fuersie.de: The second part of the Lake Constance crime series ”Seeland” can be seen on TV in November. What can viewers look forward to?
I think a lot of people will be happy to see the team again. You can look forward to seeing the team of investigators working together for the first time in the new police station - and with a well-written and staged story with many surprising moments!
fuersie.de: You are the first non-permanent commissioner of German television. How do you deal with your role as a pioneer?
I am very happy to be seen as a role model and a pioneer. I know that my visibility and strong position gives hope to many people. When I was growing up, characters like Elena were almost non-existent. I hope the new generation feels a little less alone than my generation did in this regard.
fuersie.de: What else do you and your movie character have in common?
Eleven years ago I moved to Germany with a bag in hand and a backpack. No family or partner by my side. To be free, breathe and live like everyone else. I knew that I have the power to reinvent myself every now and then and start over. Elena and Hayal are very strong women who have the courage to be themselves – and to give life a second chance by starting over.
fuersie.de: How would your career have turned out if you had not come to Germany but stayed in Turkey?
In Turkey, many transnational women have no better choice than to become sex workers. Many are living in danger. Turkey is a very difficult place for queer people. It has always been that way, but in recent years it has become much worse. Tell me, what would my life be like if I stayed there?
fuersie.de: You live in Berlin today, but you spend a lot of time on Lake Constance during filming. How do you like the region – and what does a typical evening look like for you?
I feel very comfortable at Lake Constance and, funny enough, I don’t feel like a stranger there at all, as if I have known the region for a long time. It feels very familiar. If the weather is nice, I go for a walk by the lake with a glass of wine or beer. Sometimes I go out to eat with colleagues from the team, sometimes I have a drink alone. And then there is the preparation for the next day – and finally sleep.
How does “Seeland” compare to other German crime series in terms of character development and storytelling?
Time.news Interview with Expert on the “Seeland” Crime Series
Editor: Welcome to Time.news! Today, we’re excited to discuss the second part of the Lake Constance crime series, “Seeland,” which is set to air in November. Joining us is [Expert’s Name], a well-respected critic and commentator in the realm of German television. Thank you for being here!
Expert: Thank you for having me! I’m thrilled to talk about “Seeland” and what makes it significant to viewers and the television landscape in Germany.
Editor: What can audiences expect from this new installment of “Seeland”?
Expert: Quite a bit! Viewers will be excited to see the team of investigators together for the first time in their new police station. That dynamic is sure to bring new energy and chemistry to the series. The story itself is well-crafted with surprising twists that will keep audiences on the edge of their seats.
Editor: It sounds like a fantastic setup. There’s also a lot of buzz about the lead character being a non-permanent commissioner. How does this role redefine expectations for characters in German television?
Expert: That’s an important point. The character of Elena, in her role as the only non-permanent commissioner, is pioneering. She represents a shift in the narrative landscape, showcasing more diverse and multifaceted characters. This visibility is essential, not just for representation but also for inspiring a new generation. When characters like Elena were scarce, it made it challenging for many to relate to on-screen stories.
Editor: You mentioned this character serving as a role model. How do you think her presence impacts viewers, especially younger audiences?
Expert: I believe characters like Elena provide crucial representation for viewers who might have felt marginalized or underrepresented in media. By seeing someone like her in a position of authority, viewers can envision possibilities for themselves. The hope is that young people watching “Seeland” will feel a little less alone, and perhaps inspired to pursue roles in law enforcement or other fields that they may not have considered before.
Editor: That’s powerful. It’s fascinating how a crime series can carry such weight in terms of representation. Looking ahead, how might this influence future German television productions?
Expert: I think we are at a turning point within German TV. “Seeland” could inspire more producers and writers to create complex characters who break the mold. There’s a growing understanding that diverse narratives resonate with audiences. As viewers demand more authenticity and representation, we can expect to see a richer variety of characters and stories that reflect the society we live in.
Editor: Absolutely! I’m looking forward to seeing how audiences respond to “Seeland.” Do you have any final thoughts or predictions for the series?
Expert: I believe the blend of intriguing storylines and strong character dynamics will engage viewers significantly. If the writers continue to innovate and surprise, I wouldn’t be surprised if “Seeland” becomes a staple in crime series for years to come.
Editor: Thank you, [Expert’s Name], for sharing your insights with us today. It’s clear that “Seeland” is not just another crime series, but a potential catalyst for change in the representation of characters on screen.
Expert: Thank you for having me! I can’t wait to see how this series unfolds.
Editor: And thank you, dear readers, for tuning in. Be sure to catch “Seeland” this November!