The Palace, the Champions League; the World Cup, when we do a Foro Sol: Love of Lesbian

by times news cr

“I tell you that this is the ⁣Champions League, and the World Cup‌ will be when we do the Foro Sol,” confessed Julián ⁢Saldarriaga, guitarist of Love of ‍Lesbian, during the press conference they offered a few days⁤ after‍ their first presentation at the Palacio de los Sports, in Mexico⁢ City.

The above, as a clear reference to one of the​ songs from their tenth‍ studio⁤ album, ⁣’Salvation Army’, titled ‘The Champions and the World ⁢Cup’, which they sing as a duet with the Spanish author. Later they added that their presentation at the Lunario of ⁤the National Auditorium will be experienced as El Clásico​ of Spanish football.

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For his part, the musician Jordi Rogig highlighted the importance of performing on such a monumental stage:

“We ​must clarify that it is not part of our DNA to start a tour⁢ here (at the Palace). This was the idea of ​​someone who was not any of the four of us⁤ (…), we usually do not⁢ leave our comfort zone, release the album, practice the songs in small places and then dare. Today I realize that this is‍ more enormous than what they had told us.”

SONGS THAT ARE LIFE SAVERS

Continuing along the musical spectrum ​- ‌which suddenly, ironically, escapes the statements ⁤of the Spanish group, since they ​pay special attention to other issues such as closeness to the ​public or a certain type of transcendence – they ​put on the table some of the songs or ‌names of artists that are “lifesavers” for them.

Julián said that the ⁣song​ that‌ calms him is ‍Roscoe by Mildlake. Santi, for his part, referred to Moving by​ Supergrass and Wish You Were Here⁢ and Goodbye Blue Sky_⁤ by Pink Floyd_. After noting the variety of emotions⁤ and ⁢how music and‌ oneself change over time, Jordi said that his “safe place” is The Cure’s album Disintegration; Likewise, Oriol said that he ⁤chooses a little depending on his⁤ mood, which is why sometimes he puts on Iván Ferreiro and other times Gregory ​Porter, ⁤or, when he goes out to exercise, even⁣ The‌ War on Drugs.

Love of Lesbian will be presented ‍on ‍November 9 at the ⁣Palacio de los Deportes‌ and on Monday the 11th at the Lunario of the​ National Auditorium.

Interview Host: Welcome to Time.news! Today, we’re diving into the vibrant world of music ​and its intersections ⁣with ⁣culture‍ and sport. We have⁢ the pleasure of speaking with music expert ⁢Dr. Elena Ruiz, who specializes in the relationship between music and​ social identity. Thank ⁣you⁤ for joining us, Dr. Ruiz!

Dr. Elena Ruiz: Thank you for having me! I’m excited⁢ to discuss this fascinating topic.

Host: Let’s jump right in. Recently, Julián Saldarriaga,⁤ guitarist of ⁢the⁢ band⁣ Love of Lesbian, made headlines⁢ during a press conference. He ⁢mentioned that their concert at the Palacio de los Sports felt like “the Champions League,” and‍ he humorously​ suggested ‍that their upcoming performance at Foro Sol would‌ be akin to the World Cup. What ⁤do you think he meant ⁢by⁣ that?

Dr. Ruiz: Julián’s comment is⁣ quite insightful! In the world of ⁢music, especially in⁤ genres that⁢ often rely on fan⁣ engagement and cultural significance, such metaphors ‌evoke the ‌intensity and​ excitement associated with major sporting events. By comparing their concerts to ‌‘The​ Champions ⁤League’ and ‘World Cup’, he underscores the ⁤passion and competitive spirit that both music and‌ sports ignite among their fans. It’s a brilliant‌ way of framing their performances as monumental ​events.

Host: ​ Absolutely! It highlights how music can⁤ transcend mere entertainment. Saldarriaga also referred ​to ​their performance at Lunario as “El Clásico‌ of Spanish⁣ football.”⁤ How‍ do you see this blending of musical events with sporting culture?

Dr.⁣ Ruiz: This blending is a fascinating ⁢phenomenon. Events like “El ‍Clásico,” which pits two great ⁣football rivals against each other, evoke ‌a⁢ tremendous communal identity among ⁣fans.⁣ When musicians like​ Love of Lesbian‌ reference such events, they’re ⁢not⁣ just drawing a parallel— they’re tapping​ into that deep sense of⁤ community and ⁤rivalry.⁤ It makes the audience feel like they are part of ⁣something larger than themselves, ⁤similar to what sports fans feel during a crucial match.

Host: That’s a‍ great​ point. It seems ⁤that both music and sports share‌ a unique bond with their​ audiences. How does this connection ⁣influence the ‌way​ fans experience live performances?

Dr. Ruiz: The ‌experience becomes much more than just a spectator ⁣event; it morphs into ‍a collective‍ celebration. Fans come together, sharing joy, nostalgia, and emotional⁢ highs in these communal spaces. ⁣For ⁤instance, when Love of Lesbian performs their hit song​ ‘The Champions and the World Cup,’ the fans​ aren’t just listening—they’re reliving memories tied to ‍both the song and the metaphoric weight of competition and victory. ‍This duality can enhance the emotional impact of‍ a⁤ live show.

Host: ​ It’s amazing how intertwined music and sports can be! Looking​ ahead, with events like their concerts drawing comparisons to major sports events, do you think this trend will continue to grow?

Dr. Ruiz: Absolutely. As the‍ entertainment landscape evolves, we’re likely to ⁢see more artists and bands ‌recognize and leverage this connection to ⁣boost engagement. Events may increasingly be packaged as experiences ⁢that blend concert vibes with sporting flair — think cross-promotions, interactive fan zones, and more. It’s all about creating that electrifying atmosphere that echoes the feeling of⁤ a championship ‌game.

Host: Thank you, Dr. Ruiz, for your insights on this exciting intersection of music and sports culture! It certainly looks like ⁣Love of Lesbian’s upcoming⁢ performances will not just be‍ concerts but monumental events⁢ for both fans of ​music and sports alike.

Dr. Ruiz: Thank you!⁤ It ‌was ⁤a pleasure discussing this with you, and I look​ forward to seeing how this trend evolves.

Host: ⁤ And ⁢thank you to our‍ audience for tuning in!‌ Stay tuned for more engaging discussions here at ⁤Time.news.

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