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2024-11-20 06:21:00
Love at first sight
Lucrecia Martel‘s retrospective at Beaubourg
The Argentine filmmaker is honored at the Parisian museum until December 1st, in a retrospective that meticulously explores a certain decadence of her country, between colonization and the stigmata of dictatorship. Read our interview.
«Lucrecia Martel, cinema outside itself» at the Pompidou Center (4th arrondissement) until 1 December.
«Direct action»
Filmed between 2022 and 2023 on the ZAD of Notre-Dame-des-Landes, Guillaume Cailleau and Ben Russell’s documentary builds a precious theory of action made of patience and daily gestures, modest or decisive. Read our review.
Direct action by Guillaume Cailleau and Ben Russell (3h33).
“Hayao Miyazaki and the Heron”
Kaku Arakawa’s documentary, dedicated to the creation of the will, will be in theaters only on November 21st and 22nd the boy and the heron, shows with rare transparency the failures and doubts of the Japanese master. Read our review.
Hayao Miyazaki and the Heron by Kaku Arakawa (2 hours). In theaters only on November 21st and 22nd.
Slow shots
“Diamond in the rough”
Selected at Cannes, Agathe Riedinger
Michel Hazanavicius’ animated film, about a child who survived the Shoah, is surpassed. Read our review.
Following Béatrice Dalle in search of the Italian filmmaker, the documentary oscillates between coquetry and the sacralization of the subject. Read our review.
With no rough edges or dramatic problems, the brick-and-mortar version of Pharrell Williams’ biopic carries the usual procession of clichés and inept comments but says absolutely nothing. Read our review.
Gilles Bourdos locks Vincent Lindon, a construction site manager involved in an extramarital affair, in the cockpit of his car for a petty-bourgeois meeting without much interest. Read our review.
A fantastic and political parable, Dania Raymond’s clumsy but determined film makes the ghosts of a never-mentioned Algeria reappear. Read our review.
The Storms by Dania Reymond, with Camélia Jordana, Khaled Benaissa… 1h24.
“37: the shadow and the prey”
After a suffocating and effective first half, the thriller, in which a lost truck driver finds himself stranded with a passenger, loses pace. Read our review.
37: the shadow and the prey by Arthur Môlard, with Guillaume Pottier, Melodie Simina, Agnès Sourdillon… 1 h 33.
How does the documentary “Direct Action” redefine the portrayal of activism in contemporary cinema?
Interview between Time.news Editor and Film Expert
Time.news Editor (TNE): Welcome to our special feature! Today, we’re diving into the cinematic world with renowned film expert, Dr. Claire Fontaine. Claire, thank you for joining us!
Dr. Claire Fontaine (DCF): Thank you for having me! I’m excited to discuss the latest film releases and the brilliant directors at the forefront of this year’s cinematic landscape.
TNE: Let’s start with the retrospective of Lucrecia Martel at the Pompidou Center. What makes her work so significant, particularly in the context of Argentine cinema?
DCF: Lucrecia Martel is a profound storyteller who brilliantly captures the nuanced decadence of Argentina, often reflecting on themes of colonization and the lingering effects of dictatorship. Her ability to intertwine personal narratives with a broader societal commentary creates a powerful viewing experience.
TNE: This exhibition runs until December 1st. What key aspects of her filmography should visitors focus on?
DCF: It’s essential to pay attention to her unique style – the way she employs sound, texture, and time. Films like “The Headless Woman” exemplify how she creates a sense of dislocation and discomfort, mirroring the societal issues at play. Each frame invites viewers to immerse themselves in her world while provoking thought about larger cultural critiques.
TNE: Transitioning to the documentary scene, “Direct Action” by Guillaume Cailleau and Ben Russell captures a fascinating movement in Notre-Dame-des-Landes. How do you see this film contributing to the documentary genre?
DCF: “Direct Action” is a compelling example of how documentaries can engage with activism. Cailleau and Russell document everyday acts of protest with a focus on patience and resilience. This is refreshing in a genre often dominated by sensational narratives. Their approach elevates small gestures to acts of resistance, which are equally impactful.
TNE: Another highly anticipated release is Kaku Arakawa’s “Hayao Miyazaki and the Heron,” showcasing the master animator’s creative journey. What insights can audiences expect from this film?
DCF: Miyazaki’s work is laden with layers of imagination, but this documentary intimately explores his vulnerabilities and the doubts he faced. It’s rare to see such transparency from a legendary figure. Audiences will not only gain appreciation for his artistry but also be inspired by his reflections on the creative process.
TNE: With so many films coming out, including “Rough Diamond” and “The Choice”, how should cinephiles prioritize what to watch in this busy release season?
DCF: I recommend looking for films that resonate with your interests. If you’re drawn to character-driven narratives with social insights, Martel’s works and “Direct Action” are must-sees. For animation and artistry, Miyazaki’s documentary is unmissable. The magic of cinema lies in its diversity, and there’s something for everyone this season.
TNE: As an expert, what do you think is the role of film in contemporary society?
DCF: Film is a mirror to society, reflecting our struggles, joys, and complexities. It fosters empathy and understanding by allowing us to step into others’ shoes. Especially now, with so much global discourse, cinema can serve as a medium for connection and dialog about pressing issues.
TNE: Those are powerful insights, Claire. Before we wrap up, what are you particularly looking forward to in the upcoming film releases?
DCF: I’m especially excited about exploring the themes of identity and resilience that seem pervasive in this year’s lineup. Each film brings its own unique voice and perspective, and I can’t wait to see how they challenge and inspire audiences.
TNE: Thank you for sharing your thoughts, Claire! It’s been a pleasure having you here.
DCF: Thank you! Here’s to another exciting season of cinema!
