Song Joong-ki, who shows all the faces of people in their 10s to 30s, “I’m overflowing with desire”

by times news cr

Movie ‘Bogotá: ‌Land of Last Chance’ released on the 31st
Song Joong-ki “He is the most three-dimensional ‌character among the films.”
Dealing with the conflict between Koreans in Bogotá
Lee Hee-jun, who grew a mustache,⁣ “nicknamed Freddie ⁤mercury”

Actor Song Joong-ki is ‍posing at the production briefing session for the movie⁢ ‘Bogota: Land of Last Chance’ held at Megabox COEX in⁣ Gangnam-gu, Seoul on the morning of the 6th. The movie depicts⁤ the story‍ of Kuk-hee (Song⁢ Joong-ki), who heads to Bogotá, Colombia with new hopes⁢ right after the IMF crisis, and becomes entangled with Soo-young (Lee Hee-jun) and⁤ Park Byeong-jang (Kwon Hae-hyo), powerful figures in Bogota’s Korean community. ‌It will be released ​on the 31st. 2024.12.06.Seoul = Newsis

“Of‍ all the recent ​characters, he is the friend with the most desire. It’s a lump of desire. “It wasn’t hot at first, but towards the end it got hot like lava.”

At ‍the production briefing⁣ for the movie ‘Bogota: Land of Last Chance’ held in Gangnam-gu, Seoul on ⁢the 6th, actor Song Joong-ki⁢ said that Kuk-hee is the most three-dimensional character in his filmography and that “Kuk-hee’s desire is one thing: to⁤ survive.”

The movie ‘Bogotá: The land of Last Chance’ is about Kook-hee (Song ‌joong-ki), who sets ⁤out ⁢to find new hope in Bogotá, Colombia,​ on the other side ⁤of the world, and meets ‘Byung-jang Park’ (Hae-hyo Kwon) and Soo-yeong (Hee-jun Lee),⁢ powerful figures in the Korean ⁤Chamber of Commerce. It contains a story.

Song Joong-ki described Kook-hee as “a friend⁤ who, when the situation was not going well due to her father’s attendance, I⁤ felt a sense of obligation and felt passionately about ‍having to survive.”

the movie covers 12 years of Kook Hee from 1997 ‌to 2008. Therefore, through this work, you can see Song Joong-ki’s acting in a wide range of roles from those in their teens to 30s. Song Joong-ki said, “The characters⁣ change in order of age and according to the situation,” and “I think that’s why he appears to be a three-dimensional character.”

The movie is set in Bogotá, colombia. However,⁣ Song Joong-ki said⁣ that what caught his eye⁢ before this was‌ the conflict occurring among Koreans.‍ He continued, “I wondered what it would be like if that ​conflict were captured in the exotic scenery of Bogota, South America. “I think it came⁤ out⁢ as good as I expected.”

Although the characters are Korean, we also paid attention to their ‌appearance because ​they are immigrants living in South America. In the⁤ play, Kook-hee appears with short hair, colorful clothes, and earrings.

Song Joong-ki said, “When I ⁣went to Bogota for pre-production, I saw‌ Colombian people and talked to the makeup and costume director, ‘Should I try earrings’ ⁣or ‘Should I ⁤hit my hair?’” he said‌ that he doesn’t usually like wearing things, but there were many things he tried⁣ for the first time.

Lee hee-jun also used unique styling to play a character who wants to‍ assimilate with Colombians while living there.

In particular, ‌Sooyoung’s mustache stands out. Lee Hee-jun laughed and said,“The reference in my mind is Brad Pitt from the movie ‘Once Upon a Time in Hollywood,’ but on set,he was called Freddie Mercury or super Mario.”

Sooyoung goes to Colombia as an ​expatriate for a large company, but when the company goes ⁢bankrupt, she becomes a broker. He ⁢shows great interest in Kuk-hee, who has moved to Colombia. Lee Hee-jun said, “I wondered why I came to like the National Assembly so much, but I don’t think I can explain it.” He continued, “I acted with the feeling of attraction,‍ as if I just liked Song Joong-ki, and that I really like that⁤ friend.”

Meanwhile, director Kim seong-je said that he did not pay special attention to capturing unfamiliar and fantastic scenery while filming in Bogotá. Rather, he said, “I wanted to avoid all ‌landmarks,” and tried to find everyday spaces⁤ in Bogotá.

This work began‌ filming in​ 2020 and‌ completed filming last year despite the coronavirus outbreak. Afterwards,‍ post-production work took place for a year and a half. Director kim said, “We ​filmed for a long time‌ as we couldn’t avoid ​the coronavirus outbreak,” and added, “We didn’t make any special efforts to show old movies to today’s audiences. “We are preparing a ⁣hot movie that‍ has just been made,” he emphasized.

Song Joong-ki also said about the long ⁣time it took between‌ filming and release, “I felt ​some pressure, ⁢but it wasn’t ⁢a particularly different burden than when I was in charge of other works.” So, rather than doing anything ⁣in particular, he said he focused on⁤ what he could ‍do as ‌a leading actor. ‘Bogotá: Land of Last Chance’ will be released in ⁣theaters on the 31st.

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How does ‘Bogotá: Land ​of Last Chance’ ​portray the immigrant experience during economic crises?

Interview between Time.news editor and Film Expert on​ ‘Bogotá:⁢ land⁤ of ‍Last Chance’

Time.news Editor (TNE): Welcome,everyone.‌ Today, I’m⁤ excited to delve‌ into the newly released film ‘Bogotá: Land of ‍Last Chance.’ Joining me is Dr. Yu Jin, a film⁢ expert and ​cultural studies scholar. Dr. Jin, thank ⁤you for being here.

dr. Yu ⁣Jin (YJ): Thanks for having me! I’m​ thrilled to‌ discuss this film.

TNE: let’s start with the film’s central character, Kuk-hee, played by ‍Song Joong-ki.⁢ He described ‌Kuk-hee as the most three-dimensional character in​ his filmography, driven by a desire to survive ⁣amidst a challenging habitat.⁢ How does this characterization resonate with audience expectations for leading roles?

YJ: Kuk-hee⁤ is a fascinating⁣ character‍ because he‍ embodies the complexities ​of ambition,struggle,and identity. Audiences today are ⁢looking for well-rounded⁢ characters who ⁤reflect real-life challenges. ‌Song Joong-ki’s approach to portraying Kuk-hee’s⁢ evolution from a hopeful immigrant to a survivor caught in‍ conflict is relatable​ and engaging. It ⁤taps​ into the universal theme of resilience that many can identify with.

TNE: The ⁤film also explores the dynamic between Koreans in Bogotá‍ against the ​backdrop of ⁢the IMF crisis. Why do you think this setting was chosen, and what does it reveal about ⁣the immigrant experience?

YJ: Setting the film in Bogotá not onyl adds an exotic‌ layer but also highlights the ⁤complexities of the⁣ immigrant experience, especially ‍in‌ a​ time of economic turmoil. The IMF crisis serves as a pivotal backdrop that underscores issues such ‌as⁣ displacement and adaptability. This film allows viewers to‌ explore how immigrants ⁤navigate both personal and cultural challenges, reflecting broader societal issues.

TNE: ⁣Song Joong-ki mentioned being ⁣intrigued by the​ conflicts occurring among Koreans in Bogota. ‌Why is it meaningful for the ‍film to address these intra-community tensions?

YJ: Addressing conflicts within a community offers a more ‌nuanced portrayal⁣ of ‍immigrant life. It challenges⁣ the stereotype of immigrants as a‍ monolithic group and instead presents them as individuals with differing perspectives and aspirations. This conflict ⁣adds⁢ depth‍ to the narrative, making it not just about survival but‍ also⁣ about relationships, loyalty, and ‍the sometimes harsh realities of making a ⁢new home ⁤in ⁣a foreign ⁤land.

TNE: ​ The character of Soo-young, played by Lee Hee-jun, also brings‌ an captivating dimension to the story. ⁤With his change into a ⁤broker after⁣ his⁣ company’s bankruptcy,what does this tell us about adaptability ⁣in the immigrant experience?

YJ: Soo-young’s journey mirrors that of many⁤ immigrants⁤ who have to pivot and reinvent themselves ‍in ⁤response to unforeseen circumstances. His ⁤character showcases adaptability ⁢and resilience, reinforcing the idea⁢ that​ survival often requires flexibility and a willingness to embrace new identities—a core truth of​ the⁣ immigrant experience.

TNE: ​The unique styling ‌choices of the characters, especially Lee Hee-jun’s mustache and the colorful attire‍ of ‌Kuk-hee, stand⁢ out.‍ how‍ important are these visual elements in storytelling?

YJ: ⁣ Visual aesthetics play ⁤a ⁢crucial⁢ role in storytelling by enhancing⁣ character development and setting the tone. in this film, the fashion choices reflect the characters’ attempts to⁣ blend into their new⁢ environment‍ while maintaining their cultural identity.⁣ These elements serve as conduits for deeper themes, such​ as assimilation and self-expression, and resonate with viewers on⁣ both an ⁢emotional ‍and intellectual level.

TNE: The⁢ director, Kim Seong-je, aimed to depict everyday spaces in Bogotá rather than its landmarks. What impact does this‍ choice have on the storytelling?

YJ: ​ By focusing on everyday settings, Kim Seong-je invites the audience to connect with the characters on a more‌ intimate level. ‌It strips away tourist-friendly‍ aesthetics and⁣ delves into the authentic experiences of‍ immigrants.This approach cultivates⁣ familiarity and allows viewers⁤ to immerse themselves in the lives of‍ the characters, reflecting the true essence of their struggles⁢ and triumphs.

TNE: Thank⁢ you, Dr. Jin. Your insights ‍highlight⁣ the film’s‌ depth and the broader ‍implications of its themes. ​‘Bogotá: Land of Last Chance’ promises to be ⁣much more than just a story of ⁢survival; it’s a voyage of personal and cultural exploration.

YJ: Absolutely.I believe it will resonate powerfully with audiences and provoke meaningful conversations about identity and⁣ community.

TNE: Thank you for your time ‌today, and to our viewers, make sure to catch ‘Bogotá: Land of‍ Last Chance’ ⁤for a gripping cinematic experience!

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