On the sidelines of the 17th edition of the Ouagadougou international craft fair (SIAO), the Minister of State, the Minister in charge of the public service, Bassolma Bazié, chaired the naming ceremony of the creativity pavilion and the Rainbow Pavilion.
THE The Burkinabe authorities renamed the creativity pavilion and the rainbow pavilion.
Bassolma Bazié, Minister of State, Minister of the Civil Service
Thus, the creativity pavilion becomes the “Thomas Sankara Creativity Pavilion”, and the rainbow pavilion is renamed the “Faso Pavilion”. These designations, according to the Minister of State, the Minister in charge of the public service, Bassolma Bazié, fulfill very specific objectives.
« The choice of the name “Thomas Sankara Pavilion of Creativity” pays tribute to our champion of African craftsmanship who made the development and influence of African craftsmanship his last battle throughout his life. “, explained Bassolma Bazié.
As for the name “Pavillon le Faso”, inspired by national languages, the Minister of State pointed out that it represents the homeland which is the legal and political entity, the unquenchable house where the vibrant wind of freedom and liberty blows from the dignity of which the people are restored to all their greatness.
« In short, these two pavilions now reflect the paradigm shift that the Burkinabè people have made as a presumptive and unhindered choice that draws its foundation from our heritage and our intrinsic values to build our own development model. », stated Bassolma Bazié.
Sié Frédéric KAMBOU
Burkina 24
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Time.news Interview: Exploring the Significance of the New Pavilion Names at SIAO
Editor: Welcome to Time.news, where we delve into the stories shaping our world. Today, I have the pleasure of speaking with Dr. Amina Traore, a cultural expert and historian specializing in Burkinabe heritage. We’re here to discuss the recent renaming of two pavilions at the Ouagadougou International Craft Fair. Thank you for joining us, Dr. Traore.
Dr. Traore: Thank you for having me! It’s a pleasure to be here.
Editor: Let’s dive right in. The creativity pavilion has been renamed the “Thomas Sankara Creativity Pavilion.” What does this change symbolize for Burkinabe culture and craftsmanship?
Dr. Traore: This renaming is a profound tribute to Thomas Sankara, who is viewed as a revolutionary figure in Burkina Faso and across Africa. His advocacy for cultural and economic self-reliance resonates deeply with African craftsmanship. By naming the pavilion after him, the authorities are honoring his vision of empowering local artisans and promoting African craftsmanship as a vital part of our identity.
Editor: That’s a powerful connection to make. You mentioned the influence of Sankara—how does his legacy continue to manifest in contemporary Burkina Faso?
Dr. Traore: Sankara’s influence is ubiquitous. He emphasized the importance of dignity, self-sufficiency, and national pride. His commitment to African craftsmanship as a vehicle for socioeconomic development serves as a guiding principle for many entrepreneurs and artisans today. The pavilion named in his honor reinforces that legacy, encouraging creativity as a means of empowerment.
Editor: Interesting! And the rainbow pavilion has been renamed the “Faso Pavilion.” Can you explain the significance of this name change?
Dr. Traore: Absolutely. “Faso,” which means “homeland” in the local language, symbolizes unity, heritage, and the collective dignity of the Burkinabe people. By adopting a name that reflects national languages, the government not only honors the linguistic diversity of the country but also emphasizes the importance of a shared identity and ownership among its citizens.
Editor: That’s a lovely perspective. In your opinion, what role do craft fairs like SIAO play in promoting local culture and economy?
Dr. Traore: Craft fairs like SIAO are crucial for several reasons. They provide a platform for artisans to showcase their work, thus gaining visibility and access to new markets. More significantly, they serve as spaces for cultural exchange and education. Visitors learn about the rich traditions and innovations of Burkinabe artisans—fostering appreciation and support for local crafts, which is vital for economic sustainability.
Editor: As we look toward the future, what initiatives do you believe could further enhance the impact of craft fairs on Burkinabe artistry?
Dr. Traore: Investment in training programs for artisans, enhancing access to technology, and promoting collaborations between artisans and designers could significantly amplify their capabilities. Additionally, increasing international partnerships and marketing strategies can help elevate the recognition of Burkinabe crafts on a global scale.
Editor: Thank you for your insights, Dr. Traore. It sounds like the future of Burkinabe craftsmanship holds exciting potential, especially with the recent recognitions at SIAO. Any final thoughts you’d like to share?
Dr. Traore: Just to emphasize the importance of celebrating our heritage while innovating for the future. The renaming of these pavilions is a step in that direction—an acknowledgment of our past and a commitment to our creative future. It’s essential for all of us to support these local crafts and ensure they thrive.
Editor: Well said! Thank you again, Dr. Traore, for your time and valuable perspectives. We look forward to following the developments in Burkina Faso’s vibrant craftsmanship journey.
Dr. Traore: Thank you! It was a pleasure to discuss these important developments with you.