RadioItalia-Tananai: the “small plague” has become big. And he brings Annalisa back to the Forum

by time news

It is precisely to explain ‍the title of thelatest album opens the live ‌show: “Calm down, snake” the warning given⁢ to the artist in the past, but it is also a reference to his⁣ heroesCobra, which started and he never stopped riding again to find peace. “I don’t want to be on it. I ⁢want to stay ⁣calm. ⁢Because​ I want to experience everything around​ me in terms of who I⁤ am, ⁢I want to look at it in⁣ my eyes. Rest in peace, ⁢Cobra”, he reiterates before‌ going down the ​stairs that lead to the stage and start the dance.

Looking at‍ the stands of ​the Milan Forum, few people can stay calm as he wants to be, whether the first success ‌or​ the latest songs that came. ⁢The new album just came out two weeks ​agobut everyone already knows‌ his songs: “Many of you are here without knowing what songs we ⁢would have made, thank ‌you for your trust“. ⁤It is just one of the many thanks that Tananai will give to his audience this evening, or ‍rather, to his “family” to use ​Alberto’s ⁢words: “I missed you so much, what a bad idea not ⁢to go ​on tour for a year!“.

The singer needs a break, from time to time, to reach the Forum ⁢and‍ look again sold out ahead. But not too many words are needed: “Before I had to speak because I⁢ didn’t have songs, now there are more albums and it’s nice that there is so much music“. For him, today, the songs ⁤speak, even when ‌the setlist is suitable‍ for passages‌ more nostalgic, sentimental and even more dated: when the artist arrives to play the pianoJune”, all the torches‌ go along with one ‍of the ​moments tougher of the concert.

It is‌ only the period before⁤ the end all⁤ singing and⁣ dancingwhich also stands out “Short stories“: Annalisaexactly one year after his first Forum, so he includes Tananai‍ again and does ⁤not hide his feelings. “You⁢ surprised me, ‘Storie brevi’ sung here is a serious thing!“. And⁢ then again”Scale 10K” (claimed via social media and received after the Zero date) and that “Casual sex” from where everything started, despite ​a questionable⁤ performance for Tananai himself at his part the first Sanremoin 2022: “Thank you for not ⁣putting me down, ‍imagine if I was singing in tune! You always have to drag sometimes!”, he quips from the stage.

After ⁢the piano, Tananai ⁤also sends on the guitar and thus confirms the prediction he made a few months ago to the microphones of Radio‌ Italia solomusicaitaliana:”I will be more of a musician”, he promised. When it comes”tango”, however, even the band behind‍ him becomes almost secondary to the Forum’s unison choir, which ‍continues until to the grand finale with ‍”Abissale”.

In short, the “little plague” of Italian music he found his dimension in the arenas and, after a long ⁢wait, now⁣ it is there enjoy it alltogether with what⁢ he considers to be all the⁣ intentions and purposes of a ​family: ​“It ​makes me think if we can grow ⁤old together, that would be a win. I want to try to bring this good mood with me. I always feel like me“. The feelings continue already tonight, Tuesday November 5, with it will be at ‍the Forumand‌ then ⁣with all the other dates throughout Italy: the new‍ conquest of the arena of “Snake” calm it has just begun.

Interview between Time.news Editor and Music Expert

Time.news Editor (TNE): Welcome, and ​thank you for joining us ⁣today! We’re excited to delve into the world of Tananai and his latest ⁢album, “Calm Down,‌ Snake.” The title certainly grabs‍ attention.​ Can you explain what ⁤it signifies in ⁤the context of his artistry?

Music Expert (ME): Absolutely! The title “Calm Down, Snake” is rich‍ with meaning. It ‌references a warning Tananai received in the past, but it also evokes the imagery of​ his⁤ musical⁣ journey. The​ “snake” ⁣symbolizes the struggles he has faced, akin to the way a​ snake might‌ shed its skin to⁤ represent transformation. Tananai’s quest for peace in his artistry is apparent ⁤here; he wants to embrace⁢ his surroundings and⁤ experiences instead of ‌getting lost in the chaos.

TNE: That’s ⁢fascinating! It’s⁤ interesting that Tananai mentioned his “heroes” Cobra and ⁣his desire to find ⁢peace. How do you think this ⁤theme resonates ​with his audience during live performances?

ME: The connection is profound. When Tananai expresses his desire to stay calm, it resonates with many in a world that’s often hectic. His fans—whom he lovingly ⁤refers to as his “family”—seek that sense of connection ⁢and peace through his music. The intimate moments, like when he plays the piano for “June,” create a shared experience. It’s not just a concert; it’s a journey they embark‍ on together, ​allowing them to reflect on​ their own experiences.

TNE: You mentioned the emotional weight of ​songs like “June.” Tananai’s latest album came out⁤ just two weeks ago, ‌and yet the audience ‌seems already familiar with his songs. How does this rapid connection happen?

ME: ‍ It speaks volumes about the artist’s reach ⁤and the loyalty of ​his fanbase. Tananai’s ability⁣ to connect with listeners through social media and⁢ other platforms⁤ allows him ‌to cultivate a robust following. When fans ⁤trust an artist enough to attend a concert without ‌knowing the setlist, it reflects a deep emotional⁢ bond. This rapid connection is a testament to how relatable and genuine his music is.

TNE: There’s also the nostalgia and sentimentality in his recent performances. Do you think this shift from​ needing to ​speak to letting the songs speak for ⁤themselves marks⁤ a significant evolution in his career?

ME: ⁤Definitely! ⁤It‍ signifies a maturation in Tananai’s artistry. At the beginning, he felt the need to fill silence with words, but ⁢now he confidently lets his music take center ⁤stage. This ‍shift illustrates his growth as⁢ a songwriter and performer. The audience’s response to his emotional​ and nostalgic performances indicates that they feel the weight ⁢of those⁤ moments too, culminating in a powerful live experience.

TNE: Lastly, let’s talk ​about collaborations like “Short Stories” with Annalisa. How important are collaborations in today’s music industry, especially for artists ⁤like Tananai?

ME: Collaborations are‌ crucial, ⁤particularly in the ⁢contemporary music scene, where blending styles can lead to innovative expressions. For ​Tananai, collaborating with an established artist like Annalisa not only amplifies ⁤his reach but also​ enriches his ‌sound. Such⁢ partnerships allow artists to experiment, attract new audiences, and create memorable⁤ moments that resonate with fans on multiple levels. It’s a smart strategy and speaks ‌to the interconnected ​nature of today’s musical landscape.

TNE: Thank you for your ​insights! It’s clear ‍that Tananai’s ​artistic journey is compelling, and we’re excited to see where ‍his evolution takes him next.

ME: Thank you for having me! I look ‌forward to witnessing Tananai⁣ continue to grow and‍ inspire through his music.

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