Baires anecdote It is a work that will move the viewer, touching their heart and making them reflect on life, love and family. With a talented cast, emotional direction and impressive scenic design.
Absences teach us that you should only keep what is essential, which is why you take less things with each new move. There are dreams that die irremediably, houses and things that are lost, but the memories of those who mark our lives are so perfect that they live in us forever.
You might be interested in: Luis Miguel adds a new date at the GNP Stadium in CDMX
Pedro de Tavira He is one of the characters in the staging and in an interview for Diario 24 Horas, he tells us about his experience being part of the Anecdotario de Baires.
How did you prepare for your character?
To begin with, it is a work located in Argentina, in Buenos Aire, directed by Matías Gorlero, but by Conchi León, and is about migration, displacement, dictatorship and the memories of wanting to mesh with a father who is present and absent, of a character as if he were Matías and his brother.
I focus on what is written, it is a character who did not have dealings with his father, so explore what it means to not have that father figure in life, to not have grown up, a brother who had and not the father figure.
It is a personal work for Matías Gorlero.
The way I perform is with what is written, I totally adapt to what the producer writes.
As for the character, he is one who has and not a present/absent father, also in terms of migration to a lesser or greater extent.
Do you identify with any aspect of the character?
On the issue that I am a son, that we always have personal issues with our parents, not because I go through the same thing, it is not a biographical issue, it is simply a representation.
Communication problems with parents and siblings.
What acting techniques did you use?
Each actor or actress has their technique; However, this work does not have to be so strict, but rather it presents the situation to live it and we must resort to the initial foundations of the performance: the here and now, listening and concern for the other.
The difficult thing is not to create or worry about one’s character, but about the other characters, since it is not about me but a character that does not exist.
Interesting aspects of the character?
The father and son relationship, this character focuses on what he did not live, leaving behind what he did live. This is where the questioning of how things are lived, whether how they were lived or how they are remembered, comes. That is what the work proposes: how you lived it, how you remember it or how they say you lived it.
Which scene is the most exciting or difficult?
The difficulty is the entire play, there are no cuts, breaks, we enter the stage all the way and we don’t leave until the end, my favorite part is the entire play, because I don’t see separate scenes, you can’t think about the play by scenes.
This work has something that I haven’t felt in a long time, it has to do with the city’s way of producing, with social programs and the precariousness of the performing arts. And this work has a vital need to do it, it will not be a difficult work, but it does have that vital need.
Anecdotal of Baires, will be presented from Friday to Sunday October 4 to November 10 in it Shakesperare Forum, located at Zamora 7 Cuauhtémoc, Zamora 7, Colonia Condesa, Cuauhtémoc, 06140 Mexico City, CDMX.
It lasts 80 minutes.
Anecdotario Baires schedules: Friday 8:30 p.m., Saturday 7:00 p.m. and Sunday 6:00 p.m.
You might be interested in: Expectations grow for Avengers: Doomsday and the return of Downey Jr.
Related