning play, Glengarry Glen Ross,⁢ receives its ‌third Broadway revival.⁢ Kieran Culkin, last seen on Broadway in this Is Our Youth a decade ago, takes on the iconic role of Richard Roma, made famous by Al Pacino in the​ film adaptation. He stars⁤ alongside Bob Odenkirk and Bill Burr in this sharp, profanity-laced ⁢exploration of the high-stakes world of real estate.

Broadway Spring 2025: A Season of Stars and Innovation

– New York city – Broadway is set to‌ dazzle this spring with a diverse lineup of productions, from star-studded revivals to technologically innovative new works.Audiences can⁣ anticipate a season of⁣ compelling stories,powerful performances,and theatrical magic.

Sarah Snook Transforms in Technological “dorian Gray”

Fresh off her Olivier Award win, Sarah⁤ Snook, ⁢known for⁣ her role as Shiv Roy in HBO’s⁢ “Succession,” ⁤makes her Broadway debut in a groundbreaking‌ production of “The Picture of ​Dorian Gray.” Snook tackles all 26 characters in Kip ⁣Williams’s high-tech adaptation of oscar Wilde’s classic novel. This Sydney Theater Company production ⁢runs from March 10 ⁢to June 15 at the Music Box Theater.

Stephen McKinley Henderson Leads ⁢All-Star⁤ Cast​ in “Good Night, oscar”

A stellar cast assembles for the Broadway premiere of “Good Night, Oscar,” directed by the tony Award-winning Patrick Marber. The play features Stephen McKinley Henderson, Michael‌ McKean, Donald Webber Jr., Howard W. Overshown, and John pirruccello.This captivating production runs⁢ from ⁣March 10 to May 31 at the Palace Theater.

“Boop! The Musical” brings Iconic Cartoon to‌ Life

The beloved 1930s cartoon character Betty Boop leaps ⁤onto the Broadway stage in “Boop! The Musical.” jasmine amy Rogers makes her Broadway debut as the titular character, alongside broadway‌ veterans Faith⁤ Prince and Stephen‍ derosa. With direction and choreography by Tony Award-winner Jerry Mitchell, a book by Bob Martin, music by David⁣ Foster, lyrics by Susan Birkenhead,‌ and a set by David Rockwell, this vibrant new musical ‌begins performances March 11 at ‌the Broadhurst Theater.

“John⁢ Proctor Is the Villain” Reimagines a Classic

Kimberly Belflower’s “#MeToo play” ​offers a contemporary reimagining of Arthur Miller’s “The Crucible.” The play challenges the traditional heroic portrayal ‍of John Proctor, prompting⁢ reflection on power dynamics and societal expectations. This thought-provoking production opens this fall.

Broadway blooms in Spring 2025: New productions Set to Dazzle

– New York⁢ City⁤ – Broadway is poised for a vibrant spring season in 2025, with a diverse lineup of world ⁣premieres and exciting adaptations hitting the stage. ‌From the highly anticipated prequel to the hit⁤ Netflix series “Stranger Things” to a musical reimagining of the ​beloved play and film “Real Women Have Curves,” ⁢theater enthusiasts have​ much to look forward to.

“Stranger Things: the First Shadow” Unveils hawkins’ Past

Transporting audiences back to 1959 Hawkins, Indiana, “Stranger Things: The First Shadow” delves into the untold⁤ history of the town before the supernatural events of the Netflix series. Directed by Stephen daldry, with a script penned by Kate Trefry and an original story crafted in collaboration with the Duffer brothers and ⁣Jack Thorne, this‍ Olivier-winning production promises a sensory spectacle. The show, transferring from london’s West End following its 2023 opening, is recommended for ages 12 and⁢ up. Performances begin March 28 at the Marquis Theater.

“Real Women Have Curves: The⁢ Musical” Celebrates Latina Identity

Josefina López’s impactful story of family,⁣ identity, and self-acceptance takes on a new form in “Real Women Have Curves: The Musical.” Building upon the success of the 1990 play and the 2002 film ⁤starring America Ferrera, this musical adaptation follows Ana (Tatianna Córdoba) as she navigates her dreams and family obligations in 1980s Los Angeles. With direction and choreography by​ tony Award ‌winner sergio Trujillo and ‌music and lyrics by joy Huerta and Benjamin Velez,the production promises a vibrant celebration of Latina culture. Performances begin April 1 at the James Earl jones Theater.

“The Cottage”: A Hilarious Romp Through Infidelity and Mishaps

for those seeking lighter fare, “The‌ Cottage” offers a⁢ comedic twist on love, marriage, ⁢and infidelity. Set in the English countryside, this play, written by Sandy⁢ Rustin and directed by Jason Alexander,‍ follows a‍ woman’s unexpected encounter with her lover’s wife and the ensuing chaos. Starring Eric McCormack, Laura Bell Bundy, and Lilli Cooper, “The Cottage” promises a delightful escape filled with witty banter and unexpected twists. The play runs from March 20 to June 22 at the Booth Theater.

“Dead Outlaw”: A Quirky tale of an Unlikely Afterlife

Based on the‍ true story of Elmer McCurdy, a Wild ⁣West ⁤outlaw whose mummified remains became a bizarre sideshow attraction, “Dead Outlaw” offers a unique and darkly comedic theatrical experience. This musical explores McCurdy’s posthumous journey through time and pop culture. performances begin ‌April 11 ⁢at the⁢ New World Stages.

Broadway Buzz: Star-Studded Revivals and Mythical Musicals Hit the ​Stage

Spring 2025 is⁣ shaping up to be a dynamic season for Broadway, with a diverse lineup of revivals, new musicals, and star-studded casts taking centre stage. From a critically acclaimed‌ Ibsen classic featuring a notable ensemble to a vibrant musical drawing inspiration from Kenyan mythology, theater enthusiasts have much to anticipate.

A Family Affair: “Ghosts” Returns ⁢with a Nepo-Baby Cast

Lincoln Center Theater’s revival of Henrik Ibsen’s Ghosts has garnered attention not only for its classic text but ‌also for its unique casting. The production features ​a prominent ensemble of “nepo babies,” including Lily Rabe, daughter of Jill Clayburgh and David ‍Rabe, alongside Ella Beatty (daughter of Annette Bening and⁣ Warren Beatty), levon Hawke (son of Uma Thurman and⁣ Ethan Hawke), and Rabe’s partner, Hamish Linklater (son of renowned vocal coach Kristin Linklater). Rounding out the cast is Billy Crudup, ⁢directed by Jack O’Brien.Ghosts runs through April 13 at the Mitzi E. Newhouse Theater.

“Goddess”: A Musical Journey Inspired by Kenyan Mythology

Director Saheem Ali brings his⁣ passion project,⁤ Goddess, to the⁢ Public Theater ⁢from April 29 to June 1. Inspired by the myth of Marimba, the goddess of ​music, a story‍ ali encountered‍ during his childhood in Kenya, the musical⁤ boasts a creative team‌ with impressive Broadway credentials. The book is by Jocelyn Bioh (Jaja’s⁤ African Hair Braiding), with music and lyrics by Michael Thurber and choreography by Darrell Grand Moultrie. This team previously collaborated with Ali on the 2021 Shakespeare in the Park production of Merry Wives.

“Shucked”: A rollicking Musical Comedy Returns

The sleeper hit musical comedy Shucked ‌ is back on ⁢Broadway, beginning performances‌ on April 12 at the Longacre Theater. Reprising his​ role as Elmer is Andrew Durand. The show, described as a “country-tinged tale with a conscience,” features a Tony Award-winning ⁣creative team ‌from The Band’s​ Visit: book writer Itamar Moses, composer-lyricist David Yazbek, and director David Cromer, joined by composer-lyricist Erik Della Penna.

New York Theater Heats⁣ Up: Spring 2025’s Must-See Productions

‍| By ⁤time.news

New York City’s theater scene is bursting back to life this spring with a diverse lineup of exciting ‌productions. From classic revivals with⁣ star-studded casts to thought-provoking new works exploring identity and ⁢social issues, there’s something for every theatergoer.

BAM Leads the Charge with ⁤Scorching “Streetcar” and Reimagined “Macbeth”

The Brooklyn Academy of Music (BAM) is‌ reclaiming its position as a cultural powerhouse with two highly anticipated productions. First up is a fiery rendition of Tennessee ‌Williams’s “A Streetcar Named Desire,” directed by Rebecca Frecknall, whose Broadway revival of “Cabaret”‌ continues to ⁣captivate audiences. This London⁣ import, running from February 28 to April 6 at the Harvey Theater, features Paul Mescal as Stanley Kowalski and ​Patsy ​Ferran as Blanche DuBois.

Following “Streetcar,” BAM presents⁢ “Macbeth in Stride” (April 15-27), a bold reimagining of Shakespeare’s tragedy through the lens of⁤ Black womanhood and ambition. Written and ​performed by Obie Award winner Whitney White, ⁢this​ innovative production features a live band ⁣performing White’s original score, blending gospel, rock, R&B, and pop influences.

Exploring Identity and Social‌ Commentary:⁣ “AmerikIN” and “Wine in the Wilderness”

Off-Broadway stages are ⁢also buzzing ⁤with compelling new works. “AmerikIN,” by Chisa ‍Hutchinson, tackles timely themes⁣ of race and ⁣identity with a​ provocative premise. The play, directed by Jade King Carroll, centers on a man (Daniel Abeles) who seeks membership in an exclusive club, only to discover its disturbing true nature. “AmerikIN” runs from March 1‌ to April 13 at 59E59 Theaters.

Meanwhile,Classic Stage Company presents “Wine in the Wilderness” (March 6-April 13),a rediscovered gem by Alice Childress,author of the acclaimed play “Trouble in Mind.”⁤ Set in Harlem during the Civil Rights era, the play‍ explores ⁢complex themes of Black femininity through the interaction​ between⁤ a painter (Grantham Coleman) and​ his model (Olivia Washington). Tony⁢ Award winner LaChanze ​directs this production,continuing her advocacy for Childress’s work.

Spring 2025 Theater Preview: Chekhov, Myth, and Intimate performances

– New York City’s theater scene is bursting with life this spring, offering a diverse array of productions from intimate one-man shows to large-scale immersive experiences. This season promises fresh perspectives on classic ⁤works and innovative ​interpretations of ancient myths.

Chekhov Reimagined: ⁢Intimate and Immersive

anton Chekhov’s timeless works are receiving exciting new treatments this ⁤spring. For those seeking an intimate and thought-provoking experience, Andrew Scott’s solo performance of “Uncle Vanya” is a must-see.

Adapted by Simon stephens,this eight-character solo piece offers a cheeky,nimble,intimate interpretation that challenges the imagination. ⁤while the production has been filmed for National‌ Theater Live, ⁢the in-person experience at the Lucille⁢ Lortel⁤ Theater offers​ a unique connection with the⁢ performer.‍ A camera can’t convey the feeling of ‍experiencing it in the moment, let alone in a room as human-scale as⁢ this downtown space. The production⁢ runs from March ‍10 to‌ May 11.

On a grander scale, the Donmar Warehouse’s immersive production of “The Cherry Orchard” lands at St. Ann’s Warehouse from ⁣March 26 to April ⁢20. This production, directed by Benedict Andrews, known ‍for his⁢ acclaimed 2016 Brooklyn production of “A Streetcar Named Desire“, emphasizes the humor within Chekhov’s ⁢classic. Starring Nina Hoss (“Tár”) ⁢as ​the debt-ridden aristocrat Ranevskaya and Adeel Akhtar as the ascendant merchant Lopakhin, this production ‌promises a fresh take on the timeless struggle between tradition and modernity.

This production wowed London audiences last year ​and is expected to generate similar excitement in New York. ⁣The immersive staging promises to draw audiences into⁣ the world of the play, ​creating a visceral and unforgettable experience.

A Mythic Journey: “Eurydice” Returns

Sarah Ruhl’s “Eurydice” receives a revival this spring, starring Maya Hawke‌ in the title role. This modern reimagining of the ‌classic‌ myth offers a fresh perspective on the story of Orpheus and Eurydice, exploring themes of love, loss, and memory.

Further details about the production, including venue and dates, are forthcoming. Theatergoers can anticipate a captivating⁢ performance from Hawke, who ⁢brings her unique talent and sensibility⁣ to this complex and moving play.

Spring Arts Preview: Must-See Theater and Music in 2025

| By Time.news Arts & Culture

FKA twigs Electrifies⁣ NYC ‍with “Eusexua” Tour

British ⁣avant-pop artist FKA twigs is set to ignite the Knockdown⁤ Center in Queens⁤ this spring with her highly anticipated “Eusexua” tour. The album, described⁤ by the artist as a love letter‌ to how dance music ‌makes me feel, showcases twigs’​ unique blend of experimental electronica and ⁣pop sensibilities.

Drawing on her background in​ ballet and opera, the 37-year-old artist, whose real name is Tahliah​ debrett Barnett, delivers a captivating sonic experience. “Eusexua” features 11 tracks that explore​ themes ​of desire and pleasure, set against a ‌backdrop of pulsating techno, ⁢garage, and drum and bass rhythms. Fans can expect an immersive and electrifying performance on‌ April 3rd and 4th.

Broadway Revivals and New Works take Center Stage

This spring,New York City theatergoers are in for a treat with a diverse lineup of ​productions,from poignant revivals to compelling new works.

“Eurydice”: A Modern Myth Reimagined

Sarah Ruhl’s “Eurydice” returns to the stage ‍at Signature Theater from May 13th to June 22nd. Directed by Les​ Waters, who previously helmed a breathtaking production nearly two decades ago, this “piercingly lovely” and “comically ⁤offbeat” retelling of the classic myth explores themes of love, loss, and memory. The play follows Eurydice’s journey to the underworld after her untimely death,where she reconnects with ‌her father while Orpheus grapples ⁤with his grief.

“Lunar Eclipse”: A Conversation Under the Kentucky Sky

From May 14th to‌ June 22nd,​ Second Stage Theater presents the Off-Broadway premiere of Donald Margulies’ “Lunar Eclipse.” The Pulitzer prize-winning playwright, known for his exploration of relationships in plays ⁣like “Dinner⁢ With Friends,” returns ⁤with a new two-hander featuring Reed ‌Birney and Lisa Emery.

The play ⁣portrays a long-married Kentucky couple, portrayed by Birney (reprising his role from a 2023 production at Shakespeare & Company) and Emery, as they engage in a night-long conversation under the ‍summer sky. Directed by Kate Whoriskey (“Clyde’s”), “Lunar Eclipse” promises a captivating exploration of ​enduring love and the complexities of long-term relationships.

NYC’s Hottest Sounds: March 2025⁤ Music Preview

– New‍ York City pulsates with a ⁢diverse music scene, and March 2025⁢ promises a vibrant array of talent. From the experimental sounds of Darkside to ⁤the poignant country of‌ Megan Moroney and the genre-bending work of Cécile McLorin Salvant, ⁤there’s a concert for every taste.

Darkside Returns with “Nothing” and a new Member

The‍ ever-evolving electro-psychedelic group Darkside, comprised of Nicolás Jaar and Dave Harrington, returns with their ​third LP, Nothing. Joined by drummer Tlacael Esparza, the⁣ band promises an immersive experience. That fluidity gives “Nothing” a‌ thrilling unpredictability — and a ‌license to explore a sonic cosmos ⁢that encompasses liquid funk, airy ambience and sudden spurts of garage rock, ‍among othre sounds, notes our music correspondent.⁤ Esparza’s addition allows for a deeper exploration ⁣of their improvisational side, potentially adding a new dimension to their live performances. catch them at Brooklyn Steel on March 21 and 22.

Megan Moroney: Embrace the Heartache

For those seeking catharsis through music, country⁤ singer Megan Moroney brings her “Am I Okay?” tour to Radio City Music⁣ Hall on March 26 and 27. ‌Moroney’s prolific output of emotionally ‌resonant songs about frustration and regret has resonated deeply with audiences. She ‌has⁤ a soothing voice, but it’s a Trojan horse for the kind of angst that most musicians — hell, most people — are too scared to traffic in, ⁣observes Jon Caramanica. Prepare for an evening of raw emotion and shared vulnerability.

Cécile McLorin⁤ Salvant Unveils “Ogresse”

Cécile McLorin‌ Salvant, the acclaimed singer, composer, and​ visual artist, premieres her music-theater piece, Ogresse, at Carnegie Hall on May 21. Salvant succinctly describes the work: “She falls in love. She eats the guy.She dies.” This intriguing premise promises ⁢a‌ unique and captivating performance, showcasing Salvant’s multifaceted artistry.

Your March Music Itinerary

  • Darkside: March 21-22, Brooklyn Steel, ⁣Brooklyn
  • Megan Moroney: March 26-27, Radio City ​Music Hall, Manhattan
  • Cécile McLorin Salvant: May 21, Carnegie Hall, Manhattan

“That fluidity gives “Nothing” a thrilling unpredictability —⁤ and a license to explore a sonic cosmos that encompasses liquid⁣ funk, airy ambience and sudden spurts of garage rock, among ⁣other sounds.”

time.news‍ Music Correspondent

“She has‌ a soothing⁣ voice, but it’s a Trojan horse for the kind of angst that most musicians — hell, most people — are too scared to traffic in.”

JON CARAMANICA

“She falls​ in ⁣love. She eats the guy.‍ She ⁢dies.”

Cécile McLorin Salvant

Musical marvels in 2025: From McLorin Salvant’s​ Jazz Innovations to Kopatchinskaja’s Philharmonic Debut

– New York City is set to be serenaded by a ⁤diverse array of musical​ talent in 2025. From ​jazz virtuosos to classical masters,the city’s iconic venues will host performances that promise to captivate and inspire. Leading the charge are artists like Cécile ​McLorin Salvant,making waves with her innovative jazz interpretations,and Patricia Kopatchinskaja,poised to make her electrifying new York Philharmonic debut.

Cécile ⁤McLorin ⁣Salvant: Redefining Jazz at ‍Carnegie Hall and Zankel Hall

Cécile McLorin Salvant, known for her captivating voice and adventurous approach to ‌jazz, will grace both ‍Carnegie Hall and Zankel Hall in 2025.‍ In May,zankel Hall will present the latest iteration of her theatrical song cycle,“Ogresse.” Described as⁣ a “fairy tale-inspired story of a monster who’s conquered by love,” ⁣the score traverses genres, incorporating elements of jazz, chamber music, and more.

Earlier in the year, on March 27th, McLorin Salvant will headline Carnegie Hall with a program of ballads,‍ accompanied by the Knights, a mini-orchestra.While seemingly traditional, the arrangements,‌ crafted ‌by Darcy James Argue, known for his aspiring compositions for his 18-piece Secret Society ⁣big ​band, promise a unique twist. Adding to the intrigue ​is the presence of pianist sullivan Fortner, mclorin Salvant’s longtime collaborator, renowned for his mastery⁢ of complex harmonies. “McLorin’s supple voice can radiate innocence, yet she’s‍ anything but naïve,” notes a music​ critic. ⁢ Her interpretations of jazz standards are anticipated to be as daring and innovative as her ever-evolving style.

Stile Antico‍ Celebrates Palestrina’s 500th Birthday at Miller Theater

Marking the 500th anniversary of the ‌birth of Giovanni ​Pierluigi da Palestrina, the renowned vocal ensemble Stile Antico will perform at Miller Theater on March 29th. The group has already released a critically acclaimed album honoring the⁢ master of polyphony, described as⁤ being sung with “lushness and focus.” The Miller Theater ⁣program will draw from this‌ recording, featuring a selection of Palestrina’s ⁢works​ alongside pieces by‌ his contemporaries, including‍ Orlande de Lassus and Tomás‌ Luis de Victoria.adding a contemporary touch, the program will also include a world premiere by composer⁣ Cheryl ​Frances-Hoad.

Patricia Kopatchinskaja’s Electrifying Philharmonic Debut

Violinist Patricia Kopatchinskaja, known for her dynamic and often unexpected interpretations, will make her highly anticipated debut with the New york philharmonic.‌ ​Performing Stravinsky’s vibrant Violin Concerto, Kopatchinskaja will share ‍the stage with conductor Jakub hrusa, recognized for his stylish and energetic⁤ approach. The ​program will also feature Brahms’s First Symphony and a new work by Jessie‍ Montgomery, titled “Chemil,” building on her previous contributions to the ​Philharmonic’s “The Elements” cycle.

Classical Music heats Up NYC: Spring 2025’s Must-See Performances

| By⁢ time.news

New York City’s classical music scene explodes ⁣with vibrant ⁤performances this spring, offering a diverse range of experiences ⁢from contemporary marathons to operatic masterpieces. from established icons to emerging talents, the city’s prestigious venues will‌ host a ⁢symphony⁤ of sounds sure to captivate audiences.

Bang on a Can’s Long Play Festival Returns to Brooklyn

The Bang on a Can Marathon, a beloved annual tradition of contemporary ⁤music immersion, has⁤ evolved into the⁢ Long Play Festival. Spanning a weekend and various Brooklyn venues from⁢ May 2-4, the festival promises an eclectic mix of established and emerging voices. This ​year’s lineup includes works by Bang on a Can⁤ founders Michael Gordon, David Lang, and ⁢Julia‌ Wolfe, alongside a premiere by Henry Threadgill. Attendees can also experience Anthony Braxton’s monumental “Composition No. 19 (For 100 Tubas),” Nico Muhly’s harp cycle The Street, Adam Tendler performing John ​Cage, the dynamic guitar duo of Mary Halvorson and ⁤Bill Frisell, and a celebration of Terry⁤ Riley’s 90th birthday.

Learn more about the Long⁤ Play ⁣Festival

A Pianistic Journey Through Time with Pierre-Laurent Aimard

Renowned for his mastery of modernism,⁤ pianist Pierre-Laurent ‌Aimard graces‍ Zankel Hall on May 4 with a program traversing four centuries of fantasias. From‍ Jan Pieterszoon ‌Sweelinck to Elliott ⁤Carter’s​ unsettling​ Night Fantasies, ⁢Aimard’s technical brilliance and interpretive depth promise a captivating experience. The program culminates with a rare performance of Charles Ives’s The Celestial Railroad, a ‌work inspired by nathaniel Hawthorne and incorporating elements from Ives’s Second Piano Sonata and Fourth Symphony. Music lovers face a delightful dilemma, however, as the English Concert performs Handel’s Giulio Cesare in Stern ‍Auditorium concurrently.

Get tickets ‌to Pierre-Laurent Aimard’s performance

tchaikovsky’s “The Queen of Spades” Returns to the Met

Once a rare occurrence, Tchaikovsky’s The Queen of Spades is thankfully becoming ‍a staple of the Metropolitan Opera’s repertoire. Returning this ‌season after ​a pre-pandemic ‍run, the opera’s tale ​of obsession, madness, and gambling will be conducted by Keri-Lynn Wilson, ⁢who impressed audiences with her 2022 rendition of Shostakovich’s Lady Macbeth of Mtsensk.‍ The stellar cast ⁤includes tenor Brian Jagde, soprano Sonya Yoncheva, baritones Igor Golovatenko and Alexey Markov.

Explore the Met’s production of “The ‍Queen of Spades”

Esa-Pekka Salonen Conducts the New York Philharmonic in “luminescence”

From‍ April 9-11, ⁤experience the New York Philharmonic under the baton of Esa-Pekka Salonen at david Geffen Hall, Lincoln Center. ⁤ The program, titled “Luminescence,” promises an exploration of orchestral brilliance and evocative‌ soundscapes.

2025’s Must-See Dance Performances: From Tharp’s ⁣Diamond Jubilee ⁤to Casel’s‍ Tap Extravaganza

| By

Get ready for a year of electrifying dance! From legendary choreographers celebrating milestone anniversaries to rising stars pushing boundaries, 2025 promises a diverse and captivating array of performances.Here are some of the ⁢must-see shows gracing stages this season.

Twyla Tharp Celebrates 60 Years of Dance

The iconic Twyla Tharp marks her 60th anniversary in the world of ⁣dance with a stunning⁢ double bill at​ New York City Center. The program features⁤ Slacktide, her⁢ first collaboration with Philip Glass as her 1986 masterpiece In the Upper Room, alongside the rarely seen Diabelli ⁤(1998).This vibrant exploration of American classicism, ‌set ⁣to Beethoven’s “Diabelli Variations,” is a witty and complex journey, opening​ with “swinging arms, ⁢skips and gallops” and evolving⁢ into a‍ layered and intelligent experience.

March 12-16 at New York City Center.

Ayodele Casel’s Tap Extravaganza

Experience the infectious energy and musical sophistication of tap dancer Ayodele Casel. Known for her innovative choreography and love of ’90s hip-hop, Casel’s performances are a celebration of ‌rhythm and artistry. Don’t miss the chance to witness her unique blend ‌of tap and musicality.

Specific dates and venue information forthcoming. Check the Joyce Theater website for updates.

emerging Artists Bloom at Pageant⁤ Spring 2025

Pageant, the artist-run space in Brooklyn, presents its spring season, The rite of ‍spring, My Right to Spring, a showcase of emerging talent.This season promises a ⁣fresh perspective on dance, featuring artists like Neva Guido and Ella Dawn. Pageant’s annual gala, a highlight of the dance calendar, is scheduled for‌ april 19th.

Smaller spaces are where imaginations are born, ⁢where you see what artists are made of.

The season offers a diverse range ‍of ​explorations, embodying Pageant’s ideology of programming artists, not just works. Catch these two-day bursts of creativity throughout the spring.

March 6-May⁣ 23 at Pageant, Brooklyn.

Violeta Urmana Takes the Stage at the Met Opera

Veteran mezzo-soprano Violeta Urmana stars in a new production ⁤at the Metropolitan‌ Opera. Urmana takes ​on the role of an aging countess⁣ harboring a dark secret connected to the world of playing⁤ cards. This intriguing premise promises a dramatic and captivating performance.

May​ 23-june 7 at the Metropolitan Opera, Lincoln Center.

NYC Dance Scene Heats Up with Dorrance, Naharin, and Jones Premieres

– New York City is bracing for a vibrant spring dance season, with highly ⁣anticipated premieres from renowned choreographers Michelle Dorrance, Ohad⁢ Naharin, and bill ​T. Jones.These diverse artists explore themes of cultural identity, global conflict, and personal legacy, ‌promising a season of thought-provoking and innovative performances.

Dorrance taps into Hip-Hop’s Rhythms at the Joyce

Michelle Dorrance, a MacArthur “Genius” grant recipient, brings her unique⁤ blend⁣ of tap and hip-hop to ‍the Joyce Theater from May 28 to June 8. Dorrance’s new work delves into the interwoven history of these two percussive art forms. It was formative, ⁤she says⁢ of the music⁤ that shaped her generation of tap dancers, citing influences like ‍the Fugees, Nas, and Craig Mack.It was easy to tap dance ⁤to because it swung. It⁢ swung in a way ‍that we dance to jazz —‍ easily. This exploration of shared rhythmic roots promises ‌a dynamic and electrifying performance.

Naharin’s “Momo” Lands ⁣at BAM After Postponement

Following a postponement due to the october 2024 conflict in Gaza, Ohad Naharin’s‌ Momo finally arrives at the brooklyn Academy of music (BAM) from March 6-8. Naharin, the driving force behind the internationally acclaimed‌ Batsheva Dance company, frequently enough courts controversy, not only for the ⁢company’s bold and uninhibited style but also for its association with Israel. Set to a score by Laurie Anderson and the Kronos⁤ Quartet, Momo presents two interwoven pieces: a slow, masculine quartet incorporating rock climbing and a faster ensemble piece featuring a playful parody of ballet. This layered presentation, according to our analysis, compels audiences to ‌confront the⁣ limitations of perception, mirroring the complexities of the world outside the theater.

Bill‍ T. Jones Reflects‍ on History​ and Legacy at New York ⁣Live Arts

At 73, the legendary Bill T. Jones continues to grapple with contemporary issues through the medium of ⁢dance theater. His company’s spring season at New York ‌Live Arts (May 15-24) features two ⁤distinct ⁤programs. ​ People, ‌Places & Things examines the plight of stateless individuals, political turmoil, and the ⁢concept ⁢of freedom, set to a soundtrack drawn from Jones’s youth in the 1960s. In a separate solo piece, Memory piece: Mr. Ailey, Alvin … the⁣ un-Ailey?, Jones reflects on his relationship with Alvin Ailey, his own​ place within Black dance history, and the predominantly white world of postmodernism.

Downtown Renaissance:​ businesses Injecting New Life into Urban Core

| By Time.news Staff

A wave of optimism is sweeping through downtown as⁢ local businesses spearhead ambitious urban renewal projects. These initiatives, fueled by a combination of⁤ private‌ investment and community partnerships, aim to ‌transform the urban core into a vibrant hub for commerce, culture,​ and ⁢living.

Recent data from the ⁤Downtown Business Association (DBA) reveals a critically important uptick in commercial real​ estate investment, with a⁢ 15% increase in the past year alone. This surge reflects ⁢growing confidence⁤ in the‍ downtown area’s ⁢potential.

Investing in the Future: A Collaborative Approach

The‍ revitalization efforts are characterized by a collaborative ‌spirit, ​with ‍businesses actively engaging with community stakeholders to ensure the projects align ⁣with the needs⁣ and aspirations of residents.”We believe that a thriving downtown benefits everyone,” stated Maria Sanchez,President of the DBA. This is about creating a space where people want to live, work, and play.

This isn’t just about bricks and mortar; it’s about ⁣building ⁣a community.

John‌ Smith, CEO of Smith Corp.

John‌ Smith, CEO ⁢of​ Smith Corp., a⁣ key investor⁢ in the revitalization project, echoed this sentiment. “This ‌isn’t just ‌about bricks and mortar; it’s about building a community.”

Key Projects Transforming the landscape

Several key projects are already underway,including the renovation of historic buildings,the creation of green spaces,and the development of mixed-use properties that combine residential,commercial,and recreational spaces.Such as, the abandoned textile mill on Elm Street is being transformed into a state-of-the-art ‌tech hub, expected to create hundreds of new jobs.

Addressing Challenges and Looking Ahead

While the revitalization efforts are showing promising results, challenges⁤ remain. Addressing issues such as affordable housing and‌ improving public transportation ‌are crucial for ensuring the long-term success of the project. “we are committed to⁣ working with city officials and community⁤ organizations to address these challenges head-on,” assured​ Sanchez.

The ongoing downtown revitalization represents a significant investment in the future of ⁢the city. By fostering a collaborative approach and focusing on sustainable development, these initiatives are poised to transform the urban core into a thriving and dynamic destination.

Okay, here’s a discussion between the Time.News editor and a theater expert, based on the provided articles.

Characters:

Eleanor ⁤vance: Editor ‍at Time.news,​ overseeing arts and culture coverage.

Dr. Arthur Sterling: Theater scholar and⁣ critic, specializing​ in⁤ Broadway and⁤ contemporary performance.

Setting:

A virtual meeting ​room.

(Scene opens⁣ with Eleanor and Arthur visible on screen.)

Eleanor: Arthur,thanks so much for joining me. We’re gearing up our Broadway⁢ season preview, and I wanted to pick your⁣ brain about some of these upcoming ​productions. It looks like 2025 ‌is going to be a ‌busy year.

Arthur: It certainly does,⁤ Eleanor. A real mixed bag,‌ which is always exciting. Lots of revivals and new works ‌vying for attention.

Eleanor: Exactly! The⁣ article I published on March 1 ​mentions intriguing productions like “Operation Mincemeat,”‌ “Buena Vista Social Club,” and ‍Denzel Washington in “Othello.” What are your initial thoughts on these?

arthur: “Operation Mincemeat”⁣ is definitely the dark horse. The West end pedigree is strong, as your⁤ colleague Laura ⁤Collins-Hughes noted, and the quirky premise ‌is appealing. It could be a real word-of-mouth hit if it lands right.

Eleanor: I agree. it ⁣is ​playing at ‍the⁢ Golden Theater. How⁤ about “Buena Vista Social Club”? Seems like ⁣a party of ⁢a cultural phenomenon.

Arthur: That‍ one’s ⁤interesting. saheem‍ Ali is⁤ a ‌talented director; I was impressed with his “Fat Ham” success. and pairing Justing Peck’s choreography with those Cuban ‍rhythms seems a smart⁣ choice. The Gerald Schoenfeld Theater⁤ is ​a great match, but⁤ the jump from Off-Broadway to Broadway ⁣is always a ⁤test.

Eleanor: ​And then there’s ⁤Denzel Washington in “Othello.” Any production has‍ to be ‍great when it is at the Barrymore Theater. That almost guarantees ticket‌ sales alone, doesn’t it?

Arthur: Washington selling tickets?​ Absolutely. ‍But more than that, Kenny Leon directing could be a very fresh take⁢ on ​othello. We know​ Jake ⁣Gyllenhaal ‌is‌ playing Iago so, ​how ​will‌ audiences feel about ‌the racial dynamics and casting choices?

Eleanor: That’s a ‍great point of consideration.The star power is undeniable, but the success will​ hinge⁢ on the‌ interpretation.

Arthur: Speaking of star revivals, “Ghosts” is coming back ⁢to Lincoln performing until April 13. I’d be interested to see if that ensemble of nepo-babies can add ⁤to a classic text.

Eleanor: ⁢Ha! Yes, that’s certainly drawing attention.⁤ Do​ you think casting‍ choices like that ultimately ⁤help or‌ hurt⁤ the production?

Arthur: It’s a double-edged⁢ sword. It guarantees press, but it also raises the stakes for⁢ the performers. They’ll be⁣ under intense scrutiny. But if‍ they’re talented, it might very well be a interesting way to bring a new generation to Ibsen.

Eleanor: Absolutely. Then let’s shift gears to the new works.‌ “Boop! The Musical” ⁢is premiering March 11. It is the product of many Tony Award winners. Can⁤ casting Jasmine Amy Rogers‍ as Betty ⁣Boop carry​ an entire ​production or will this play⁢ sink?

Arthur: Only time will tell. I am excited to see “Stranger Things: ⁢The First ⁢Shadow” which will start being‍ performed on ⁤March 28. The show has already‌ proven itself in‌ London.

Eleanor: Agreed! And ⁤do‍ any of ⁤these smaller⁢ Off-Broadway‌ productions stand out to ⁢you?

Arthur: Absolutely.⁤ I have high hopes⁢ for Sarah Ruhl’s Eurydice revived‌ at Signature theater. I am also curious about ‍the ‍BAM production putting on A ⁤Streetcar Named desire with Rebecca Frecknall, but only as she is known for her Broadway revival of Cabaret.

Eleanor: Arthur, this ⁤has ⁣been incredibly helpful. Thank you for sharing your ‍insights. It gives us⁣ a much richer picture to present⁣ to our readers.

Arthur: My ⁢pleasure, Eleanor.I’m excited to see ‌how the season unfolds! Break a⁣ leg.

(Scene ends.)

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