Vikrant Massey’s ‘The Sabarmati Report’ has topped the first Monday test. There has been a decline in earnings on the first Monday, but it has done almost the same business as on the opening day. However, at present it would be too early to say anything about the future of the film, because anything can be said on it only after the earnings of the next weekdays. On the other hand, Suriya and Bobby Deol’s ‘Kanguva’ has suffered a major setback on the first Monday. This film, which earned Rs 24 crore on the opening day, could not earn even Rs 4 crore on Monday. Dheeraj Sarna is the director of ‘The Sabarmati Report’ made on the 2002 Godhra incident. The budget of the film is said to be around Rs 50 crore. Although the film has received decent reviews from the audience, there has been a lot of discussion about the film in the political circles for the last two days. Prime Minister Narendra Modi and Home Minister Amit Shah have praised it. Its effect was also seen on the earnings on Monday.
‘The Sabarmati Report’ box office collection day 4
According to sacnilk report, ‘The Sabarmati Report’ has earned Rs 1.15 crore at the box office on Monday, the fourth day. A day earlier on Sunday it had done a business of Rs 3.00 crore. In this context, there has been a decline of more than -61% in earnings. But it is also worth noting that it did a business of Rs 1.25 crore on the opening day. In this respect, the film is in a strong position on the first Monday. The total collection of the film in four days is Rs 7.50 crore.
‘Kanguwa’ box office collection day 5
On the other hand, ‘Kanguwa’, directed by Shiva, met with a bad fate on Monday. However, given the bad reviews the audience gave to the film, it was already anticipated that the earnings would fall badly. This film was released on Thursday. Due to the craze of fans, the film did good business on the opening day. But on Monday it collected only Rs 3.15 crore, which is a decline of about -87% compared to the first day.
Budget and worldwide collection of ‘Kanguwa’
The budget of ‘Kanguwa’ is around Rs 350 crore. Whereas it has earned only Rs 56.75 crore in all five languages in 5 days. This film has flopped in the first five days itself. The condition of the worldwide collection is also bad. It has earned a gross of Rs 91 crore at the global box office in 5 days.
Box Office: What happened! Earnings of ‘Bhool Bhulaiyaa 3’ and ‘Singham Again’ fell drastically on Monday, worst condition on 18th day
‘The Sabarmati Report’ has a great opportunity to shine
This time there is a good opportunity for ‘The Sabarmati Report’ at the box office. Vikrant Massey, Riddhi Dogra and Raashi Khanna’s film may get the benefit of word-of-mouth. Due to increasing discussion in the political sector, the interest of the audience has increased towards this film. At present, apart from ‘Singham Again’ and ‘Bhool Bhulaiyaa 3’, which are 18 days old in theatres, there is no such film which can compete with it. Whereas there is no new big release on Friday also.
Why did ’Kanguva’ experience such a significant drop in box office earnings after a strong opening?
Interview: The State of Cinema – Vikrant Massey’s ‘The Sabarmati Report’ vs. ‘Kanguva’
Time.news Editor: Welcome to the Time.news interview segment! Today, we’re diving into the latest box office trends and analyzing the performance of two significant films released this past weekend: Vikrant Massey’s ‘The Sabarmati Report’ and Suriya and Bobby Deol’s ‘Kanguva.’ We have with us film analyst and box office expert, Dr. Shalini Verma. Thank you for joining us, Dr. Verma!
Dr. Shalini Verma: Thank you for having me! It’s always a pleasure to discuss the ever-evolving landscape of cinema.
Editor: Let’s start with ‘The Sabarmati Report.’ It topped the first Monday test with earnings of Rs 1.15 crore after a successful opening day of Rs 1.25 crore. It’s interesting to see such stability. What are your thoughts on its performance?
Dr. Verma: It is indeed fascinating! For a film to match its opening day earnings on the first Monday, especially in today’s competitive environment, speaks volumes about its appeal. However, the decline in earnings by over 61% from Sunday to Monday does raise some flags. While its total collection of Rs 7.50 crore in four days is commendable for a film with a budget of Rs 50 crore, the real indicator of its success will be how it performs during the weekdays ahead.
Editor: That’s a great point. It seems that a lot is riding on those subsequent weekdays. Given that the film revolves around the 2002 Godhra incident and has sparked discussions in political circles, could this impact its box office longevity?
Dr. Verma: Absolutely. When a film garners attention from key political figures, like Prime Minister Modi and Home Minister Amit Shah praising it, it often contributes positively to its visibility and viewership. However, audience reactions can be unpredictable, especially for sensitive subjects like this. The film’s ability to maintain interest beyond the initial political buzz will be crucial.
Editor: Moving on to ‘Kanguva,’ the numbers are quite unfortunate. A significant drop from an opening-day collection of Rs 24 crore down to less than Rs 4 crore on its first Monday is alarming. What do you think went wrong here?
Dr. Verma: That is a stark contrast! The initial excitement surrounding a star-studded film can generate impressive opening day numbers, but sustaining that momentum is another challenge altogether. The drop indicates that audience word-of-mouth wasn’t favorable, which can stem from a range of issues, such as weak storytelling, heavy competition, or even unrealistic expectations. A gradual decline is typical, but a drop as steep as this suggests that audiences may have left disappointed.
Editor: The weeks ahead will be crucial for both films. What strategies do you think the producers could employ to revive interest in a film like ‘Kanguva’?
Dr. Verma: While the immediate future depends primarily on the film’s quality and audience reception, strategic marketing can help. Engaging with audiences through social media, hosting Q&A sessions, or even special screenings could rekindle interest. Additionally, if the filmmakers can release behind-the-scenes content or address the concerns audiences had, this might help in reshaping perceptions.
Editor: Interesting insights! Lastly, how do you see the broader trends in the Indian cinema landscape impacting future releases?
Dr. Verma: The current trend indicates that audiences are looking for authenticity and meaningful narratives. Films that touch on social realities or delve into historical contexts, when executed well, are often met with appreciation. As we move forward, it will be vital for filmmakers to balance entertainment with substance to draw in viewers consistently.
Editor: Thank you so much for your valuable insights, Dr. Verma! It’s always enlightening to gauge the intricacies of film performance. We’ll certainly be keeping an eye on ‘The Sabarmati Report’ and ‘Kanguva’ in the coming days.
Dr. Verma: Thank you for having me! I’m excited to see how these films evolve in the box office race.
Editor: And thank you for our audience for tuning in! Stay with us for more updates and analyses on the film industry.