2023-04-25 01:18:21
Between lightness and seriousness, the 34th Nuit des Molières was held at the Théâtre de Paris on Monday, an evening orchestrated by Alexis Michalik that viewers were able to follow on France 3. Beginning in a sequence shot, singing surrounded by dancers, the master of ceremony succeeded in its bet to give, with its acolytes, an offbeat and playful tone to the ceremony, punctuating the evening with sketches and a few impertinences, thus slipping when presenting the shows: “Forget me, it’s also texting the most sent by the Minister of Culture to Jean-Marc Dumontet”, the president of the Académie des Molières, then seated alongside Rima Abdul-Malak, the minister.
Questioned, the minister replies
Some time later, she was kindly mocked by comedian Nicole Ferroni dressed as a climate activist, appearing on the stage to be heard: “Our planet is not like the Minister of Culture that we can both change years “. But when two artists intervene to protest against the pension reform – a planned sequence – and challenge her sharply, the member of the government gets up and replies immediately. “Usually, the role of the minister is to remain seated, but this is not possible,” she replied, recalling her action in support of the sector. “Does anyone want to express themselves? “, tries Michalik to conclude this sequence which will remain in the memories.
But back to the theater and its party. “Forget me” is also and above all the hit of the evening with four statuettes out of four possible. Directed and starring Marie-Julie Baup and Thierry Lopez, this show is one that upsets and marks. Powerful story of love stronger than illness, he pocketed the Molière for the best private show while the two actors each left with the statuette of the actor and the actress in the private sector, and together with that of the setting. stage… “I dedicate this Molière to all the women and men who fight to support a sick loved one on a daily basis”, Marie-Julie Baup slipped on the stage with emotion.
Those we cannot forget are Christian Hecq and Valérie Lesort, the darlings of Molières. A year after pocketing two statuettes for the marvelous “Gulliver’s Journey”, the duo and couple of stage magicians collected another three for “Le Bourgeois Gentilhomme”, by Molière, presented at the Comédie Française. That of the actor in the public theater, in particular, for Christian Hecq – his third staff – but also those of the staging and Molière for the best show. “There is one thing that resists time, it is stupidity. Let’s laugh at our stupidity, I think it’s the only way to fight it and that, Mr Molière understood it well, ”launched the member of the Comédie Française.
Molière’s house also won in the young audience category for “The Snow Queen, the Forgotten Story” directed by Johanna Boyé. Another star of the evening, “Starmania”, edited by Thomas Jolly, nominated twice and who leaves with his two awards, those of the musical show and the visual and sound creation. “Starmania, it speaks to us about us, always about us, forty years later, it speaks of humanity, it’s not an example to follow, but that’s also why we go to the theater”, slipped the one that will also stage the opening ceremony of the Paris Olympics. At his side, Luc Plamondon proved to be too moved to express himself.
“Aida, your pen is a weapon of massive instruction”
Two also for “Persian Dolls”, a magnificent piece on the lost illusions of the Iranian revolution and on love. It is worth to Aïda Azgadhareh to leave with the price of the French-speaking author of the year. “Aïda, your pen is a massive instruction weapon that touches the heart”, had just before launched from the stage Kamel Isker, receiving the Molière of the second role for the “Dolls”.
Alongside Kyan Khojandi, the young woman hailed the Iranian spirit, “culture”, “wine”, “revolt”, “love”. “Like in France… We here, in France, we must support the Iranian revolution”, they affirmed, inviting the room to get up to dance in support of the five young Iranian women whose hair choreography video released on “ Calm Down”, of Rema, attracted popularity to them like repression of the mode.
Nominated six times, “Glenn, birth of a prodigy”, directed by and directed by Ivan Calbérac, leaves with two Molières rewarding its young performers, Lison Pennec and Thomas Gendronneau, each revelation of the year.
The emotion of Sarah Giraudeau
For its part, “A brilliant idea”, by the priceless Sébastien Castro, also pockets two statuettes, that of comedy and the second female role for Agnès Boury. In humor, Laura Felpin wins to her surprise. “The person who made me want to do this job is in the room, Florence Foresti, this Molière, he is a bit ours,” she assures him.
The evening will have once again seen a moving ovation reserved for Pierre Richard, who was invited to present and remain silent in front of the standing room. The touching emotion of Sara Giraudeau, again, Molière of the actress in the public for “The syndrome of the bird. “My mouth is very dry, but full of love,” smiles the young woman to whom her mother, Anny Duperey, sends kisses from the room.
An evening punctuated by powerful statements from a few winners. “They say that by educating women we save them, I think that by saving women and children, we save everyone”, thus launched Sylvie Testud whose show “Everyone knew”, inspired by the he story of Valérie Bacot, is awarded the Molière on alone on stage.
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