2024-07-22 19:28:10
For opera lovers, the Amthof becomes a pilgrimage site in the summer, as a successful story began 12 years ago with rarely performed works, newly staged. The ensemble led by baritone Johannes Hanel presents this year the opera “Marco Visconti.”
13th Summer Opera at the Amthof
Four days. Five people. A great relationship drama. And the glorious music of Italian Belcanto. The music of the “forgotten” opera “Marco Visconti” is excellent, full of magnificent melodies and dramatic moments, and the plot offers love, passion, and suspense until the end.
Two new arrivals
This season, the team is pleased about two new arrivals: the young American tenor Samuel Robertson and the bass Jens Waldig from Hamburg.
More info about the opera, composers, plot, and the artists.
This season, the opera ensemble is pleased about two new arrivals: the young American tenor Samuel Robertson and the bass Jens Waldig from Hamburg.
Opera premiere is on August 8, 2024
Further dates: Sat., 10th / Tue., 13th / Sat., 17th / Mon., 19th / Wed., 21st / Fri., 23rd / Sun., 25th Aug. 2024, each at 8:30 PM
Additionally, at this year’s opera concert on August 24, the internationally successful soprano Regine Hangler, together with pianist Veronica Maritan and the ensemble of the summer opera, will be guest for a gala concert on the stage of the Amthof.
RESERVE
Enjoy the musical performances of the 13th summer opera at the Amthof. You can easily reserve tickets for the 8 opera evenings via www.kaernten.live/kultur-forum-amthof or through www.kultur-forum-amthof or
These were the 12 previous productions of the SUMMER OPERA at the Amthof:
“Rita” (Gaetano Donizetti) – 2012
“Die schöne Galathée” (Franz von Suppé) – 2013
“Das Bildnis der Manon” (Jules Massenet) – 2014
“Der Apotheker” (Joseph Haydn) – 2015
“Demetrius und Polibius” (Gioacchino Rossini) – 2016
“Julia und Romeo” (Nicola Vaccai) – 2017
“Die alte Jungfer und der Dieb” (Gian Carlo Menotti) – 2018
“Gianni aus Paris” (Gaetano Donizetti) – 2019
“Caterina di Guisa” (Carlo Coccia) – 2020
“Philemon und Baucis” (Charles Gounod) – 2021
“Der Eifersüchtge und seine Witwe” (Nicola de Giosa) – 2022
“Der schwarze Domino” (Lauro Rossi) – 2023
Future Trends in Opera: Reviving Forgotten Works
The increasing popularity of niche performances in opera houses reveals a growing trend toward reviving lesser-known works. The 13th Summer Opera at the Amthof, featuring the rarely performed “Marco Visconti,” highlights this movement where passion for the art form meets the allure of discovering hidden gems. Such productions not only elevate the repertoire but also engage audiences with rich narratives and dramatic music.
Emergence of New Talent
The inclusion of new performers, such as American tenor Samuel Robertson and Hamburg bass Jens Waldig in this season’s ensemble, signals a commitment to nurturing fresh talent. This trend of integrating emerging artists provides diverse perspectives and generating exciting interpretations of classic and obscure operatic works. As opera evolves, giving a platform to newcomers helps rejuvenate the genre and draw in younger audiences.
Enhanced Audience Engagement
Opera companies are increasingly focusing on enhancing audience experiences through educational initiatives and interactive programming. The Amthof’s offerings, including additional concerts like the Galakonzert featuring renowned soprano Regine Hangler, illustrate a strategy aimed at creating a deeper connection with the audience. Such initiatives are expected to become more common, allowing for a multi-layered appreciation of opera.
Digital Transformation
With technology reshaping the landscape of performing arts, opera is also poised to embrace digital transformation. Virtual performances and online ticketing systems, exemplified by the easy reservation methods for the Amthof events, signify a shift towards accessibility. This trend could democratize opera, permitting wider access to performances, especially for those unable to attend in person.
Sustainability in Productions
Sustainability remains a pressing concern, driving opera companies to seek environmentally friendly practices. From using eco-conscious set designs to implementing energy-efficient operations, these changes reflect a growing awareness and responsibility towards the planet. Future productions are likely to integrate sustainability into their core planning, resonating with audiences who prioritize environmental stewardship.
Global Connectivity
As the opera scene becomes increasingly interconnected, international collaborations stand to flourish. The combination of diverse artistic influences from around the world could lead to a fascinating fusion of styles and ideas. As seen in the upcoming performances at the Amthof, the opera community is on track to embrace a global exchange of creativity, enriching the art form.