Raquel Madrid brings “P de Partida” to San José de la Rinconada Friday 25 October – | ACHTUNG!

by time news

2024-10-24 11:01:00

P game It took a while to be performed due to the pandemic, but since its premiere in Lope de Vega Theater from Seville, under strict restrictions due to COVID-19, has not stopped adding dates throughout the peninsular geography. The next appointment will be Friday 25 October at the Village Cultural Centerin San José de la Rinconada.

P game It is a piece that invites us to ask ourselves more questions than to offer us certainties. The company Two dance-theatre proposals He warns us that we are faced with a work that is the result of an investigation into what it means to spend one night after another in the dressing room, waiting for the moment to go out on stage, and then returning to the same “starting point”. of the previous days. This experience can even lead to losing track of time.

The cast, composed of Raquel Madrid, Anna Paris, Sandra Ortega Yes Arturo Parrillashows us, each in their own way, how they approach the same reality: the way in which they face the same starting point that unites them. The pretext is that they are in the dressing rooms, waiting to go on stage again. It is precisely in those moments of “killing time”, before completing what they came to do, that they experience a break in the routine that each has established, as well as in the responsibilities that they have undertaken.

In P game We witness as witnesses a metaphor in which its protagonists remain trapped in a forward flight, while remaining irretrievably in the same place. That’s because they haven’t yet taken the time to resolve what keeps them returning, again and again, to the same starting point.

  • Collective creation: Anna Paris, Isabel Vázquez, Arturo Parrilla Yes Rachel Madrid
  • Texts and dramaturgy: Cipri Lopez
  • Direction and choreography: Rachele Madrid
  • Assistant directors: Juan Antonio de la Plaza Yes Sandra Ortega
  • Interpreters: Raquel Madrid, Isabel Vázquez/Sandra Ortega, Arturo Parrilla Yes Anna Paris
  • Scenography: Eufrasio Lucena
  • Changing room: Ro Sanchez
  • Music: José Pablo Polo / Tiger Lilies
  • Lightning: Diego Cuido
  • Sound: José Pablo Polo

#Raquel #Madrid #brings #Partida #San #José #Rinconada #Friday #October #ACHTUNG
Interview⁣ between ⁢Time.news Editor and Theatre Expert

Time.news Editor (TNE): ​ Welcome, everyone! Today, we’re diving into the world of theatre with a focus on the intriguing play‍ P Game, which ⁢is making waves across Spain. Joining us is ⁢Dr.⁢ Elena ⁢Ruiz, a theatre expert and⁤ critic with a profound understanding‍ of contemporary performance. Elena, thank you for​ being here!

Dr. Elena Ruiz (ER): Thank you for having⁣ me! I’m excited to discuss this⁣ unique piece.

TNE: P Game had a delayed premiere due to the pandemic, but it seems ‌to have gained‌ traction since ‍its opening at the Lope​ de Vega Theater in Seville. What⁢ do you think contributed to ‍its quick rise in‌ popularity?

ER: ⁤It’s a fascinating case! The‌ pandemic made live⁤ performances scarce,⁤ and audiences are eager for ⁢experiences that​ resonate with their ​suppressed craving for connection and‌ storytelling. P Game taps into shared feelings of isolation and anticipation, portraying artists waiting in the dressing room—a metaphor for⁤ our own wait for life to resume post-lockdowns.

TNE: That’s a powerful observation. You mentioned the metaphor of waiting. The play encourages audiences to ask questions rather than ⁢find answers. Can ⁢you elaborate on that?

ER: Absolutely. P Game immerses viewers in the psychological landscape of performers. The repetition⁢ of​ starting ‍over each night, as highlighted ‌by the cast’s dynamic, reflects our own repetitive experiences during uncertain times—both in the pandemic and ⁢in⁣ our everyday⁤ lives. This‌ invites ​the audience to reflect on themes like‌ existentialism and the nature of‌ performance itself.

TNE: It⁤ sounds​ deeply⁣ introspective. The cast—Raquel Madrid, Anna Paris, Sandra Ortega, and Arturo Parrilla—each bring their unique perspective to this shared experience.⁤ How does their individual storytelling enhance the narrative?

ER: Each actor embodies a ‌different facet of this universal experience. Their varied approaches ‌to the same scenario in the dressing ⁣room create ⁣a rich tapestry ⁢of emotions. You see frustration, hope, ‌and even resignation, which ‍makes ⁤the narrative more relatable ‌and vibrant. It’s a collective ⁣exploration of waiting that feels personal to each viewer.

TNE: That ⁢makes me curious about how this play connects with the‌ audience emotionally. Do you think this thematic focus resonates particularly well ⁤with today’s viewers?

ER: Definitely! Audiences today are navigating recovery from isolation and grappling with the weight‍ of their experiences during the pandemic. The waiting⁣ room symbolizes a transition phase,⁤ and many can relate to the idea ​of​ feeling ​stuck yet hopeful. By reflecting their realities back at‌ them, P Game becomes a mirror for those shared feelings.

TNE: The next performance is scheduled at ​the ⁢Village Cultural Center in‍ San‌ José de ⁤la⁤ Rinconada.⁤ What would you say to someone‍ who’s contemplating ⁤attending?

ER: ⁢ I’d say go for it! This play isn’t just a performance; it’s‍ an experience ⁤that invites⁤ you to connect with your ⁤own feelings about waiting⁢ and performance in life. Expect to be challenged, to think, and perhaps to find some ⁢catharsis through the stories shared by the impressive⁤ cast.

TNE: I appreciate that insight, Elena. As we wrap up, what​ do you ⁤think ‌the future holds for P Game ‌as​ it ​continues‌ to tour?

ER: I believe it will resonate ⁢deeply with diverse audiences. Each ‌new venue presents a unique context, and ⁣the engagement ​will only deepen as people reflect on their personal experiences with the themes‍ of waiting and anticipation. I wouldn’t be surprised to see this ⁣play garner critical acclaim​ and discussion​ far ‍beyond‍ its current run!

TNE: Thank⁤ you, Dr. ‍Elena Ruiz! Your insights certainly shed a light on P⁣ Game. We look forward to seeing‌ how this compelling piece unfolds ​in its performances ahead!

ER: ⁣ Thank you for having me! Let’s encourage people ‌to embrace the magic of live ⁣performance again.

TNE: Absolutely! And to ‌our viewers, don’t miss the opportunity ⁤to ⁢witness ⁢ P ⁣Game as‌ it navigates ⁢the⁤ stage. Until next time!

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