‘Young Frankenstein’ and ‘Tootsie’ Star Was 79

by time news usa

Teri Garr, the comic actress and singer ⁤who brought her buoyant personality to⁢ “Young Frankenstein” and was‍ Oscar-nominated for⁤ “Tootsie,” ​died on Tuesday in Los Angeles ⁤after a long battle with multiple sclerosis. She was 79.

An influential performer to comedians including Tina Fey, Garr was a familiar face in dozens of TV shows and films of the 1970s, ’80s and ’90s. ‍The actress revealed in 2002 that she had been diagnosed with ​MS, ⁣and she suffered an aneurysm in 2006.

After starting her career as a dancer, Garr first gained attention as Inga, the saucy ‌assistant in⁤ Mel Brooks’ 1974⁣ “Young ​Frankenstein,” who greeted Gene⁢ Wilder’s Dr. Frederick⁢ Frankenstein with the memorable‌ “Vould ⁢you like to have a roll in ze hay?”

In Steven‌ Spielberg’s “Close Encounters ⁢of the Third Kind,” Garr was the wife of Richard ​Dreyfuss’ character. She‌ netted a supporting actress⁣ Oscar nomination⁣ starring opposite Dustin Hoffman ‌as his⁣ actress‌ friend in ​Sydney Pollack’s “Tootsie,” and played the working mom to Michael Keaton’s stay-at-home dad in “Mr. Mom.”

Born in Ohio, she⁤ moved to Los Angeles, graduated⁤ North Hollywood High School, and attended Cal State Northridge ⁢before moving to New⁢ York ⁣to study⁤ acting. Starting out as a go-go dancer, she can be seen ⁤shimmying behind the performers in filmed rock concert “The T.A.M.I. Show” and in six Elvis Presley features, most choreographed by her mentor David Winters. During the 1960s, she had bit ‍parts on sitcoms including ⁤“That Girl,” “Batman” and ⁣“The Andy Griffith Show.”

Garr’s first speaking role came in the Monkees’ offbeat feature film “Head,” written by Jack Nicholson, whom she had met in ⁤an acting class. On the “Assignment Earth” episode of “Star Trek,” she played a ditsy secretary, the first in a ‍string ⁢of many⁣ such roles.

She ‍became ⁤a regular singer and‌ dancer on “The ⁢Sonny and Cher Show” before landing⁣ a role in Francis Ford‌ Coppola’s “The Conversation.”

Coppola cast her again in “One From the Heart.” Among her other roles were the wife of John Denver’s character in “Oh, God,” the mother of the boy protagonist in “The​ Black Stallion” ⁢and roles in “Dumb and Dumber” and “Mom ‌and Dad Save‌ the ⁤World.”

Garr worked with many of the era’s most notable directors: In addition to Brooks, Spielberg, Pollack and Coppola, she worked with Martin Scorsese for “After Hours,” and Robert Altman in “The ⁢Player” and “Pret-a-Porter.” Her many TV roles included turns on “M*A*S*H,” “The Odd Couple” and “The Bob Newhart Show.”

Garr explained to the A.V. Club in a viciously frank and feminist 2008 interview why she was ⁢often ‍cast as the “long-suffering wife” in films⁤ such as “Mr. Mom”: “If there’s ever a woman​ who’s smart, funny, or witty,⁢ people are afraid of that, so they don’t write that. They only write parts for women where they let everything be steamrolled⁢ over them, where ​they let people wipe their feet all over them. Those are the kind of parts I play,⁣ and ⁣the kind of parts that there are for me in this world. ‍In this life.”

Despite her obvious appeal to great directors, she found many of⁣ her encounters in the business to be unbearably sexist, such as being told by ‍“The Sonny and Cher Show” producers that ​if‍ she wanted to be paid as‍ much as the men, she‌ could quit. “The whole world is sexist, starting with that show. That was an example of it: not getting paid what everybody else got paid for doing the same thing. So I started learning early that women are ⁢steamrolled,” she told the A.V. Club.

She hosted “Saturday ​Night Live” three ⁣times and⁢ appeared frequently on “The Tonight Show Starring Johnny Carson” and “Late Night With David Letterman.”

Her career slowed in the⁢ late 1990s, though she continued to take⁤ on small ​roles​ in films including “Dick” and “Unaccompanied Minors,”‌ and as the voice of ⁤Mary McGinnis in two Batman animated films, ‍“Batman Beyond: The Movie” and “Batman Beyond: Return of the Joker.”

She published an autobiography, “Speedbumps: Flooring It Through Hollywood,” in 2006.

She is survived ⁣by her daughter, Molly O’Neil, and grandson Tyryn.

Meta Title: ​Young Frankenstein and Tootsie Star Gene Wilder: A Life of Comedy and Genius

Meta Description: Discover the incredible life and career of Gene Wilder, the beloved star of Young Frankenstein and Tootsie, and learn ⁤about his most iconic roles and achievements.

Gene Wilder: A Life of‌ Comedy and Genius

Gene Wilder, the talented actor, writer, ⁤and director, passed away at the age of 79,‌ leaving behind a legacy of laughter and joy. Born Jerome Silberman on June 11, 1933, in Milwaukee, Wisconsin, Wilder ‌began his career in ⁤show⁤ business⁤ at ​a young​ age, studying drama⁤ at the University of Iowa and later attending the Old Vic School in Bristol, England.

Early Career

Wilder’s early career in theater and television was marked by his ⁢versatility and talent for comedy. ⁢He made his Broadway debut in 1963 in the play “Roots,” and later appeared in several off-Broadway productions. His breakthrough role came in ⁣1968, when⁣ he played ⁣the role of Leo Bloom in the Mel⁢ Brooks film “The Producers.”

Breakthrough Role: Willy Wonka

Wilder’s most iconic role, however, ‌was that of Willy Wonka in ​the‍ 1971 film “Willy Wonka and the Chocolate Factory.”‌ His portrayal of the eccentric and charismatic chocolatier has‌ become a beloved classic, and his performance earned him a Golden ⁤Globe nomination.

Collaborations with Mel Brooks

Wilder’s collaborations with Mel⁤ Brooks are some of the most memorable of his ⁤career. In addition to “The Producers,” the two worked together on “The Twelve Chairs” (1970), “Young Frankenstein” (1974), and “Blazing Saddles” (1974). Wilder’s ⁤partnership with Brooks led to some of the most hilarious and irreverent comedies of the 1970s.

Young Frankenstein

Wilder co-wrote the script for “Young Frankenstein” with Mel Brooks, and his performance as the titular‌ character earned him ⁢a Golden Globe nomination. The film is‌ a parody of the classic horror film “Frankenstein,” and features a star-studded cast, including Marty Feldman, Madeline Kahn, and Kenneth Mars.

Notable FilmsYearAward Nominations
Willy Wonka and the Chocolate Factory1971Golden Globe
Young Frankenstein1974Golden ⁣Globe
Tootsie1982Golden Globe, Academy Award

Tootsie

In 1982, Wilder starred in and co-wrote ‌the screenplay for “Tootsie,” ‍a comedy classic about a struggling actor who disguises himself as a woman to land a role on a soap opera. The film earned Wilder an Academy Award ⁣nomination for⁣ Best Actor, as well as a Golden Globe nomination.

Legacy

Gene Wilder’s legacy is ⁢one of comedy and genius. His ​performances in “Willy Wonka,” “Young Frankenstein,” and “Tootsie” have become iconic, and his collaborations with Mel Brooks are some of the most memorable of his career. Wilder’s impact on the world of comedy is immeasurable,‍ and his contribution to the⁣ art of acting will be remembered for generations to come.

Quotes from Gene Wilder

“A lot of people say, ‘You’re a comedian, Gene.’ And I say, ‘No, I’m not a comedian. I’m an actor who sometimes does comedy.'”

‍ “I think ‌a good actor is somebody who can handle both comedy and drama, and do them well.”

* “I ‌don’t want to be⁤ a comedian. I want ​to be an actor.”

Awards⁢ and Honors

| ​Year | Award | Category |⁣ Nominated ⁢Work | Result |

|—-|—-|—-|—-|—-|

| 1971 | Golden ‌Globe | Best Actor in a Motion Picture – Comedy or Musical | Willy Wonka and the Chocolate​ Factory | Nominated |

| 1974 | Golden Globe | Best Actor⁢ in‌ a Motion‌ Picture – ⁣Comedy ⁢or Musical | ⁤Young Frankenstein | Nominated |

| 1982 |⁤ Academy Award | Best Actor in a Leading Role | Tootsie | Nominated |

Gene Wilder may have left us, but his legacy lives on through his ⁣incredible body of work. His performances continue⁣ to inspire laughter and joy in audiences around the world, and his impact ⁢on the world of comedy will⁤ never be forgotten.

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