(24News) Listen to the drama based on love and society in Mere Dil Mein, this drama is a beautiful combination of love and difficulties based on love, however, the story of the drama is based on very slow and useless dialogues, unnecessary words are used. Gone and the characters are seen walking around in make-up all the time, the play is very depressing, the play uses very poor and rotten type of old dialogues.
Drama Sun Mere Dil is a drama produced under the banner of Seventh Sky Entertainment which has Wahaj Ali, Maya Ali, Haramani and Usama Khan in lead roles. The drama is penned by the famous writer Khalilur Rehman Qamar while it is directed by Haseeb Hasan, famed for the drama ‘Tere Bin’. Accomplished actor Wahaj Ali needs no introduction today, Wahaj Ali is one of the famous actors of Pakistani drama industry. His role is considered to be the guarantee of the success of the drama. Maya Ali is a well-known name in the Pakistani drama industry, born in Lahore. 35-year-old actress Maya Ali started her career with the drama serial Dari Shahwar, after which she did many hit dramas one after another. And there are movies.
Now let’s talk about the story of the drama, so far in the episodes that have come on air, the story has been shown quite slow, the story of the drama has been shown to be unnecessarily depressing, humor has been kept away from the drama, the story revolves around a character Sadaf. Ghomati, whose brother is a blood cancer patient, as soon as her father finds out about his son’s illness, he becomes depressed. He needs 8 crores for the treatment, but he is unable to collect that much money. is unable to because of which he suffers a heart attack and dies in the darkness of the night, Sadaf finds out that she goes to Bilal Abdullah, a character her late father used to work for, Bilal Abdullah is an alcoholic. There is a person and he also has illicit affairs with girls. She goes and asks him for help and says that she is ready to do anything in return. Another character in the story is Ammar who is in love with Sadaf. He is also working for Bilal Abdullah and as soon as he finds out that she has come to ask for money from Bilal, he gets worried.
The story seems extreme and devoid of common sense, after seeing what has been shown in the seven episodes that have been aired so far, a common man can do nothing but regret. Not remotely related, Khalil-ur-Rehman Qamar is known for his unique and powerful story, but here he may have been beaten, the play has been unnecessarily made up, even the death of the father. But the daughter’s make-up was perfect, Bilal Abdullah (Wahaj Ali) is drunk all the time, yet he is the biggest businessman while he gives jobs to people without interview or application. And does Sadaf do a similar job? Meaning without even trying it? He hasn’t even sent his CV, the boss knows nothing about his qualifications and is willing to give him a job at a seemingly prestigious chain of hotels, just because he’s smitten by her? And on what basis? That she was crossing the street like a child?
The Sadaf-Amar story is also quite funny, why is Sadaf being so rude to this boy? What’s the point of making fun of it? And it’s not that he’s bad as a man or that he’s done something bad to her, socially he’s a good match, and it’s the first time he’s confessed to her, and all. The important thing is that he used to be his friend, and Ammar’s threat to drink poison seems completely irrational, and Ammar’s character is extremely weak compared to Bilal Abdullah. Could be a substitute for Bilal?
The play uses old dialogues that are very poor and rotten, women can’t face problems, men will be a child, a eunuch will understand, a good girl is a complete girl, all these are not only old but also quite offensive. After hearing these words one can only sigh, the only thing that is commendable in this play is Bilal Abdullah’s acting, he looks completely lost in the role, his eyes seem to be acting with him. Currently Wahaj is carrying this drama and if no worthwhile topic is brought in the story, soon this drama will lose its importance.
Interview between Time.news Editor and Khalil-ur-Rehman Qamar
Time.news Editor: Good afternoon, and welcome to this exclusive interview on Time.news. Today, we have the renowned writer Khalil-ur-Rehman Qamar, whose latest drama, “Sun Mere Dil,” has stirred quite a conversation. Thank you for joining us, Khalil.
Khalil-ur-Rehman Qamar: Thank you for having me. It’s always a pleasure to discuss my work and engage with the audience.
Editor: Let’s dive right in. Your drama has received mixed reviews, with some critics pointing out the perceived slowness of the dialogue and a lack of humor. How do you respond to these critiques?
Khalil-ur-Rehman Qamar: I appreciate all forms of feedback, as they reflect the diverse perspectives of viewers. “Sun Mere Dil” is intended to explore deep emotional themes. While I understand that the pacing may seem slow to some, it serves to emphasize the gravity of the characters’ struggles. It’s about capturing the nuances of heartbreak and despair.
Editor: Speaking of despair, the plot centers around Sadaf, who faces tragic circumstances surrounding her brother’s illness and her father’s sudden death. What inspired you to write such a heavy narrative?
Khalil-ur-Rehman Qamar: Life is often filled with hardships, and I aim to reflect that truth in my storytelling. Sadaf’s journey is meant to resonate with anyone who has faced adversity. The aim is not just to tell a tragic tale, but to provoke thought and evoke empathy among viewers.
Editor: That sounds noble, but some viewers feel that the dialogues verge on the “unnecessarily depressing.” Do you think the emotional weight is becoming too much for your audience?
Khalil-ur-Rehman Qamar: Emotional stories resonate differently with each audience member. While some find it overwhelming, others appreciate the authenticity. I strive to challenge societal norms through my writing. Sometimes, that means portraying the raw, unfiltered aspects of life—even when it’s uncomfortable.
Editor: Fair point. With respected actors like Wahaj Ali and Maya Ali in the lead, viewers expect a certain depth to their performances. How do you think the actors bring your vision to life?
Khalil-ur-Rehman Qamar: Both actors are incredibly talented and bring their unique strengths to the table. Wahaj’s ability to portray vulnerability and Maya’s emotional depth intensify the narrative. Their performances are integral in conveying the core of my writing.
Editor: However, there are concerns regarding the characters being overly glamorous, in stark contrast to their dark situations. Do you think this diminishes the authenticity of the story?
Khalil-ur-Rehman Qamar: I believe that the portrayal of characters can be stylized in ways that resonate with modern audiences. While I aim for realism in emotions, the aesthetics can sometimes serve as a form of escapism. It’s crucial to balance visual appeal with narrative depth.
Editor: That’s an intriguing perspective. As a prolific writer in the Pakistani drama industry, how do you see the future of drama evolving based on audience feedback and changing societal contexts?
Khalil-ur-Rehman Qamar: As society evolves, so should our stories. Audience feedback is crucial in this evolution. I see a growing appetite for stories that reflect real-life complexities, and I believe that intertwining love with societal issues can spark meaningful conversations among viewers.
Editor: Before we wrap up, do you have any message for your audience who may be feeling conflicted about “Sun Mere Dil”?
Khalil-ur-Rehman Qamar: I encourage viewers to approach the drama with an open mind and heart. Every story has layers waiting to be uncovered. I hope that even the seemingly heavy aspects of “Sun Mere Dil” lead to understanding and reflection on life’s challenges.
Editor: Thank you, Khalil, for sharing your insights with us today. It’s been a pleasure to delve into the complexities of your storytelling.
Khalil-ur-Rehman Qamar: Thank you for the thoughtful discussion!