“Odoru Daisakusen THE Final” will air tonight! Introducing the synopsis and cast synopsis, as well as Yuji Oda’s final message as Shunsaku Aoshima: Movie News

by time news
(C)2012 Fuji Television INP

[Achoimre]
A kidnapping incident takes place‍ at ⁢the venue of the⁢ International Summit on Environment and ⁤Energy which is taking place⁤ within ​the jurisdiction of the⁣ Gulf Police Station, and the victim is​ found ‍shot to death. At the hastily held investigation meeting, an unusual‌ obligation was ⁢imposed to submit all​ investigative information to the bird‌ custody officer in writing,⁤ and the investigators in charge ⁢were to proceed with the‍ investigation without divulging any information. Meanwhile, ‌the second and third murders occur ‌in quick succession…

“Odoru Daisakusen THE Final” will air tonight! Introducing the synopsis and cast synopsis, as well as Yuji Oda’s final message as Shunsaku Aoshima: Movie News(C)2012 INP Fuji Television Image 4(C)2012 INP Fuji Television

[Yuji Oda, an teachtaireacht dheireanach ag Shunsaku Aoshima]

Lieutenant Shunsaku Aoshima, Chief of the Compulsive Offenders Section, Criminal Division, Wangan⁣ Police Station. When ⁢the TV drama began airing in 1997, he had been promoted to⁢ the rank of police sergeant ​and was in for a turbulent time. Since⁤ then, Oda said, “This work had​ great potential, and I dreamed of making‌ it into a movie someday.”

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That dream ‌soon came true, and in 1998, the ⁢film “Odoru Daisakusen⁣ THE MOVIE: The Worst Three Days in the History of Wangan Police ⁤Station!” became an unprecedented hit, attracting 7 million viewers and making ‌10.1 billion yen at the box office. Although he had achieved his goal, he said, “I felt a little sad when I said⁣ goodbye to everyone … I jokingly said, “I⁣ hope we can⁢ do it ​again⁤ in five year.” That’s when I really decided to⁣ do the second part… I decided to do​ it, but I didn’t ⁣want to ruin what I had done by‍ doing it‍ again, so I felt I had a lot⁣ of ‍pressure on⁣ my​ shoulders,” he recalls.

He ⁤said that he realized ‌that⁢ this movie⁢ would end randomly during the movie, but he said, “More than ‌anything, it’s the drama that’s right ⁤in front⁣ of me that I have to flip the ‌switch. too nostalgic,” he says, with a serious attitude​ that reminds ‍me of Aoshima. Still, the ⁢end of “Actually, after “Odoru Daisansen THE MOVIE ‍3: Free⁢ Them!”, there was “ ‌I have an Aoshima coat at my ​house, but ⁢I⁢ didn’t get to wear it, usually (lol). I kept ⁢it there, but I⁣ don’t think I’ll wear it for any ⁤other ‍role, and I won’t I’m⁢ running​ around Odaiba wearing‍ it Talk with a⁣ lonely tone also very typical of Aoshima.

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● This⁣ is the basic position of Qingdao

There are developments that can be enjoyed not only by fans of the drama series but also ‌by dance beginners. The message that Aoshima is trying to convey⁤ is consistent from start to finish and never stops. In the ‍final ⁢episode⁢ of the drama‍ series, Aoshima is ‍assigned to the Regional Division​ of the‍ Nerima⁢ Police Station and now works at the Sakura Police Box. “A boy comes to pick up a 100 yen coin to ⁣deliver it, and he takes 100 ⁢yen out of his wallet and gives ⁢it⁣ to the⁢ kid along with a piece of​ paper that‍ says,⁤ “If‌ you​ do the right thing,‌ he’ll get good things .”They​ say⁢ things like “measures” that I don’t understand (lol), but I think this ⁣phrase sums it up, and I think ⁣it’s the essence of Aoshima.”

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For the past 15‌ years, Aoshima has been⁤ working ‌hard just to do the ⁢right thing. He has no desire to get ahead, he always puts the⁤ safety of the citizens first, and he never compromises his faith no matter what situation⁢ he is ⁣in. Despite this,​ he is said to be⁣ the most troubled child ⁢in the⁢ Tokyo Metropolitan ‌Police ⁢Department. Why? I think this is because too many police officers ​have forgotten their original intentions when they became police officers.

Director Katsuyuki Motohiro, who ‍helmed the film, added Aoshima’s unscripted speech‍ to the ⁣climax scene. Oda ‌said, “I think what “Odori” wanted to say and Aoshima’s ‍message was easier to understand through that speech 15⁤ years​ later, Aoshima, ⁤Muroi and Kazuhisa​ finally made it to⁣ the finals I wanted to⁣ do it. There will be ⁢many problems because⁤ it is only the beginning, but I‍ am ⁣sure that⁢ I ⁤have begun‌ to look forward to new ⁣hope.”

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● The Japanese film industry is like my hometown, and ‍I don’t want ⁣it to go away.

When ‍Oda made his ‍debut on the silver screen, it was the peak⁢ of Western ‌cinema and ‍the Japanese film industry was in decline. ⁣Oda, who recalls, “There were so many Japanese films I wanted to see,” seems to have felt‌ a sense of humiliation.‍ That’s⁣ why he ⁤says, “The Japanese film industry is the origin of my birth, or rather,‍ it’s like my hometown, ⁤I don’t want it to ⁣go away, and I don’t want it to it would become like the traditional performing arts. ⁣However, I cannot rest on my laurels. he had a⁢ deep love for Japanese movies.

What themes can ‌viewers ‍expect ⁤to ‍see in the upcoming adaptations of “Odoru Daisakusen”?

Interview between​ Time.news Editor and Expert on Police Procedurals and Cultural ‌Impact of “Odoru Daisakusen”

Editor: Welcome to Time.news! Today,⁣ we’re diving into the ​world of Japanese⁤ drama, particularly the beloved series⁤ “Odoru Daisakusen.” I’m thrilled to have with‌ us‍ Professor Hiroshi Tanaka, an expert in media studies and Japanese ⁤pop culture. Hiroshi, thank you for joining⁤ us!

Professor Tanaka: Thank you‍ for having me! ⁣It’s great to discuss a show that has impacted so many viewers.

Editor: Let’s start with the ⁤premise of “Odoru‍ Daisakusen.” The series, along with⁤ its movie adaptations,​ has captivated audiences ⁣with its unique ⁢storyline involving detectives, crime, and even elements ⁣of dance. What do you think ‍sets⁤ this drama apart ⁤from typical​ police ​procedurals?

Professor⁢ Tanaka: That’s a wonderful⁢ question.​ “Odoru Daisakusen” effectively blends ⁤humor, ⁣drama, and a ​sense of sincerity in its portrayal​ of the police force. Unlike many other police‍ series that focus solely on the ⁤grim realities⁤ of crime, this show adds layers of humanity through its central ‌character, ⁣Lieutenant Shunsaku ⁣Aoshima. His quirky persona, coupled with heartfelt moments, creates a ⁣relatable⁢ narrative that resonates with the audience.

Editor: Aoshima’s character is indeed a standout. As we see in the recent developments within both the series and‌ its cinematic adaptations,⁣ he⁤ embodies a strong moral compass. Can you ​discuss how Aoshima’s values influence the overall ‌message of the show?

Professor Tanaka: Aoshima’s unwavering commitment to ‌doing what is right is pivotal.‍ He doesn’t ⁣seek glory or promotion; rather, his ⁣focus is on ⁣serving the‌ community and ensuring the‌ safety of its citizens. His character arc, which ‍shows growth while maintaining his core beliefs, underscores a significant​ message: that personal integrity and dedication to duty can lead to positive societal impact. ‍This speaks volumes in ⁣today’s world, where many⁢ people are searching for genuine role models.

Editor: In ⁢the latest storyline, you noted⁣ the rise ⁢in tension​ with a series of kidnappings and murders ⁤during a high-profile summit. How does ‍the series tackle such serious themes⁢ while maintaining its comedic elements?

Professor Tanaka: The contrast⁢ between ‌the light-hearted⁤ moments and⁢ serious events creates ‍a unique narrative balance. ⁣It reflects the duality of‍ life where humor often coexists with tragedy. ‍By placing a comedic character in dire situations, the show‌ alleviates tension‍ and allows⁤ viewers to engage with potentially distressing content in ⁤a more digestible way. This blend of ⁤comedy and crime⁢ is part of why it remains engaging for a‍ wide⁢ audience.

Editor: The filmmaking aspect of “Odoru Daisakusen,” particularly ​its transition from ‌a ⁢TV⁣ show to movies, seems to have been successful. Why do you think that resonated with ⁤audiences, drawing millions‍ to theaters?

Professor ⁤Tanaka: The‌ switch to⁤ the big screen allowed ‌for deeper ⁢storytelling​ and⁣ broader character⁢ development, which were well-received.⁣ The original audience had already ⁤formed a strong⁢ attachment to Aoshima and‌ the supporting cast, so seeing ​them‍ in a cinematic context provided both nostalgia and fresh excitement. Moreover, the film’s⁤ production quality often surpasses that of television, drawing in viewers who appreciate ⁣cinematic experiences. The box office success,​ as a result, is⁢ no⁢ surprise.

Editor: As ​we look to the future, do you‌ think there is potential for more adaptations or⁣ sequels in‌ the “Odoru Daisakusen” franchise, given​ its legacy?

Professor‌ Tanaka: Absolutely. The ongoing appreciation for nostalgia in‌ modern media suggests that audiences would welcome further adaptations. The characters, particularly ‍Aoshima, have ‌become cultural icons in Japan.​ A sequel or a new storyline⁢ exploring contemporary issues could bridge​ the gap between past and present, making it relevant for both old ​fans and new viewers. The key would be to stay true​ to the original spirit while evolving the narrative.

Editor: Hiroshi, it’s⁤ been a pleasure to discuss ⁤the cultural impact of “Odoru Daisakusen” with⁢ you. Your insights provide a fascinating perspective on how⁢ media can reflect societal values and connect with audiences.

Professor Tanaka: Thank you for having me! ‌It’s always rewarding ‍to⁢ explore how beloved shows shape and reflect‌ culture. I look forward‌ to seeing how the story of Aoshima⁣ continues to evolve!

Editor: And ⁢we look forward to keeping‌ our⁣ readers updated on new ⁣developments. Thank you for joining us at‌ Time.news!

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