“Recklessness, my identification”… New inventive makes an attempt for 30 years

by times news cr

2024-06-05 05:52:34

ninth Park Soo-geun Artwork Award Artist Hong Lee Hyun-sook
From the provocative efficiency of ‘Menopause Ritual’… ‘Close to Seokgwangsa Temple’ seen from the attitude of a stray cat
“Between inventive and social which means… “A critical method to women-environment-symbiosis”



《ninth Park Soo-geun Artwork Award, Artist Hong Lee Hyun-sook



Artwork artist Hong Lee Hyun-sook (66, picture) was chosen because the winner of the ninth Park Soo-geun Artwork Award on the fifth.

This award, co-hosted by Dong-A Ilbo, Yanggu-gun, Gangwon-do, Park Soo-geun Artwork Museum, and Gangwon Ilbo, was established in 2016 to honor artist Park Soo-geun (1914-1965).

Since 1988, artist Hong has been making new inventive makes an attempt with out stopping at a particular medium or topic. She works in a wide range of media, together with efficiency, video, and set up, and has organized collaborative packages that take into account the lives of native residents and areas which can be underdeveloped or disappearing via the planning of a number of public artwork initiatives. Lim Geun-hye, director of the Arko Artwork Museum and chair of the judging panel, mentioned, “We extremely praised the artist’s eager consciousness of the problems between inventive and social which means over the previous 30 years and his critical consideration of points of girls, the setting, ecology, and symbiosis.” The awards ceremony can be held on the Park Su-geun Artwork Museum in Yanggu-gun on the 14th.

Artist Hong Lee Hyun-sook, winner of the 9th Park Soo-geun Art Award.  When I visited his studio on the 30th of last month, instead of paints and brushes, the space left for performance, books, animal masks, etc. stood out.  She stood within the lines her artist had drawn along her body on the wall of her studio.  Reporter Shin Won-gun laputa@donga.com

Artist Hong Lee Hyun-sook, winner of the ninth Park Soo-geun Artwork Award. After I visited his studio on the thirtieth of final month, as an alternative of paints and brushes, the house left for efficiency, books, animal masks, and so on. stood out. She stood inside the strains her artist had drawn alongside her physique on the wall of her studio. Reporter Shin Gained-gun [email protected]

Artist Hong Lee Hyun-sook (66), who attended Hongik College’s Division of Sculpture within the Nineteen Eighties, displayed felled avenue timber in her first solo exhibition and her late father’s garments in her second solo exhibition. He, who studied her sculpture, mentioned the explanation she acquired into set up work was as a result of “I wished to pout endlessly.”

“The sculpture division had an equal gender ratio of women and men, however many alternatives, together with venture choice, got primarily to male college students. There was an artist named Lee Bul, a junior in our division, who additionally did performances and installations. Quite than attempting to mix in, I additionally wished to flee. And I had confidence that I might do the set up effectively.”

Since then, Hong Lee Hyun-sook’s work has unfold throughout a wide range of media, from provocative performances akin to ‘Menopause Rites’ (2012) to the video ‘Close to Seokgwangsa Temple’ (2020), which seems to be on the world from the attitude of a stray cat. His work is attracting consideration from younger curators and critics, and after collaborating in solo exhibitions on the Arko Artwork Museum and the Gwangju Biennale over the previous 5 years, he’s additionally scheduled to carry a two-person exhibition on the Busan Biennale and the Buk Seoul Museum of Artwork this yr.

Various works and performances by artist Hong Lee Hyun-sook.  Her first photograph was her performance ‘Sanggasa at Midday’ (2019), in which she faces non-human creatures while wearing an animal mask.  The middle photo is an installation piece called ‘Hidden Energy’ (1998) using old clothes, dirt, and barley seeds.  The third photo shows her performance ‘Menopause Ritual’ (2012), in which she jumped over walls and buildings, interpreting ‘menopause’ as breaking boundaries.  Provided by the author

Varied works and performances by artist Hong Lee Hyun-sook. Her first {photograph} was her efficiency ‘Sanggasa at Noon’ (2019), during which she faces non-human creatures whereas carrying an animal masks. The center picture is an set up piece known as ‘Hidden Vitality’ (1998) utilizing outdated garments, dust, and barley seeds. The third picture reveals her efficiency ‘Menopause Ritual’ (2012), during which she jumped over partitions and buildings, decoding ‘menopause’ as breaking boundaries. Offered by the creator

Unbiased curator Lim Soo-young, who launched Hong Lee Hyun-sook’s work finally yr’s Gwangju Biennale, commented, “She is a uncommon feminine artist who has made efforts to discover new sensibilities via media encompassing efficiency, video, and participatory work for over 30 years.” Critic Lee Seul-bi mentioned that she is “a author who has lengthy sincerely explored her matter of how one can break free from her human-centered pondering, fairly than pursuing it as a fad.”

Hong Lee Hyun-sook, whom we met at her studio in Jongno-gu, Seoul on the thirtieth of final month, mentioned, “After I first heard concerning the award, I puzzled if I might settle for it, however I gained braveness when a fellow artist mentioned, ‘An award signifies that the one who receives the award determines the worth of the award.’” He mentioned. She added, “Tough and reckless are my unique identification, however I feel I would like to have a look at it from a extra exterior perspective.”

Concerning the notion of her as a “feminist author,” she defined, “It’s only a reflection of the fact I face.” “Quite, as a result of I used to be a lady, I attempted to discover a method apart from sculpture, and I feel I used to be capable of step exterior the field and ponder. What if animals and people go to warfare? I am prepared to face on the aspect of the animals. “That is what I take into consideration.”

Within the efficiency video, she climbs a mountain barefoot and along with her naked palms, and jumps between buildings, saying she is studying ‘the artwork of grounding and flying.’ Hong Lee Hyun-sook mentioned, “I feel she ought to pout endlessly, however take a step again and discuss with humor and humor,” and he or she mentioned, “There are occasions when my anger boils over, nevertheless it’s tough to do good work once I’m indignant.” “Possibly this perspective is female?”

He cited ‘stubbornness’ because the driving drive that helped him endure. “It’s a must to really feel pleased with your self to begin one thing, set a fireplace, and instigate it. It’s good to know that you’re good. In case you take a look at the youthful writers, every of them has a fairly and fantastic aspect. “It’s a must to have vanity for that.”

He mentioned that as a way to keep away from doing apparent duties, he tries to be ‘completely different’ by taking the bus sooner or later and driving a bicycle the opposite day. “It could appear reckless, however ultimately, I feel squeezing via gaps is an artwork.” On the similar time, he mentioned, utilizing the award as a chance, “I wish to look again once more at what Park Soo-geun’s artwork world is all about.”

For the ninth Park Soo-geun Artwork Award, the Steering Committee (Chairman Lee In-beom, CEO of Ivy Lee Institute) appointed 10 recommenders, and the recommenders chosen 9 candidates and chosen the winners via a screening committee. The judging committee was chaired by Lim Geun-hye, director of the Arko Artwork Museum, and Kim Joo-won, adjunct professor at Sangmyung College, artwork critic Lee Jun, Korea College visiting professor Cho Eun-jung, and Choi Hyeong-soon, head of the opening preparation staff on the Chungnam Provincial Artwork Museum, served as judges.


Reporter Kim Min [email protected]

2024-06-05 05:52:34

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