« The sex scenes in Deception? My husband can’t see them. I had a secret relationship with Giannini, Alain Delon covered for us”

by time news

If Monica Guerritore wasn’t an actress, she‍ might be an archaeologist, “that’s ‌what I do now: dig ‌characters out of the sediment ‍to go in search of their lives”. At Corriere della Sera Verdone wife in Vita da Carlo,‌ on Amazon Prime but ⁣above all⁤ Gabriella, the protagonist in the series Inganno on ‌Netflix, talking about her love today⁣ and the past.

INSIGHTS

The husband

Today‍ Monica owes‍ everything to Strehler. « He said: “You will ‌be an⁣ actor … and a good person”. And I tried not to ⁤disappoint him.” But ⁣he doesn’t forget Gabriele Lavia either. “He was everything: my husband, director, writer, playwright,‍ costume designer, father”. husband ⁤ Roberto​ Zaccaria he refuses to see Meala. « He continues ⁤not to look at him ⁣even though the women in the building tell him that I am unusual.

Maybe he‍ will see it later, speeding up ​in⁣ the scenes when my⁤ mind seems to​ be going astray.” A husband with​ whom she is happy: « We share everything and then he always looks at ‍me​ like the first⁢ day. In him ⁤- he says – I never see what I sometimes saw in Gabriele: you⁤ are not⁢ well.”

The criticism

Monica Guerritore ⁤responded to the criticism of Inganno by Corsera as follows: «For the past twenty years, which film has told a story in which you ⁢love, you suffer,⁤ where making love is not called ⁣sex, but‌ the a natural ‌consequence of ‌an emotional ‌impulse? And so, ​to ⁤tell the crisis of ‌the passage of age ​and⁤ the imperfect⁣ and very human passion, was the female figure? ‌We have ⁤seen these stories ⁢in films‍ focused on the crisis of the sixty-year-old ⁤man I‌ call the man in ‍the coat: Marlon Brando, Alain Delon… Here ‌instead there is a sixty-year-old man who⁢ does ‍not wear a coat because that it ‍is ​hot in Sorrento, but he wears ​a raincoat. Here, as Fallaci says, I do not apologize for the position⁤ I had.”

The⁣ flirt with Giannini

The project he ​is working on is the film about Anna Magnani. Then he talks about the film Lupa and Giancarlo Giannini: «We had a relationship 20 years before. With that film the circle closed.‍ Now I​ can say that I was just ‍infatuated: someone who leaves you overnight is not my type. Stories can end, but⁢ not like this. I still ‍have it here.” A relationship also covered by Alain Delon: «I was 18 years ⁣old and ​I was already with Giannini, but it was a secret relationship. Delon was covering ‍for me: they ‌were friends. He gave to Giancarlo’s green ⁤pea⁤ that was⁢ waiting ⁤for me. Then the following year I worked on the ⁢film L’homme pressé. He gave me a beautiful commitment: “Thank ​you for being a proof of this”.

Lamb

And the alleged relationship ​with⁢ Gianni Agnelli? He ‌says to​ Corriere ‍della Sera: «But no! Margherita’s father, my best friend when I was at ⁣boarding school⁤ in‍ Switzerland, was the Lawyer. He was not⁣ a father figure, I ⁣experienced him more as​ an artistic mentor. Thanks to‌ him‌ I saw⁣ Lichtenstein, Warhol, Bacon, Hopper: the whole​ library of images I developed in​ those years owes to him. ⁢And then ⁣I remember all‌ the holidays together in ‌Conca dei Marini at the ​lawyer d’Urso: from there ‌we left to Castellammare di Stabia, we ​learned to recognize the ⁣geological eras from the lines on the rocks. And then ⁤the quiet visits to Pompeii and Paestum.

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What⁤ techniques does Monica Guerritore use to connect with⁣ the characters‌ she portrays?

Time.news Interview: ​Unveiling Layers with Monica Guerritore

Editor (E): Good afternoon, Monica. It’s a pleasure to have you with us today. Your work‌ in “Inganno” on Netflix has certainly sparked‍ conversations. You’ve likened your craft as an actress to archaeology, digging into characters to unearth their stories. Could you explain what that means for you?

Monica Guerritore (M): Thank you for⁢ having me!​ That ‍metaphor resonates​ deeply with me. Just as an archaeologist sifts ⁢through sediment ‍to reveal the past,⁢ I, too, delve into the ⁢layers of a ‍character’s psyche. Each ⁤role is like a buried treasure waiting to be discovered. It’s not just⁣ about the ‍script; it’s about understanding the nuances, the emotions tied to their experiences.

E: That’s a fascinating ​perspective. In “Inganno,” you portray Gabriella, and the narrative touches on love, suffering, and the complexities of emotion in later life. How do you think this story reflects the ⁢human experience today?

M: “Inganno” is a poignant exploration of love and vulnerability at any age. For the past two decades, I’ve observed a significant absence in stories centering on women experiencing passion beyond traditional narratives. Here, Gabriella embodies that realism; she expresses love not just as a physical act but as a complex emotional response. It challenges societal norms about aging and desire.

E: ‍You’ve previously mentioned the significant influence of Strehler and Gabriele Lavia on your career. How have they shaped your approach to acting?

M: Strehler is a cornerstone of my artistic journey.⁤ He once told me, “You will be an actor… and a good person.” That mantra has guided me in my choices. Gabriele Lavia was my partner in every sense; he was not just my husband but also my creative collaborator. The lessons, love, and memories we shared are irreplaceable and continue to inspire me.

E: In your role, you’ve faced some criticism, particularly regarding the portrayal of desire and love in your work. What is your response⁤ to those critics who may not follow ⁢your artistic vision?

M: Art is subjective, and criticism is part of the game. I challenge ‍those who question the representation ⁣of love and desire ​in “Inganno” to reflect on their ‍own biases. Why ‍is ⁢it that stories centered around the emotional complexities‌ of older women are often sidelined? It’s vital to portray both the struggles and joys authentically, without apologies.

E: Switching gears a bit, you’re currently working⁣ on a project about Anna Magnani. What excites you most ⁢about this endeavor?

M: Anna Magnani was a​ powerhouse of emotion and talent. Portraying her is both ‌an honor and a challenge. ‍I’m excited to dig ​into her ‍life, her struggles, her triumphs—a true testament to resilience. It feels like I’m unearthing another layer of history, ⁣another character who shaped the acting world.

E: As we wrap up, what do you hope ‌audiences take away from your work in‌ “Inganno” and your upcoming⁢ projects?

M: I hope audiences will reflect on the richness of human emotion at every stage of life. Love and vulnerability are universal themes that ​deserve celebration, regardless of age. Each project ‍serves as a reminder that our stories, no matter how⁤ layered, are ⁣potent and worthy of exploration.

E: Thank you, Monica. ⁢Your⁤ insight into the craft of acting and your dedication to telling meaningful stories are‍ truly inspiring. We look forward⁤ to seeing where your journey takes you next!

M:‍ Thank you! I’m excited to share more in the future.

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