Take That Review: TV Special – A Resounding Yes!

by Sofia Alvarez

london, February 29, 2024 – A surprisingly divisive question about dairy products has surfaced amidst take That’s 2024 stadium tour: Howard Donald, 57, confessed he “doesn’t like cauliflower cheese,” prompting visible dismay from bandmate Gary Barlow, 55. The seemingly trivial disagreement offers a glimpse into the dynamic between the enduring pop group, now the subject of a new Netflix documentary.

Take That’s Enduring Appeal Explored in New Netflix Documentary

The three-part series chronicles 35 years of the band’s journey, from early hysteria too a remarkable reunion.

  • The Netflix documentary offers a comprehensive look at Take that’s history, covering their initial success, breakup, and subsequent reunion.
  • While largely positive, the series acknowledges internal rivalries and individual struggles with fame.
  • Notably absent from the documentary are former band members Robbie Williams and Jason Orange.
  • The documentary highlights the band’s ability to evolve and maintain relevance over three decades.
  • the series reveals a refreshingly unembittered retelling of the band’s story.
The manband today … Gary Barlow, Mark owen and Howard Donald in Take That. Photograph: Courtesy of Netflix

The series charts the band’s evolution from their early, somewhat awkward performances in nightclubs – where Gary Barlow recalls disliking his chainmail codpiece – to their remarkable comeback a decade after their initial split. barlow sighs, “Fame, for me, is still a real struggle,” a sentiment echoed by Donald, who sounds as though he’s speaking from his car.

Directed by David Soutar, known for “Bros: After the Screaming Stops,” the documentary relies heavily on archival footage, much of it previously unseen. Early gigs at school assemblies and candid moments reveal a fondness for shoulder pads and Barlow’s habit of playfully tweaking his bandmates’ earlobes. Williams,in an old interview,observed that Barlow was unaware of his own behavior,a point illustrated by the footage.

The visual style of the early footage is characterized by a muted,greyish tone typical of pre-late 90s recordings. Later episodes are brighter, but a sense of wistful nostalgia permeates the entire series, even in footage of recent concerts, evoking memories of Exclamation body spray.

Ultimately, the documentary offers a outlook on Take That that is informed by the passage of time. The series suggests that both the band and their audience have grown together, and that, despite life’s challenges, there’s a shared appreciation for the journey.

Take That is on Netflix now.

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