2023-10-17 08:46:27
Historiography relegated it to the background due to its utilitarian nature. Manuel Salvador Carmona and Goya star in this cabinet exhibition
On the left, ‘Portrait of François Boucher’. Contour drawing for engraving, Manuel Salvador Carmona. Black and red pencil 1759-61. On the right, ‘Portrait of François Boucher’. Manuel Salvador Carmona print. Etching and burin. 1761 PRado Museum
17/10/2023
Updated at 08:46h.
«Without a good drawing, it is impossible to obtain a good print». This is a maxim that is repeated, like a mantra, by José Manuel Matilla, head of Conservation of Drawings and Prints at the Prado and curator, together with Ana Hernández Pugh, responsible for the catalog raisonné of…
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