Opera reveals: Berlin’s opera homes are housed in ivory towers

by time news

2024-07-02 14:25:59

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BErlin’s three opera homes had been clearly not thinking about opera. The Komische Oper disappears right into a mirror sales space in entrance of the Purple City Corridor, regardless that it has a neat and costly renovation completed within the Schiller Theater. There, the GDR operetta is staged on a rolling cake with no stage base. You sit uncomfortably on sticky plastic seats that promote poor posture, and you’ll hear the roar of followers and police sirens from outdoors.

The Deutsche Oper, alternatively, is providing John Adams’ political play “Nixon in China”, which started 40 years in the past, too late and believed to should be seen as antiquated with an extra of video pictures, unusual exorcisms and flashy garments.

On the Staatsoper Unter den Linden there was no opera on the finish of the season below the path of Matthias Schulz. However a movie got here out reside with an insignificant soundtrack: “Melancholy of Resistance” by Marc-André Dalbavie based mostly on the clairvoyant novel of the identical title by the Hungarian László Krasznahorkai, which precipitated a sensation in 1989. That is precisely the purpose of It is proper for a right-wing freight change in France.

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“Sleepless” in Berlin

The e-book and the “cinematic opera” are a few small city someplace. There, a passionate, unmotivated girl tries to push civil society relentlessly in the precise path along with her motion “The home is damaged, there should be order”. He did it cleverly, tricked the police chief, and pretended to be an grownup. However Agèle Esther actually desires to steer the inhabitants, frightened and separated by their more and more chaotic atmosphere, to the fascist path, the trail of presidency.

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To do that, he makes use of his previous good friend, a music trainer and a metropolis jester, the naughty, backward letter provider Valuschka, who intrigues and charms folks along with his goals of the universe of the celebs as a whole system : opium of the folks for the folks. .

First, the deadly sufferer: Concern Valuschka, the mom of the operetta lover, who clearly noticed and fell below the ft of the mob. On the finish, as firstly, Angéle’s husband Georges sat in entrance of his grand piano, which was not in good tune – as a result of he was in search of totally different harmonies – and he wrote detached notes within the toxic environment.

An essential device, even right now, and even bodily music. It’s in all probability no coincidence that the essential Hungarian composer Peter Eotvös selected the Krasznahorkai novel because the event for his, sadly, final opera. For the primary time in Hungary and in Budapest, he held a mirror as much as his members who dominated Orbán final December.

And remains flat: the reflection of

And it stays flat: the reflection of the “Melancholy of Resistance” in Berlin

Supply: © William Minke

In February, shortly earlier than his loss of life, the primary efficiency of “Valuschka” in German occurred in Regensburg. And at 100 minutes it is simply extra convincing and airier than the extra difficult model of Berlin Dalbavie in France, which takes 135 minutes however can nearly reproduce the difficult unique. Nevertheless, it was primarily because of him that the night was by some means engaging.

The director David Marton, who likes to mimic the cinema, has made a loopy effort and Amber Vandenhoeck (stage) and Pola Kardum (costumes) construct an entire film metropolis behind the diagonally positioned display that dominates the stage , with a stunning. small city mannequin. It is all wonderful, Sopia’s impressively toned and lived by many individuals, however – regardless of all of the perfection between artwork director Chris Kondek and Marton’s manufacturing – it is a boring, very static affair.

From right now such a field

Though we get a way of the noisy life behind the display, we see solely flat pictures (other than the quick motion of the movie). As a result of on the entrance stage, other than Georges in his bathrobe tuning the piano, not a lot occurred. That is somewhat a turn-off within the theater.

It takes about 13 minutes till we lastly begin singing and taking part in correctly. There’s all the time a whole lot of communication, the singer below the very dedicated Marie Jacquot is allowed to affix in, often take a tush, contribute some sound environment, however all not often have nice arcs, interplay of music and motion and even an exaggerated summary. The entire night was a monologue, borrowed from right now’s field set, regardless of the director’s greatest efforts. Music is commonly within the second line as an extra sound picture.

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Jutta Lamp as

However Marc-André Dalbavie’s different two operas – “Charlotte Salomon”, which premiered on the Salzburg Pageant in 2014 concerning the lifetime of the Jewish writer and painter of the identical title, and “Le soulier de satin” are based mostly on quintessentially Catholic Claudel performed in Lyon in 2021 – want to be remembered as spectacular sights somewhat than musical occasions.

Within the metropolis of Berlin there are at the least worthwhile duties for the 4 protagonists inside the perfect assortment. Particularly for ladies: Together with her voluptuous mezzo, Tanja Ariane Baumgartner provides one other nice instance to her glittering gallery of detesting critics with verve. Angèle as Fellini’s larger-than-life Madame is as sensual as she is ugly, filling the display and the stage.

With delicate voice assaults and exquisite eyes, Sandrine Piau attracts Rosi Pflaum in pistachio inexperienced, who’s all the time offended concerning the hopeless world. His piggy slippers glowed pink when he carried out at Lehár within the labyrinth of his chambers as his companions drank alcohol.

French star Philippe Jaroussky, who made his opera debut in the identical location 19 years earlier, additionally delivers a masterpiece of well-developed countertenor poetry. His Valuschka is pure, swirling spirit, somewhat angel with Mister Bean’s face floating on his personal cloud of sound. Calm however intense, along with his common multi-faceted persona, Matthias Kling portrays the weak, passive Georges because the grasp of disharmony that spreads all through the world.

the true scenario, which doesn’t give hope particularly, the opera, which desires to be current, is as soon as once more within the lovely ivory tower of arts and crafts which can be very helpful.

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