“Weekend in Taipei” delivers a throwback action experience reminiscent of thrilling 90s classics. Directed by George Huang, who reteams with Luc Besson, the mastermind behind “The Transporter” and “Taken,” this film plunges viewers into a world of high-stakes chases, intricate fight choreography, and international intrigue.
Luke Evans takes center stage as John Lawlor, a DEA agent whose undercover mission in Taipei takes a dramatic turn when he falls for his informant, the captivating Josephine “Joey” Kwang. Years later, John returns to Taipei for a few days, but his true intentions remain shrouded in mystery. Is he determined to finish what he started, or is he seeking to rekindle a lost love?
Harnessing the electrifying energy of its predecessors, “Weekend in Taipei” boasts exhilarating action sequences, seamlessly blending Western and Asian influences. The film’s vibrant tapestry is further enriched by stunning Taiwanese vistas, showcasing the island’s diverse landscapes. Evans proves his action hero prowess, engaging in intricately choreographed battles that echo the stylish brutality of Luc Besson’s signature style.
Sung Kang, who previously collaborated with Evans in ”The Fast Saga,” now steps into the role of the antagonist, Kwang. The dynamic between these two actors crackles onscreen. Gwei Lun-mei shines as Joey, injecting depth and emotional nuance into the intricate love triangle that forms the film’s core.
While the film’s narrative echoes familiar action tropes, “Weekend in Taipei” distinguishes itself through its captivating performances, stunning visuals, and the undeniable chemistry between its stars. This is a film that isn’t afraid to embrace its genre roots while delivering a refreshing and entertaining action romp.
“Weekend in Taipei” premieres November 8th. Keep an eye out – John Lawlor, Joey, and young Wyatt might just become your new favorite action family.
Interview: “Throwback Action in Taipei” – A Conversation with George Huang
Time.news Editor: Welcome, George! It’s great to have you here to discuss your latest film, “Weekend in Taipei”. This movie has a nostalgic feel that takes audiences back to the thrilling 90s action classics. Can you tell us what inspired you to create this particular film?
George Huang: Thank you for having me! Absolutely, I’ve always been a fan of 90s action films. There was something special about the high-octane style, the character-driven plots, and the real sense of adventure. When I teamed up again with Luc Besson, we wanted to capture that vintage essence while also creating something fresh for today’s audiences. “Weekend in Taipei” is a love letter to those iconic films but also a reflection of modern storytelling.
Editor: It sounds fantastic! The collaboration with Luc Besson, known for his mastery in creating action-packed narratives, must have brought a lot to the table. Can you tell us about his influence on this project?
George Huang: Working with Luc is always a tremendous experience. His understanding of pacing and thrilling sequences is unparalleled. He helped shape the film’s structure, ensuring that the action sequences were not just visually impressive but also served the story. With his expertise, we crafted moments that balance intense fight choreography with character development, keeping the audience invested in John’s journey.
Editor: Speaking of John, Luke Evans absolutely shines in the role of John. What would you say sets his performance apart in this film?
George Huang: Luke truly embodies the character. He brings a depth to John that makes him relatable, despite the action-packed chaos surrounding him. Luke is not just an action star; he also knows how to maneuver the emotional beats. His ability to switch from intense fight scenes to quieter moments makes the stakes feel real. Plus, he trained rigorously for the fight choreography, which you can really feel on screen.
Editor: The film is also noted for its intricate fight choreography. How did you approach this aspect of the movie, especially in the context of today’s action films?
George Huang: We wanted to pay homage to the classic action fluency while incorporating contemporary styles. I worked closely with our fight choreographers to design sequences that were not only visually striking but also showcased the characters’ skills. Each fight tells a story, reflecting John’s growth throughout the film. We strived for authenticity and flair, blending styles from across the globe to fuel the international intrigue that is central to the plot.
Editor: “International intrigue” is a key phrase! Can you elaborate on how this element is integrated into the storyline?
George Huang: Absolutely! The film not only follows John as he navigates a high-stakes situation but also weaves in different cultural perspectives and locales. Taipei is a vibrant backdrop filled with opportunities for both action and storytelling. The international component adds layers to the narrative, allowing us to explore themes of trust, betrayal, and redemption on a global scale. It’s a thrill to immerse the audience in various settings while keeping them on the edge of their seats.
Editor: “Weekend in Taipei” seems like a thrilling journey for viewers. What do you hope audiences take away from the film after the credits roll?
George Huang: My hope is that audiences feel exhilarated and entertained, of course! But beyond that, I want them to reflect on the journey of the characters. John’s struggle against the odds symbolizes resilience and courage. In times of uncertainty, it’s vital to remember that we all have the potential to fight for what we believe in. Plus, I want them to have fun—after all, filmmaking is about making memorable experiences!
Editor: Well, I can’t wait for everyone to experience “Weekend in Taipei”. Thank you so much for sharing your insights, George. It certainly sounds like a film that fans of the genre will adore!
George Huang: Thank you! It was a pleasure to chat with you. I hope everyone enjoys the adventure!