Salim Raza: 41 years have passed since the melodious voice of Ahad-e-Roman was silenced

by times news cr

(M. Waqar) Famous singer ⁢Saleem ⁣Raza, ⁤the owner of the melodious voice, has passed away for 41 years, but his songs are keeping him alive in the hearts ‌of his fans. ⁤This magic, these eyes, you don’t ​know, what do you ​know, in the association of my heart, there‍ is blood, the days of Shabab are⁢ the days of spring, oh dear Babu, ⁣give ​me some money, heart. My eyes fluttered, my hand in your hand, our heart ‌was⁢ not able to be chained, the​ night became a song, the words of the heart came to the lips, let’s ⁤meet the eyes, if you are allowed. Ka Jana⁣ Hai, Thandi Thandi Hawa Chale Tham Tham ⁢Ke Din Dhale, Aao Bachu ⁣Ser Karayen Tum⁢ Ka Pakistan Ki,​ Udas Hai Dil Nazar Pharshan, etc., have many memorable songs to‌ their ​credit.

Saleem Raza started singing ⁢with Radio Pakistan,⁢ entered the‌ film world‍ as a playback singer in 1955 with the movie “Nawakar” whose music was ‍composed ⁣by Ghulam Ahmed Chishti and in this movie he wrote Qatil Shafai’s duet “Taqdeer Malik Dekh” with Kausar Parveen. Zara, kya zalam yeh⁣ duniya kurti hai” Gayatha, ⁤in the‍ same ⁤year released film “Qatil” he healed ‌the murderer in the style of master ‌Inayat ​Hussain. Kaga sang the song “Aate Ho Yad Bar Baar‌ Kesin Nake Bhillane Hum” but the⁣ original fame⁣ came from⁤ the song “Yaaru Mu Maaf Rakhu‌ Main Nashe⁣ Mein Hoon” from ​the movie “Saat Lakh” released‌ in⁣ 1957, which‍ was written by Saifuddin Saif and composed⁣ by Rashid Atre.

He also recited⁤ the popular Naat “Shah ​Madinah” in a very good ‍manner which was included ⁤in the film⁤ “Noor​ Islam” which was co-produced in‍ November 1957. Apart ‌from⁣ this, he‍ sang “Kir Sari”, a hymn of Qatil Shafai in the film “Data” ⁤which was‍ released ‌in 1957. Khatain Maaf Meri Tere Dar Pe ‍Mein ⁤Ongra” was also recited which was styled by ‌Tasadeq Hussain.

Salim Raza⁢ sang ⁣many beautiful songs for Urdu as‌ well as Punjabi‍ films, ‌his first Punjabi film⁤ was⁢ “Chan Mahi” which was also‌ the first film of actress Bihar. In “Chan Mahi” Saleem Raza’s ⁤song “Sade Ang ‍Ang Wich Pyaar Ne Penghan Paiyan ‌Ne” written⁢ by the lyricist​ Tufail Hoshiar Puri with Zubaydah Khanum also ⁣happened. Gayatha.

‍The movie “Najma” released in 1970 was Salim Raza’s last Urdu movie⁣ as a ​playback ⁢singer in which he sang Qatil Shafai with Mala to ⁣the ‌tune of​ master​ Inayat Hussain.

After the arrival of Ahmed Rushdie, Mehdi Hasan, Masood Rana, Mujeeb⁣ Alam and other singers in the film‍ industry, his popularity began ⁤to decline, so‌ he was disappointed⁤ with‍ the‌ situation and went to Canada, where he⁣ established⁤ a music school​ in⁤ 1975. He died on November 25. He ​died in 1983 at the​ age of 51 due to kidney disease.

What are⁣ some of the most popular songs by Saleem Raza that​ define his musical legacy? ‌

Time.news Editor: Welcome to Time.news, where we bring you insights‌ into the world of music‌ and culture. ⁣Today, we have with⁣ us a prominent music historian and expert on South Asian music, Dr. Aisha Khan. We’re here to discuss the legacy of one of the most beloved playback singers ​of South Asia, Saleem Raza, who has ​remained a cherished icon even after 41 years⁣ since⁢ his passing. Dr. Khan, thank you for‍ joining us.

Dr. Aisha​ Khan: Thank you‌ for‍ having me! It’s a pleasure to⁢ talk about someone as ⁤influential as Saleem⁣ Raza.

Time.news⁢ Editor: Saleem Raza’s ⁢voice​ and songs still ⁤resonate with fans today. What made⁢ his music so timeless?

Dr. Aisha Khan: Saleem Raza had⁤ a unique ability to convey deep emotions through his⁣ singing. His‌ songs captured the essence of love, sorrow, ​and joy, which are universal themes. Tracks like “Thandi Thandi Hawa Chale” and “Ka Jana Hai” are perfect ‍examples of how he blended poetic ⁢lyrics ⁣with memorable melodies. The⁣ emotional depth he brought to his performances allowed listeners ‍to connect on a personal level, making his music a vital part of their lives.

Time.news⁤ Editor: He started ⁣his career with Radio Pakistan and made a significant transition to playback singing in films. How ‌did this‍ shift impact⁤ his career?

Dr. Aisha Khan: Starting with Radio​ Pakistan provided‍ him with a platform to hone his craft and gain recognition. His⁢ transition to playback singing in the 1955 film “Nawakar” was a turning point. It allowed ‌him ​to collaborate with notable composers like Ghulam Ahmed Chishti ‍and lyricists such as Qatil Shafai. This experience helped him refine his style ⁣and reach a wider audience, solidifying his place in the ‍film industry.

Time.news Editor: His song “Aate Ho ‌Yad Bar ‌Baar” is often regarded as one of​ his ⁢classics.‌ What elements‌ of that song contribute to its lasting appeal?

Dr. Aisha Khan: “Aate Ho Yad ‌Bar ⁣Baar” is a brilliant composition that reflects longing and ​nostalgia. The melody is hauntingly beautiful, and Saleem Raza’s emotive delivery enhances its ​impact. The lyrics resonate with anyone⁣ who’s ever experienced the ache⁤ of missing someone, and the orchestration complements ⁤his voice perfectly, creating an unforgettable listening experience. It’s the perfect ‍combination of lyrical depth and melodic richness.

Time.news Editor: As someone who ‌specializes in South Asian​ music, how do you see Saleem Raza’s legacy influencing contemporary artists?

Dr. Aisha⁣ Khan: Saleem ‌Raza’s influence can be seen in⁤ numerous contemporary artists who draw inspiration from ⁤his style. Many⁢ singers today strive to emulate his emotional expressiveness and the rich storytelling present in his songs. Additionally, his masterpieces are often revisited by modern musicians through remixes and adaptations, introducing his timeless melodies to new generations. His legacy is a testament to the power of music to transcend time and trends.

Time.news Editor: It’s fascinating how music transcends generations. In your opinion, what can today’s artists learn from Saleem Raza’s approach ⁢to music?

Dr. Aisha ‍Khan: Today’s artists can learn the importance of authenticity and emotional connection. Saleem Raza’s ‌music⁢ wasn’t ‍just about technical‌ skill; it was about storytelling‌ and evoking feelings. Emphasizing lyrical depth, exploring diverse⁤ musical influences, and staying true to one’s artistic ‌voice are all critical lessons that current musicians can⁤ incorporate into their work.

Time.news Editor: Thank you, Dr. Aisha ⁤Khan, for sharing your insights into ⁤the enduring‍ legacy of Saleem Raza. It’s clear that his contributions to ⁢music will continue to inspire​ both fans and artists alike.

Dr. Aisha Khan: Thank you for the opportunity to discuss⁢ this important‍ figure in music history. Saleem⁤ Raza ⁣truly deserves to ‌be remembered and celebrated as a pioneer ⁢of his craft.

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