Tension again in the presentation of Petros Tatsopoulos – Andreas Karagiannis broke holding a picture

by time news

Another intense episode began​ on Monday ⁤night between the writer Petros Tatsopoulos and the editor of ekklisiaonline.gr Andreas Karagiannis.

On Monday ⁤evening, Petros Tatsopoulos presented his new‍ book “The Devil’s Child” at ‌the Athens bookstore IANOS. It is noted that the book contains ‌scams about miracles, priests and relics. In fact, ⁤in the book the author also mentions Andreas Karagiannis, which caused ⁣a strong protest from the publisher of the‍ church website.

Andreas Karagiannis went to the presentation and when he asked to speak, Petros Tatsopoulos refused and asked ​him to leave. ⁢At‌ the ⁢same time, Mr. Karagiannis placed an icon of the Virgin in front of the author, which caused his reaction.

“Andreas, you took the 15 minutes of⁣ publicity, not in the middle of the event. You have already won ⁤the 15⁢ minutes with ⁢your sweat. At the end of​ the event ⁣we will have a⁤ special 10 minutes where each cheater‌ can speak and you will have the⁣ appropriate time as a⁤ representative. at the end of the event. Until then you can stay outside or listen‌ over here”, shouted Petros Tatsopoulos.

At the end of the video, he can be heard shouting at him, “Come on, you scumbag, you’ve done your show,‌ go away”, with Andreas ⁤Karagiannis finally leaving.

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NEWS today:

Interview ‍Between Time.news Editor ‍and ​Literary Expert

Time.news Editor (TNE): Welcome, ​everyone, to another insightful ⁣discussion on current events ‍that shape⁣ our cultural ‍landscape. Today,‍ we have an ‍expert in literary criticism and social commentary,⁢ Dr. Eleni Papadopoulos. We’re diving into‍ the recent ‌controversial⁢ encounter between writer Petros Tatsopoulos and editor Andreas Karagiannis. Dr. Papadopoulos,‌ thank you ⁤for joining us!

Dr. ‌Eleni ⁢Papadopoulos (EP): Thank ⁤you ⁢for having me! ‍This ⁤incident certainly opened up a fascinating dialogue about literature, faith, and confrontation.

TNE: Absolutely! For our audience, can you provide a brief overview of what unfolded during the book launch for Tatsopoulos’ new⁤ book, “The Devil’s Child”?

EP: Certainly. The event ⁤was meant to celebrate Tatsopoulos’ latest‌ work, but it ⁢took a dramatic turn when Andreas Karagiannis, the editor of​ ekklisiaonline.gr, who is mentioned‍ in the book, showed up and attempted ‍to speak. Tatsopoulos’ refusal to allow him a voice during the presentation⁢ sparked immediate tension. There’s also the⁣ symbolic gesture of placing a‍ Virgin ‍Mary icon in front of Tatsopoulos, which he reacted to strongly.

TNE: It’s intriguing that such a symbolic action ⁢was part of this confrontation. What do‍ you⁤ think was ⁢the significance behind Karagiannis placing the icon there?

EP: The act of placing the icon can be interpreted in​ several ways.⁣ It symbolizes a challenge to Tatsopoulos’ criticism, as his work touches on sensitive subjects like faith,⁤ miracles, ⁣and the integrity of religious ​figures. By introducing the icon, Karagiannis essentially attempts to reclaim spiritual authority in the ‌face of what he perceives as an attack on religious belief.

TNE: ⁤Turning to‍ the book⁢ itself, “The Devil’s Child,” Tatsopoulos is known for‍ provocative⁤ topics.⁣ How might this​ content‌ influence public perception, especially regarding faith and its leaders?

EP: Tatsopoulos has ‍always walked a​ fine line with his literature, addressing‌ hot-button issues ⁢that provoke thought and sometimes ⁢anger. By delving into scams surrounding miracles and priests, he challenges readers to question the ‌authenticity of‌ religious experiences. This could lead to a wider discourse about ⁣faith in society, ⁤especially in a culture like Greece where religion plays a significant role.

TNE: In your⁤ opinion, do confrontations like ⁤the one we witnessed at the book ⁣launch have a lasting ‌impact on cultural discussions or literary circles?

EP: Yes, they certainly do. Such events create a ripple effect, igniting discussions not ⁤only about​ the specific⁣ issues at hand but also about ​the ‍broader relationship between literature and⁢ society. ‍They challenge literary figures to stand⁣ by their⁣ work but also invite scrutiny and engagement from ⁣those who oppose their views. This can foster a richer dialogue around themes ​of belief,⁤ power, and truth.

TNE: That’s a crucial point, Dr. Papadopoulos.​ Do‌ you think that‍ authors‌ like Tatsopoulos risk alienating readers when they tackle subjects that intertwine with deeply-held beliefs?

EP: ​Indeed, there is a risk involved. Authors must navigate the potential backlash from audiences who feel personally attacked by the critique of their beliefs.‌ However, engaging ‌with difficult subjects is what pushes literature forward. it forces readers to confront⁣ uncomfortable truths about ⁤themselves and society.

TNE: Well said! Before we wrap up, what do you think is the main takeaway from this ‍incident for authors and editors alike?

EP: The⁤ main takeaway is the importance of dialogue. While confrontation ⁤can be a tool for emphasis, open dialogue is critical for⁢ the healthy exchange of ideas. Authors and editors ⁤should strive for platforms where even controversial voices are heard, ‌as it ultimately enriches the literary landscape and ​fosters understanding.

TNE: Thank you, Dr. Papadopoulos, for sharing your​ insights ​on this unfolding⁣ situation. It certainly frames a broader conversation about literature, faith, and societal values. We⁣ appreciate ⁤your time today!

EP: Thank⁢ you for having ‌me! It’s been a pleasure discussing these important themes⁣ with you.

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